WEBVTT

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A PRIVATE AFFAIR

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Sorry, Héctor, but we need
to arrive before he does.

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Don't worry, we're a team.

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-Are you sure this is it?
-It's the only house around here.

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Leopoldo mentioned
the sawmill by the river.

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Let's get out of here! She's crazy!

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-The handkerchief!
-What?

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Get the handkerchief out!

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Get the hell off my property!

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Your brother sent us!

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-Get out of here!
-Please don't shoot!

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What do you want?

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Your brother sent us to protect you,
you're in danger!

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Come closer.

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Not you! You stay there.

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I don't trust men.

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I don't trust her either.

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All right.

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All right, but promise me you won't shoot.

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We just want to help you.

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Please don't shoot.

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Where's my brother?

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Margó, your brother
wanted to warn you about...

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Héctor?

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-I don't like this.
-Neither do I.

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Careful!

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-I'm in danger!
-So is Héctor!

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Héctor!

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Héctor.

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Come on, get up. Let's go.

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The windows!

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I can't believe it.

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Dear God!

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-It won't start!
-Start the car!

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-Let's go.
-Start the car.

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I don't like this.

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Come on!

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Help!

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Help me with this.

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Open the door!

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-Castaño.
-Who?

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-A cop.
-Are you okay?

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-Yes!
-No!

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No! That man could be responsible
for the crimes at the House of Water.

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Ma'am, are you all right?

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Here.

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Ma'am!

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-Open the door.
-What?

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-Open the door!
-Ma'am!

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Just a second!

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-Can I help you?
-Margó.

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Do I know you?

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-I knew I'd find you here.
-You did?

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We saw the mask clearly,
it had a demonic face.

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-A mask?
-With a demonic face.

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It was horrific.

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A mask with a demonic face,
do you hear me?

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Everyone start looking for the mask!

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What else do you remember?

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When we were in the car,

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he broke the glass with a huge knife.

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I never liked him.

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I offered for us to work as a team.

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I gave you the opportunity
to work with me.

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And you betrayed me.

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-Where's the whore?
-How can you call the victim that?

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Her name is Margó.

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Are you the collective's
new legal representative?

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If necessary.

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-I'm serious.
-So am I.

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I won't say where she is
until you promise her safety.

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Safety? We just arrested the culprit.

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Right, but given that the murderer
is a cop, you'll understand

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that it's a delicate matter.

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I want protection for Margó.

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Officers, leave the cabin.
I want a moment alone with my sister.

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Yes, sir. Everyone out.

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Let's go outside.

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What do you want?

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To get her to a safe house
without being seen.

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Is she here? Where?

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I can't get her a safe house
without explaining why.

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"Protect the weak
above all else," remember?

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-I'm not Dad.
-Yes, I know that.

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And neither are you.

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Very well.

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If you can't get her to a safe house...

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-You've come to your senses.
-...we'll take her home.

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What?

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No one will guess she's with me
while you find a way to protect her.

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Don't be silly. What about Mom?

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Sir!

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Sir. I came as fast as I could.

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Where were you, Zarco?
It's been two hours.

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You should've been the first here.

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Yes, I had some car trouble.

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-Car trouble?
-Yes.

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Clear the entrance
and search the other side of the woods.

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I need to get someone out
without being seen.

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-Bravo.
-Yes, sir.

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Cabanillas, come.

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Only until I find
somewhere else for her to stay.

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Grab your things.

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-You haven't said a word--
-Loose lips sink ships.

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-Is that a riddle?
-I don't know. You tell me.

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I don't know what's going on,
but I don't like it.

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Neither do I.

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Margó, you don't know me,
but I'm in charge of this case.

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-Well, technically--
-Technically, too.

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I won't let anything happen to you.

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-Life has taught me to trust no one.
-Life is wise.

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But you didn't know us before.

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We'll find the fleur-de-lis killer.

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This way. Please.

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-She's staying here?
-Yes.

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-Apparently.
-No.

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-What?
-My brother will come pick her up later.

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I don't know what you're thinking,

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-but I'm still the same guy.
-Which means nothing.

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-What?
-Nothing.

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Don't worry, Mr. Pablo.
We haven't slept for hours.

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-That must be it.
-Thank you.

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Anyway, if you need anything,
you know where to find me.

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I'm Pablo, the--

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Of course.

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Goodbye.

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I don't trust him.

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He was on the train,
yet he was the last to arrive.

