WEBVTT

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For Emmanuel Macron,
this moment is an important one.

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The Great National Debate
called by him in December,

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it's a way to quell
the many tensions here that...

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Initiated in December.

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Okay. After four months
of consultations, conferences,

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conferences and Congress,

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will Macron take it...
take it personally? No, who cares?

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Will he be up to meeting the challenge
that he's set himself?

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Okay, the Yellow Vests await a meeting
without the expectation...

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No, without hope. Dammit!
Without hope, without belief...

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Damn.

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- Yes?
- Elena, it's me.

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- Something's come up.
- Meaning?

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- We're pulling the Yellow Vests.
- What?

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Are you kidding? I... I'm here.

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Elena, I'm really not in the mood
to fool around.

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Yeah, but how... It's just not fair
to pull the Yellow Vests.

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They're the ones
who have forced down Macron.

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There's a fire at Notre-Dame.

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- My goodness!
- How quickly can you get there?

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About...

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15 minutes, if I run all the red lights.

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Okay. You be careful there.

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Okay. Okay, all right.
I'll call you back, take care.

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Okay.

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Adamski!

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***!

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What the hell are you doing?
Are you crazy?

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Taupin to command post, do you read me?

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The entire frame is on fire.

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Breathe!

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Look at me.

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- Are you okay?
- Yeah, I'm fine.

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Come on, let's go.

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Let's go!

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2 YEARS BEFORE THE NIGHT OF NOTRE-DAME

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These are terrible seats.

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It's not a good quartet,
and the cello is terrible.

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Then do what I do. Switch off.

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Quiet, Ben! Shh.

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Your wife was right not to come.

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- I'm going for a cigarette.
- Yes.

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Calm down. It's just the interval.

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Okay.

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I'll be back.

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Excuse me, sir.
Could you spare a cigarette?

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But of course.

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Thank you, very kind.

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- You wouldn't have a light?
- Sure, I have it all.

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I'm surprised you smoke.
I mean, being a fireman.

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First in 15 years.

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Stressed?

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Yep.

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For me, it's,
it's my wife playing the cello.

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The...

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- The cello is your wife?
- Yes.

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- Dad? Hello.
- Victoire.

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- Hi, there.
- Coming? About to start.

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Let's go.

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Bye-bye. Enjoy.

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You too.

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- All right.
- You good?

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I'm fine.

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It's very good of you to come.

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Five years with the brigade.

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Denis saved lives.

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That's very important.

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Do you believe in God?

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No, not really.

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I'm sure he's in heaven.

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With your son.

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Hello?

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Hello?

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Hello?

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Why do you keep calling this number?

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Hello?

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Hello?

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General, I think we should send
a fourth team to the Chimera Gallery.

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No, it's too late
to save the wooden frame.

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And we won't be able to save the spire
from a position in the Gallery.

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Right, but if we wanna stop
the whole vault from collapsing,

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then we have to cool the roof.

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Okay, up to you.
But how are things in the nave?

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Everything looks normal for now.

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Let's locate the source
and brief the unit heads.

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Okay, copy that.

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WHOEVER WILL SAVE HIS LIFE WILL LOSE IT

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BUT WHOEVER LOSES HIS LIFE FOR ME
AND THE GOSPEL SHALL BE SAVED.

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Excuse me.

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Come on,
I'm about to run you over. Excuse me!

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Excuse me, please.

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Incredible.

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- Sorry.
- Can I help?

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- Yes, please.
- You are?

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- ... here.
- Press? Go ahead.

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- Yeah, press. Thanks.
- Okay, that's fine. Thanks.

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Thanks a lot.

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Okay.

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Yeah?

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I'm good. I'm here.

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- Something I need to tell you.
- That was a pain.

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We're sending Grégoire.
He'll give his report from the forecourt.

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- You're doing what?
- He'll be there in 15 minutes.

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***!

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It's unbelievable. Okay.

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What can I say? It's Mérieux.

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It's his channel.

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The audience
has been busting his * for months.

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He wants his star host in the field.

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He wants an event within an event.

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Come on, that's ridiculous, Steph.
You know that!

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Grégoire is glued
to his presenter's chair.

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How's he gonna get out of it?

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He's never been in the field.
He'll get thrown off.

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Exactly. That's the event within an event.

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*** seriously?

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Elena.

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You have to try to get ahead of everyone.

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I want you in with the firefighters in 15.

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Maybe,
but I bet you want me in the cathedral.

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- If you can, that'd be great.
- I was joking, Steph. I'll call you back.

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Love you, babe.

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Sit down. Get your breath back.

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Colonel Varèse, this is Taupin.

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Do you copy?

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Look out! Protection!

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PS 126,
we're in position on the Chimera Gallery.

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Okay, copy.

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We're joining Taupin and PS 221
in the south transept.

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Copied.

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How's it going?

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The whole structure is on fire.

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No way we save the rafters.

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Keep working on the source.

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We have to stop the vault from collapsing.