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Apparently he had car trouble
in the woods, that's all.

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Where is Margó?

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Margó?

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-Oh, God.
-Héctor, there's a beggar in the house!

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She is a friend of Marina's,
from the conservatory.

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From Queen Cristina's
Royal Conservatory of Music?

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That's the one.

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But, Marina! Why didn't you tell me
you were bringing a friend?

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I would have put something else on,
sweetheart. Look at me!

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Sorry about before,
but looking like that...

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Play along.

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Don't worry, it's...

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It's a costume, right?

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Yes, it's a costume for a performance
that we're rehearsing.

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You have costumes and everything now.

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I'm Marina's mother, Asunción Biempica.

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I've been trying to convince her
for years to take up chamber music again,

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I could have imagined anything but this.

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What's your name?

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Puri.

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-Purificación.
-Purificación, that's beautiful.

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Mom...

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Puri has had a very long journey,

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she lives in Santander,
so you wouldn't know her.

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I think all she wants to do
is go to her room and rest.

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I understand,
but tomorrow you'll be our guest

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at the Marchioness' party.

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-Tomorrow?
-Yes, the same as every year.

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And if you want, you could
liven up the evening with a duet.

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-Excuse me.
-Puri, I'll show you to your room.

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-A pleasure to meet you.
-My pleasure, Puri.

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This is crazy.

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In the morning
I'll ask Arturo to pick you up.

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-I'll say you had to leave...
-Why? I don't get it.

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A moment ago,
the safest thing was to stay here.

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Yes, but you can't go to the party.
You don't know what it's like.

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People talk about all the guests.
They'll ask about you.

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Marina, I'm more than used
to moving in these circles.

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I'll know how to behave.

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Perhaps she could wear
one of your outfits.

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What?

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That'd be perfect.

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Fine. I'll find something you can wear.

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I found an outfit for her.

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I hope none of the guests
were clients at the House of Water.

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They would be the ones in trouble
with their wives and their mothers.

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When you put it like that...

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-What are you doing?
-Mrs. Asunción, what are you doing here?

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I thought you'd be sleeping.

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-How can I sleep?
-Well, I usually sleep, for one.

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You owe me information about Marina.
I've been waiting since yesterday.

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-What did she tell you?
-Nothing, I don't know anything.

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-Why are you touching your ear?
-I'll have to cut it off one day.

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-You said you'd take care of it.
-I did. Look, she brought a friend,

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and tomorrow
I have to go to the dry cleaner's.

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Or the church, because...

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Tell me, Héctor, what is
this performance they are rehearsing?

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Who knows?

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Well, you should know, Héctor.

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We're surrounded by mystery!

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-Are you hiding something from me?
-Me?

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Yes, you! You were always very sharp-eyed,
knew everything! And now...

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I must be getting old.

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Good night, ma'am.

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I don't think that's it!

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Good night.

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Sleep well, Héctor.

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Not a word of this in the halls.

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-Prepare the interrogation room.
-This late?

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Crimes aren't committed
from 10:00 to 12:00.

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Of course, sir.

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And if anyone leaks
this arrest to the press,

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you'll all be suspended
until we find the person responsible.

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You heard the Commissioner.

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I want Castaño
in the interrogation room now.

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I'll do it myself, don't worry.

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Sir?

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You should be sitting down.

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You're enjoying this, aren't you?

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Cabanillas, remove his handcuffs.

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You've spent your whole life
trying to get rid of me,

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and I end up handing it to you
on a silver platter.

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There's no worse news
for this police station

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than one of our men being a murderer.

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I had nothing to do
with the crimes at the House of Water.

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Everyone knows you're a regular client.

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You were on the same train as the killer,

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and you reached the cabin first
after the attack.

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-Any objections?
-Marina arrived first.

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Are you saying that Marina's the killer?

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I'm saying I knew
that only Marina would find the killer.

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So I just followed her.

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Why didn't you help
when she was attacked in the car?

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Because I'd lost track of them.

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It was dark, foggy,
and I couldn't find them

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until I heard the screams
coming from the cabin.

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Confess, Castaño.

00:14:03.800 --> 00:14:06.560
Why did you do it? Confess.

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Why did you attack those women?

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Take him to the cell.

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Sir.

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We're done for today.

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If you allow me...

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Detective.

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I am not the fleur-de-lis killer.

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Keep an eye on the people around you.

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THE CRIMES OF THE NIGHTINGALE

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Can I come in?