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Can you reach the spire?

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Hard to say.

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They might have
a better view from the gallery.

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But they're too far away!

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- Any good from the north transept?
- No better than here.

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The aerial platforms are positioning.

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In the meantime,
you need to hold the ledge.

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It's over 800 degrees up here!

00:10:56.560 --> 00:11:00.000
If the scaffolding doesn't hold,
it'll fall right on top of us!

00:11:00.880 --> 00:11:02.400
We should not have used the hose.

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***.

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It's pointless! We can't even see
a quarter of it from here.

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I'm gonna go see if maybe Brick's group
can reach it from the gallery at the top.

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- Is something wrong?
- Nothing, I'm all right.

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Sure?

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Yes, I'm sure.

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Okay.

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- Hello.
- Hello. Table for two?

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Two, please. Thanks.

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I just wanted to let you know
things aren't going very well with Ben.

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What are you saying?

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Well,
he and I have agreed to get a divorce.

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But he couldn't bear to say it.

00:11:59.280 --> 00:12:02.240
We actually knew
early on it wouldn't work.

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Even though we both thought...

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we said to ourselves
it would be all right.

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But there you go.

00:12:08.000 --> 00:12:09.840
We've barely seen each other
since last summer,

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and, well, he's been seeing
someone else for the last few months.

00:12:14.520 --> 00:12:16.840
And, well, so have I.

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I'm so sorry.

00:12:21.120 --> 00:12:23.000
You know, he didn't want to hurt you.

00:12:23.960 --> 00:12:25.040
It's all right.

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Hello?

00:13:08.240 --> 00:13:09.240
Hello?

00:13:14.240 --> 00:13:15.240
Hello?

00:13:24.640 --> 00:13:27.080
Rico didn't like
me coming back empty-handed.

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And I didn't appreciate you talking *.

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Years ago, when you were in a mess,
he helped with your business.

00:13:36.000 --> 00:13:39.480
- Helped with the money.
- Serge, that's enough. I don't have time.

00:13:41.880 --> 00:13:45.000
You think I've nothing better to do
than chase you around?

00:13:49.200 --> 00:13:51.800
- I like this car.
- It's not mine.

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- Whose is it, then?
- The woman I love.

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The woman you love.

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That's nice.

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Does the * have money?

00:14:07.680 --> 00:14:11.120
You see his face?
He didn't like me calling her a*?

00:14:30.000 --> 00:14:33.080
Get out! Out! Out! Out!

00:14:33.160 --> 00:14:36.760
So what does it feel to have this thing
pointed at your face? Answer me!

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Next time, bring a hammer!

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Where's the other one?

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Where is he?
Who's the * now?

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- Answer! Who's the*?
- It's me, it's me, it's me!

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It's me!

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Stupid ***.

00:14:57.760 --> 00:15:00.560
- Is it broken? Take that!
- You ***

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You wanker!

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Come on. Start, start.

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***er.

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Hey. What are you doing here?

00:16:07.720 --> 00:16:08.760
Hello?

00:16:09.440 --> 00:16:10.920
Where are your parents?

00:16:11.000 --> 00:16:13.320
He's over there.
My dad is the captain, yeah?

00:16:13.400 --> 00:16:14.800
And he wants me to see him.

00:16:14.880 --> 00:16:15.880
Who is your dad?

00:16:15.960 --> 00:16:17.400
- Hamidou.
- Hamidou what?

00:16:17.480 --> 00:16:20.160
Diallo, like me. Captain Hamidou Diallo.

00:16:20.240 --> 00:16:22.600
Or Colonel.
He's really high up, you know.

00:16:22.680 --> 00:16:24.560
Well, let's see, then.

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Come along.

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Anyone here named Hamidou Diallo?

00:16:31.080 --> 00:16:33.440
What is it? What's going on with that kid?

00:16:44.760 --> 00:16:46.400
Get back! Stay back!

00:17:41.840 --> 00:17:42.840
My ball!

00:17:57.360 --> 00:17:59.120
My ball, my ball!

00:18:02.040 --> 00:18:04.680
Hey! Help, people!
There's a kid drowning here!

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- My ball!
- Help! There's a kid drowning over here!

00:18:07.320 --> 00:18:09.360
He's just over there, right in...

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My ball! My ball!

00:18:23.800 --> 00:18:25.840
My ball!

00:18:26.360 --> 00:18:27.400
My ball!

00:18:45.880 --> 00:18:47.080
Hold on.

00:18:47.160 --> 00:18:48.160
My ball!

00:18:48.640 --> 00:18:49.640
Stop!

00:18:54.440 --> 00:18:56.440
Calm down!

00:19:11.640 --> 00:19:13.800
- Are you okay?
- Yeah, I'm fine.

00:19:14.600 --> 00:19:16.040
But I lost my ball!

00:19:18.760 --> 00:19:20.440
- Your ball?
- Yeah.

00:19:20.520 --> 00:19:22.320
You jumped in after your ball?

00:19:25.840 --> 00:19:29.400
Will you look at me?
You know we both could've died in there.

00:19:29.480 --> 00:19:32.600
Yeah, but that ball belonged to my dad.

00:19:33.160 --> 00:19:34.800
Because that's your dad's ball?

00:19:35.320 --> 00:19:36.320
Really?

00:19:37.480 --> 00:19:41.400
You know, you should think
before acting stupid.

00:19:45.640 --> 00:19:48.280
Wouldn't your dad prefer
to have a son than a ball?

00:19:53.960 --> 00:19:55.200
COMMAND POST PC3

00:19:55.280 --> 00:19:57.840
Colonel, there's no one left
on the structure.

00:19:57.920 --> 00:19:59.400
They've come down to the first ledge.

00:19:59.440 --> 00:20:01.320
I need visuals.
Where are we with the drones?

00:20:01.360 --> 00:20:03.960
We have to ask
the Police Commissioner for drones.

00:20:04.000 --> 00:20:06.000
The fireboats are at Bercy.

00:20:20.600 --> 00:20:23.120
This is where we collect and handle

00:20:23.160 --> 00:20:24.920
all the information
that comes in from the field,

00:20:24.960 --> 00:20:27.320
but also anything extra from the media.

00:20:27.400 --> 00:20:28.400
General.

00:20:32.920 --> 00:20:34.880
Any news on the aerial platforms?

00:20:36.040 --> 00:20:37.040
Lieutenant?

00:20:38.240 --> 00:20:40.840
It'll be at least
another half hour, General.

00:20:40.840 --> 00:20:41.840
And the fireboats?

00:20:41.960 --> 00:20:44.000
They're on their way from Bercy.

00:20:44.080 --> 00:20:45.440
How many teams are running?

00:20:46.000 --> 00:20:47.400
Six.

00:20:47.480 --> 00:20:50.920
Five on the way, six already in position.
They're awaiting orders, General.

00:20:51.000 --> 00:20:52.880
What about Taupin, his team?

00:20:53.360 --> 00:20:56.800
- Tough, but they're holding up.
- South side access is locked.

00:20:56.880 --> 00:20:58.760
We'll deposit the equipment outside.

00:20:59.360 --> 00:21:01.040
We'll be back as soon as we can.

00:21:17.880 --> 00:21:18.960
Antony?

00:21:23.160 --> 00:21:24.160
Antony!

00:21:25.840 --> 00:21:27.480
Antony!

00:21:27.560 --> 00:21:29.160
Beg your pardon! Sorry, miss.

00:21:29.680 --> 00:21:31.360
- You okay?
- Fine, fine.

00:21:31.440 --> 00:21:32.880
Antony!

00:21:40.920 --> 00:21:42.800
Antony! Antony!

00:21:45.160 --> 00:21:46.520
Man!

00:22:00.320 --> 00:22:01.320
Hello.

00:22:01.360 --> 00:22:02.880
What's going on here?

00:22:02.960 --> 00:22:05.480
Nothing. Just waiting for a footballer
to come out of his flat.

00:22:05.560 --> 00:22:07.520
- James Larier, is it?
- Yeah.

00:22:07.600 --> 00:22:09.320
Yeah. Up there. Top floor.

00:22:10.120 --> 00:22:11.120
Thanks.

00:22:18.520 --> 00:22:20.280
- Yes?
- Hey, it's me.

00:22:20.360 --> 00:22:21.480
What you mean, "me"?

00:22:21.560 --> 00:22:22.960
Sorry, got the wrong number.

00:22:26.600 --> 00:22:27.760
- Yes?
- It's me.

00:22:27.840 --> 00:22:28.880
It's about time!

00:22:38.960 --> 00:22:40.080
Good evening.

00:22:46.320 --> 00:22:48.960
It's Victoire!

00:22:49.040 --> 00:22:50.880
Victoire! Victoire!

00:22:54.000 --> 00:22:56.920
Victoire! Victoire!

00:22:57.640 --> 00:22:59.880
*** off! Who the *** are you?

00:23:00.560 --> 00:23:02.680
***'s sake, who are you? ***!

00:23:02.760 --> 00:23:04.320
Where's Victoire?

00:23:05.480 --> 00:23:06.480
Victoire!

00:23:07.280 --> 00:23:08.840
Honey, call the police! Go on!

00:23:08.920 --> 00:23:09.800
"Honey"?

00:23:10.960 --> 00:23:12.920
- So who's Victoire?
- Victoire!

00:23:13.000 --> 00:23:16.600
Just forget I exist. It's over! Yeah.

00:23:16.680 --> 00:23:20.080
Just get on with your own crappy life.
Bloody transfer.

00:23:20.160 --> 00:23:22.040
Your bloody *s
and all your other*!

00:23:26.600 --> 00:23:29.080
Where's Victoire? Where is she?

00:23:29.160 --> 00:23:30.640
Who's she? Who's Victoire?

00:23:37.560 --> 00:23:39.920
Not now. No.

00:23:40.000 --> 00:23:43.280
- Is it terrorism?
- Up there. We need somebody up there.

00:23:43.360 --> 00:23:44.800
What is this, then?

00:23:45.880 --> 00:23:46.800
I disagree.

00:23:46.880 --> 00:23:51.000
There are too many conspiracy theories
not to allow a reporter to shadow you.

00:23:51.080 --> 00:23:55.080
No, no, no. There's enough pandemonium
with all the comm services

00:23:55.160 --> 00:23:57.920
trying to secure re-election
or promoting whoever they want.

00:23:57.920 --> 00:23:59.400
I think there's enough cameras.

00:23:59.400 --> 00:24:01.520
They'll think we're hiding something.

00:24:01.560 --> 00:24:04.000
Who's handling the fire? Us or Twitter?

00:24:04.600 --> 00:24:07.920
If your team takes the pictures it needs,
we'll provide the drones.

00:24:08.000 --> 00:24:10.920
And the Minister
will handle communications, not you.

00:24:12.760 --> 00:24:15.920
You have just one job to do.
Save Notre-Dame.

00:24:21.360 --> 00:24:24.280
Sorry, but we really need to tell
the police to move their cars.

00:24:24.360 --> 00:24:27.160
- Or we'll move them. Okay?
- Copy that.

00:24:27.720 --> 00:24:30.800
South transept,
a colleague is bringing another hose.

00:24:30.880 --> 00:24:32.200
- Okay.
- Thanks.

00:24:32.280 --> 00:24:33.120
This is Colombier.

00:24:33.200 --> 00:24:35.160
We need backup to help evacuate buildings

00:24:35.240 --> 00:24:36.520
in Quai de Montebello.

00:24:36.600 --> 00:24:38.320
- I'll try to arrange that.
- Thanks.

00:24:40.280 --> 00:24:42.080
Sévigné, from the third regiment.

00:24:42.160 --> 00:24:45.080
- it's good to see you.
- Tell me how we can help.

00:24:45.160 --> 00:24:47.640
Right now, we need to shut off
the gas supply near the hospital.

00:24:47.680 --> 00:24:49.920
- Okay.
- Access is through the sewers.

00:24:49.920 --> 00:24:52.920
There, there, and maybe there.
I'm not sure, you'll need to check.

00:24:52.960 --> 00:24:55.000
- Okay, got it. Let's go.
- Thanks.

00:25:11.640 --> 00:25:12.840
- Hi.
- Hi.

00:25:13.320 --> 00:25:15.080
I can't believe it. Wow.

00:25:15.160 --> 00:25:16.480
You haven't changed.

00:25:16.560 --> 00:25:17.800
- Really?
- Really.

00:25:18.360 --> 00:25:19.760
Neither have you.

00:25:19.840 --> 00:25:21.040
But you're...

00:25:21.840 --> 00:25:23.160
You look in better shape.

00:25:23.680 --> 00:25:26.520
Yeah, well, I worked out
to get into the brigade.

00:25:27.680 --> 00:25:30.320
I didn't know.
So you're a firefighter?

00:25:30.400 --> 00:25:32.000
Apparently.

00:25:33.000 --> 00:25:35.400
- No, I mean, here in Paris.
- Yeah.

00:25:36.040 --> 00:25:37.320
Okay.

00:25:39.400 --> 00:25:41.360
It's been an age.

00:25:42.080 --> 00:25:43.080
Well, yeah.

00:25:43.720 --> 00:25:44.720
Six years.

00:25:45.440 --> 00:25:46.440
Seven.

00:25:46.880 --> 00:25:47.880
And a bit.

00:25:48.520 --> 00:25:49.720
Well, thereabouts.

00:25:52.520 --> 00:25:56.400
Um, my... my channel was picked
by the Commissioner and Prefect

00:25:56.400 --> 00:25:59.120
to report on the operation.

00:25:59.720 --> 00:26:01.920
And they called me, as I was nearby.

00:26:02.000 --> 00:26:03.520
They asked you to cover this?

00:26:04.640 --> 00:26:05.840
Well, yeah.

00:26:07.440 --> 00:26:08.960
So, how's it going?

00:26:10.960 --> 00:26:11.960
Here.

00:26:19.640 --> 00:26:20.920
Images pass through here

00:26:20.960 --> 00:26:23.520
and then the mainframe
where other channels get to use them.

00:26:23.600 --> 00:26:25.680
Don't film anything sensitive.

00:26:26.640 --> 00:26:28.880
Information isn't censored in France.
Know that?

00:26:28.960 --> 00:26:31.160
Yeah, I heard that. Here.

00:26:31.960 --> 00:26:35.160
Keep this earpiece on.
I need to be able to contact you any time.

00:26:36.640 --> 00:26:39.440
Watch where you walk
and for anything that could fall on you.

00:26:39.520 --> 00:26:41.040
And stay away from hot surfaces.

00:26:43.360 --> 00:26:45.280
And do as you're told by the firemen.

00:26:47.200 --> 00:26:48.440
They give you a guide?

00:26:49.400 --> 00:26:51.040
Of course. Cool.

00:26:52.600 --> 00:26:53.600
Appreciate it.

00:27:01.040 --> 00:27:02.040
Steph?

00:27:02.440 --> 00:27:04.800
I'm connected to the central. We're in.

00:27:04.880 --> 00:27:06.640
You serious? How did you manage that?

00:27:07.680 --> 00:27:08.680
I found a way.

00:27:09.160 --> 00:27:10.200
I knew you would.

00:27:10.960 --> 00:27:14.040
Next job, get into the cathedral.
Call you back.

00:27:19.040 --> 00:27:21.000
There, drink this now. It'll help.

00:27:21.760 --> 00:27:22.760
Drink.

00:27:23.480 --> 00:27:25.840
- You're not having one.
- No, I don't have time.

00:27:29.040 --> 00:27:31.200
I'm pretty *** up.

00:27:31.840 --> 00:27:33.160
Really *** up.

00:27:34.040 --> 00:27:36.840
James, you have to put things
in perspective.

00:27:37.800 --> 00:27:40.200
About six years ago,
I was the king of Paris.

00:27:40.280 --> 00:27:43.080
I had two clubs and a restaurant.
How long have you been here?

00:27:43.160 --> 00:27:45.120
- What, at the training centre?
- Yeah.

00:27:45.200 --> 00:27:47.440
Maybe about six years or something.

00:27:48.240 --> 00:27:51.520
They come and go, PSG guys.
Back then, business was booming out.

00:27:51.600 --> 00:27:54.320
But the city decided I was a problem.

00:27:54.400 --> 00:27:57.320
Admin checks, health inspections, audits.

00:27:57.400 --> 00:27:58.880
Closures because of noise.

00:27:58.960 --> 00:28:02.240
Drug busts. I had it all, until I got
permanently shut and went bankrupt.

00:28:02.320 --> 00:28:03.960
But you see, I'm still here.

00:28:04.040 --> 00:28:05.040
And you?

00:28:05.920 --> 00:28:07.320
What position do you play?

00:28:07.400 --> 00:28:09.600
- Attacking midfielder.
- You any good?

00:28:09.680 --> 00:28:10.800
Yeah, I am.

00:28:10.880 --> 00:28:13.920
Well, if you're a good player,
you'll find another club.

00:28:13.920 --> 00:28:14.920
Trust me.

00:28:16.960 --> 00:28:17.800
Right.

00:28:17.880 --> 00:28:20.960
Now you're feeling better,
you can tell me.

00:28:22.360 --> 00:28:24.400
What do you know of Victoire?

00:28:24.480 --> 00:28:25.920
Here, that's her.

00:28:26.560 --> 00:28:27.640
- That's her?
- Yes.

00:28:27.720 --> 00:28:28.880
Well, I know her.

00:28:28.960 --> 00:28:31.000
I was with her last night.
She's a total slut.

00:28:31.080 --> 00:28:32.600
- She stole... Hey!
- What did you say?

00:28:33.320 --> 00:28:36.560
You had better watch your mouth.
You don't talk about girls that way.

00:28:36.640 --> 00:28:37.760
Okay, okay.

00:28:39.080 --> 00:28:41.840
- Take a good look.
- Yeah, I'm sure it's her.

00:28:41.920 --> 00:28:43.400
She went and stole my Mojo.

00:28:43.880 --> 00:28:45.120
Your what?

00:28:45.200 --> 00:28:47.360
My Mojo. It's a... it's a chain...

00:28:47.440 --> 00:28:48.840
A gold cross that has diamonds.

00:28:48.920 --> 00:28:51.760
I always have it on,
and I wake up this morning, and it's gone.

00:28:51.840 --> 00:28:53.480
And the other girls, who are they?

00:28:54.280 --> 00:28:57.240
I don't know her, but, yeah, that's Raina.

00:28:57.320 --> 00:28:59.640
Raina? She's a friend of Victoire's?

00:28:59.720 --> 00:29:02.560
Well, yeah,
she's the one who brought her along.

00:29:02.640 --> 00:29:03.840
You have a number?

00:29:06.440 --> 00:29:07.440
Here.

00:29:10.240 --> 00:29:11.320
You have a car?

00:29:11.920 --> 00:29:13.040
I have a few, so what?

00:29:16.120 --> 00:29:18.360
- Is this Raina?
- Yeah, speaking.

00:29:18.400 --> 00:29:21.840
Hi, I'm Max. I'd really like to meet.
Are you available?

00:29:21.920 --> 00:29:24.000
- When, now?
- Yes, now would be perfect.

00:29:38.360 --> 00:29:39.960
This music is*.

00:29:40.040 --> 00:29:42.840
There we are.

00:29:50.800 --> 00:29:52.400
Can you manage on your own now, or not?

00:29:52.480 --> 00:29:53.600
No.

00:29:55.040 --> 00:29:56.120
No, you can't?

00:29:56.200 --> 00:29:57.240
No, I can't. No.

00:29:57.320 --> 00:29:59.480
- You sure he's over there?
- Yeah.

00:30:00.680 --> 00:30:03.400
Why are you shaking like that?
Are you really that cold?

00:30:03.480 --> 00:30:04.480
Well, yeah.

00:30:04.560 --> 00:30:07.320
Okay, don't move.
I'll be right back. Don't move.

00:30:23.840 --> 00:30:26.200
- Here, put this on.
- What is it, a cape?

00:30:26.280 --> 00:30:28.480
Yeah, it's like a superhero.

00:30:30.080 --> 00:30:32.160
- What's your name?
- Billy. And you?

00:30:32.760 --> 00:30:34.920
- My name's Victoire.
- Victoire's pretty.

00:30:35.000 --> 00:30:36.000
Yeah.

00:30:36.880 --> 00:30:39.640
Well, don't get too attached
'cause our story ends here.

00:30:42.840 --> 00:30:43.840
Can you help me?

00:30:43.880 --> 00:30:45.640
Do you think
it'd be possible to get through?

00:30:45.720 --> 00:30:48.360
Because the boy needs to speak to his dad.
It's important.

00:30:48.440 --> 00:30:50.840
- Yeah, yeah sure.
- You don't mind? Thanks.

00:30:50.920 --> 00:30:52.000
Let's go.

00:30:54.360 --> 00:30:56.160
Right. You wait here, okay?

00:30:57.200 --> 00:30:59.560
- Wait, what's your dad called?
- Hamidou.

00:30:59.640 --> 00:31:00.560
- Hamidou, that's all?
- Hamidou Diallo.

00:31:04.000 --> 00:31:05.840
Excuse me, excuse me.

00:31:05.920 --> 00:31:07.920
Um, please, can I ask of you...

00:31:08.000 --> 00:31:10.600
- Just go around. You can't be here.
- No, I know.

00:31:10.680 --> 00:31:12.200
I just need one minute.

00:31:12.280 --> 00:31:15.040
- That kid's dad's here.
- What's his dad go by?

00:31:15.120 --> 00:31:16.760
He's called Hamidou Diallo.

00:31:16.840 --> 00:31:18.560
- Don't know him. Do you?
- No, I don't.

00:31:18.640 --> 00:31:21.000
- Sure his father's with the BSPP?
- I don't.

00:31:21.080 --> 00:31:23.480
- Is your dad with the BSPP?
- Yes.

00:31:23.560 --> 00:31:25.800
- Do you know what the BSPP is?
- No.

00:31:25.880 --> 00:31:29.400
***. I'm sorry,
but I can't look after him, okay?

00:31:29.480 --> 00:31:32.720
He said he's waiting here for his father,
but I've got to leave soon for a flight.

00:31:32.800 --> 00:31:35.600
Yeah, but we're kind of busy.
Go and ask the police, they'll help.

00:31:35.680 --> 00:31:37.080
Amazing. You're the best.

00:31:40.560 --> 00:31:42.320
All right, listen, Billy, look.

00:31:42.400 --> 00:31:44.400
I have an important place
that I have to be.

00:31:44.480 --> 00:31:47.240
You need to help me. Where do you live?
Is there somewhere you can go?

00:31:47.320 --> 00:31:49.000
In Saint-Denis with my sisters.

00:31:49.080 --> 00:31:52.000
Your sisters know you're here?
Did you tell them?

00:31:52.520 --> 00:31:54.480
- I forgot to tell them.
- ***.

00:31:54.560 --> 00:31:56.560
You know,
you can't just leave your home like that.

00:31:56.600 --> 00:31:57.960
It's too dangerous.

00:31:58.040 --> 00:32:00.040
Billy, it's dangerous.

00:32:00.120 --> 00:32:02.440
I haven't got the time
to take you home, Billy.

00:32:03.080 --> 00:32:04.640
I must get to the airport.

00:32:04.720 --> 00:32:06.440
It's okay. I'll come too.

00:32:06.520 --> 00:32:09.600
No, that's impossible.
Come on, let's go, then.

00:32:10.200 --> 00:32:12.160
We'll find a mobile and call your sisters.

00:32:12.240 --> 00:32:14.480
There's no point!
I don't remember their numbers.

00:32:14.560 --> 00:32:15.880
I don't know them.

00:32:17.760 --> 00:32:21.320
- Antony, can you hear?
- Yes, yes, I hear you.

00:32:21.400 --> 00:32:24.840
Tell me, whose permission
do I need to film inside the cathedral?

00:32:25.360 --> 00:32:27.080
Mine, and I'm telling you no.

00:32:27.840 --> 00:32:28.760
There's no way.

00:32:28.840 --> 00:32:31.600
It's too dangerous for us,
so for journalists...

00:32:31.680 --> 00:32:33.800
We're not talking about
any journalist here.

00:32:33.880 --> 00:32:35.400
Yeah, that's what I mean.

00:32:36.480 --> 00:32:39.640
I'm not asking to get near the fire.
I just wanna get a few pictures.

00:32:39.720 --> 00:32:41.000
Listen, forget it.

00:32:41.760 --> 00:32:43.760
Hold on. Who are you with?
Are you on your own?

00:32:43.840 --> 00:32:44.840
No, no, no.

00:32:48.120 --> 00:32:50.280
It feels so weird to hear your voice.

00:32:51.320 --> 00:32:53.920
I mean, it feels nice, but weird.

00:32:54.000 --> 00:32:55.080
Yeah, same.

00:32:56.440 --> 00:32:57.920
Have you been in Paris long?

00:32:58.400 --> 00:32:59.400
Two years.

00:33:00.080 --> 00:33:01.640
And you don't miss La Réunion?

00:33:03.800 --> 00:33:05.680
Sure. Sometimes, yeah.

00:33:05.760 --> 00:33:06.960
SOUVENIR FROM LA RÉUNION

00:33:07.040 --> 00:33:08.040
You?

00:33:10.200 --> 00:33:11.200
I do sometimes.

00:33:14.920 --> 00:33:16.760
- Elena, you there?
- Yeah.

00:33:16.840 --> 00:33:19.560
We still live over there?
Because there's no picture.

00:33:19.640 --> 00:33:23.440
- Did you cut the sound?
- No. I, Well, yeah, it was glitching.

00:33:23.520 --> 00:33:24.880
Elena, can you hear me?

00:33:25.480 --> 00:33:28.480
What's with the new headsets?
Are they okay?

00:33:28.560 --> 00:33:29.560
Where are you now?

00:33:29.640 --> 00:33:32.800
Well, I'm trying to find a way
to move into the cathedral.

00:33:32.880 --> 00:33:33.880
Are you okay?

00:33:34.240 --> 00:33:35.240
You sound weird.

00:33:35.320 --> 00:33:36.800
Not at all. I'm fine.

00:33:36.880 --> 00:33:39.320
- Are you sure?
- Yeah, I'm sure.

00:33:44.360 --> 00:33:46.560
Hang on, I could be on my way through.

00:33:52.480 --> 00:33:56.520
Hi, there. BFM.
Could you explain what exactly's going on?

00:33:56.600 --> 00:33:59.880
What's happening is that...
that it's... It's tricky.

00:34:00.480 --> 00:34:02.040
Tricky? What do you mean?

00:34:02.120 --> 00:34:05.400
Miss,
it's not really for me to say.

00:34:05.480 --> 00:34:08.560
Sure, but could you tell me a bit
about what you were doing?

00:34:08.640 --> 00:34:09.640
Sure.

00:34:09.720 --> 00:34:11.880
We were just in the nave
stopping the fire spreading.

00:34:12.480 --> 00:34:13.840
So it's got to the nave?

00:34:15.000 --> 00:34:16.680
Not yet,
but if you ask me,

00:34:16.720 --> 00:34:17.880
won't be long before it does.

00:34:17.920 --> 00:34:21.520
Elena, Elena, listen to me.
Do what you can to get into the nave.

00:34:22.080 --> 00:34:23.400
Can you show me?

00:34:24.720 --> 00:34:26.200
She has to get in.

00:34:26.960 --> 00:34:28.240
No, no, it's dangerous.

00:34:28.920 --> 00:34:32.160
But I've been granted full access
to film.

00:34:32.240 --> 00:34:34.200
Just at the entrance, one second.

00:34:38.520 --> 00:34:40.400
Come on, please. Just a few seconds.

00:34:40.480 --> 00:34:41.480
Promise.

00:34:42.080 --> 00:34:43.360
And you can come with me.

00:34:51.040 --> 00:34:52.160
Who's she?

00:34:52.680 --> 00:34:56.000
She's got permission.
Wants to film the nave for a few seconds.

00:34:56.080 --> 00:34:58.800
I'll be right by the entrance.
A few seconds, then I'm out.

00:34:58.880 --> 00:35:00.640
Who gave permission?

00:35:00.720 --> 00:35:02.360
Hold on, hold on. Don't panic.

00:35:02.440 --> 00:35:04.640
General Ducourt
and the Police Commissioner.

00:35:04.720 --> 00:35:06.960
Do you want to chat with my parents too?

00:35:08.920 --> 00:35:10.520
She can have ten seconds.

00:35:10.600 --> 00:35:12.160
She's amazing.

00:35:24.360 --> 00:35:27.320
The wind's coming from the east.
It's pushing the fire towards the towers.

00:35:27.840 --> 00:35:30.880
It means that the roof...
well, it's spreading underneath.

00:35:30.960 --> 00:35:32.880
I don't know if we can save it.

00:35:32.960 --> 00:35:35.080
Think we should focus
on saving the towers?

00:35:35.160 --> 00:35:38.000
Yeah, we might be able to.
But for now, they're unaffected.

00:35:38.520 --> 00:35:39.440
I need to go back in

00:35:39.480 --> 00:35:41.840
because I don't understand
how they connect to the structure.

00:35:41.880 --> 00:35:43.440
What do you think is the priority?

00:35:44.040 --> 00:35:45.840
Priority? It's really hard to say.

00:35:47.240 --> 00:35:49.120
Okay. See that?

00:35:49.200 --> 00:35:51.200
There's a crack in the nave.

00:35:51.280 --> 00:35:53.960
Right above the altar, near the keystone.
And you understand...

00:35:54.040 --> 00:35:56.200
- The keystone holds up the vault.
- Here.

00:37:17.840 --> 00:37:18.840
It was you.

00:37:20.480 --> 00:37:21.840
All those calls.

00:37:26.680 --> 00:37:27.760
It was me.

00:37:30.440 --> 00:37:32.560
You shouldn't have put us
in that position.

00:37:34.960 --> 00:37:36.760
What is it you're blaming me for?

00:37:37.720 --> 00:37:39.080
Taking too many risks?

00:37:40.880 --> 00:37:42.440
Sending men to their death?

00:37:46.360 --> 00:37:47.680
Or killing my son?

00:37:51.680 --> 00:37:54.120
The risk was fully accepted and approved.

00:37:54.720 --> 00:37:56.720
A fallen firefighter isn't a victim.

00:37:56.800 --> 00:37:58.200
He chooses his destiny.

00:37:59.880 --> 00:38:02.480
There were people in that building
who needed saving.

00:38:03.400 --> 00:38:04.440
We had to go in.

00:38:05.640 --> 00:38:07.080
Sure, nice speech.

00:38:07.840 --> 00:38:08.920
It's true.

00:38:10.360 --> 00:38:12.080
But it can't all be about that.

00:38:13.040 --> 00:38:14.040
Death.

00:38:18.080 --> 00:38:20.240
And we all need a nice story to...

00:38:21.560 --> 00:38:23.240
come to terms with our mistakes.

00:38:25.800 --> 00:38:28.000
You managed to get out.
That's what counts.

00:38:34.840 --> 00:38:36.960
What do you want? Do you know?

00:38:38.760 --> 00:38:40.080
You want me to resign?

00:38:40.560 --> 00:38:41.560
I'll resign.

00:38:45.320 --> 00:38:46.320
I want...

00:38:50.840 --> 00:38:53.920
Ben and me were very... very much in love.

00:38:57.600 --> 00:39:01.080
That's all. I just want you to realize.

00:39:03.280 --> 00:39:04.320
To understand.

00:39:46.560 --> 00:39:47.560
General!

00:39:48.240 --> 00:39:51.720
The columns near the altar are shaking.
I need another team.

00:39:51.800 --> 00:39:54.600
We need to position them
at the base of the first belfry.

00:39:55.400 --> 00:39:57.640
I've been fighting fires for 30 years.

00:39:58.680 --> 00:40:00.640
Sometimes I win, sometimes I lose.

00:40:01.840 --> 00:40:02.840
Thirty years.

00:40:03.200 --> 00:40:04.640
My longest relationship.

00:40:07.360 --> 00:40:08.960
I'm gonna resign tomorrow.

00:40:09.600 --> 00:40:11.080
I have the letter on me.

00:40:12.600 --> 00:40:14.880
And it's not just because of Ben's death.

00:40:14.960 --> 00:40:16.560
There have been so many more.

00:40:19.120 --> 00:40:21.920
You never get used to it. No one can.

00:40:21.920 --> 00:40:23.200
It troubles you.

00:40:24.480 --> 00:40:26.320
But what are you blaming yourself for?

00:40:26.840 --> 00:40:29.320
Our lives are at risk. We know that.

00:40:31.240 --> 00:40:32.320
Ben knew that, as well.

00:40:32.400 --> 00:40:33.960
Knowing it is one thing.

00:40:35.280 --> 00:40:36.960
It's another to accept it.

00:40:38.640 --> 00:40:39.640
Varèse,

00:40:40.080 --> 00:40:41.840
help me go out on a win.

00:40:42.720 --> 00:40:45.440
Save the cathedral without losing a soul.

00:41:03.560 --> 00:41:04.880
It's going to collapse!

00:41:22.480 --> 00:41:24.960
Stand back!
Get back, get back!

00:41:25.040 --> 00:41:27.400
Get back, all of you!

00:41:27.480 --> 00:41:28.520
Get back!

00:41:35.480 --> 00:41:36.800
No more risks.

00:41:50.160 --> 00:41:53.160
BASED ON THE BOOK "LA NUIT DE NOTRE-DAME"

00:41:53.160 --> 00:41:56.960
WRITTEN BY THE PARIS FIRE DEPARTMENT
AND ROMAIN GUBERT