00:15:28.600 --> 00:15:30.520
Did you get dressed by yourself?

00:15:34.240 --> 00:15:37.960
I can't stop thinking about Castaño.
What if he's innocent?

00:15:38.040 --> 00:15:42.520
That man is attractive and seductive,
but he's a criminal.

00:15:42.600 --> 00:15:45.800
-Stop brooding about it.
-No. Think about it.

00:15:45.880 --> 00:15:48.120
He's the perfect scapegoat.

00:15:48.200 --> 00:15:51.520
Castaño was a client
of the Blue House, and a cop.

00:15:51.600 --> 00:15:54.520
And his *ual preferences
might make you think that...

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He is the killer.

00:15:55.720 --> 00:15:57.400
But he is not.

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Think about it. Look.

00:16:01.280 --> 00:16:05.640
Castaño throws a party in his house
and invites me to be Margó.

00:16:08.160 --> 00:16:09.520
But...

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If I'm alive, it's because, in the woods,
where he had planned to kill me,

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my mask came off
and he realized that I wasn't Margó.

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If he was the killer,

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he would've put the mask back on me

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and continued with his erotic fantasy
about me being Margó.

00:16:26.760 --> 00:16:29.680
-It's not a bad theory.
-I have no doubt about it.

00:16:29.760 --> 00:16:33.400
Perhaps Margó could tell us
something about all this.

00:16:34.840 --> 00:16:35.680
Perhaps.

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We should go talk to her.

00:16:38.280 --> 00:16:40.720
And then we should interrogate Castaño.

00:16:42.760 --> 00:16:43.840
Can I come in?

00:16:44.560 --> 00:16:46.200
-Sure.
-Good morning.

00:16:47.200 --> 00:16:48.200
Good morning.

00:16:48.280 --> 00:16:52.120
Why eat any old thing for breakfast
when you can eat something special?

00:16:52.120 --> 00:16:53.320
-Did you sleep well?
-Is this for me?

00:16:53.400 --> 00:16:55.880
Margó, I know this is difficult for you,

00:16:55.960 --> 00:16:59.160
but to find the killer,
there are things we need to know.

00:16:59.200 --> 00:17:03.360
-I thought he was arrested yesterday.
-Yes, Detective Castaño is a suspect.

00:17:03.440 --> 00:17:06.480
But I'm convinced
the real murderer is still out there.

00:17:06.600 --> 00:17:09.800
I need some details.
Did you girls live under threat?

00:17:09.880 --> 00:17:13.040
Were there unresolved issues
we should know about?

00:17:14.800 --> 00:17:18.920
Yes, in order to help you,
we need to know about your life.

00:17:23.200 --> 00:17:25.960
I never had a personal relationship
with any clients.

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Nor with the other girls.

00:17:28.960 --> 00:17:31.360
And who was Mrs. Emilia?

00:17:31.440 --> 00:17:34.280
Mrs. Emilia was the owner
of the House of Water.

00:17:35.120 --> 00:17:38.480
She got us off the streets
and raised us as her own children.

00:17:38.600 --> 00:17:41.120
And she turned us into unique lovers.

00:17:41.200 --> 00:17:43.080
Each of us had a certain skill,

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to seduce, to love,

00:17:45.680 --> 00:17:47.080
to deceive.

00:17:47.160 --> 00:17:50.120
Could you tell us
more details about the girls?

00:17:50.200 --> 00:17:54.200
Carmen was the oldest.
She was an acrobat and contortionist.

00:17:54.840 --> 00:17:56.800
She drove the men crazy.

00:17:56.880 --> 00:17:58.160
Ángela...

00:17:58.200 --> 00:17:59.880
Ángela was lovely.

00:18:00.640 --> 00:18:02.480
And she was wild in bed.

00:18:02.560 --> 00:18:04.840
Manoli was domineering.

00:18:04.920 --> 00:18:07.840
And Julia was the exotic beauty.

00:18:08.920 --> 00:18:11.200
She really knew how to run her business.

00:18:11.280 --> 00:18:12.960
That's Mrs. Emilia.

00:18:13.080 --> 00:18:15.120
A businesswoman.

00:18:16.120 --> 00:18:20.160
Money came before everything else.
Even before us.

00:18:20.920 --> 00:18:25.160
You know that the girls
and Mrs. Emilia are gone...

00:18:26.840 --> 00:18:28.720
And your brother...

00:18:31.480 --> 00:18:32.680
What about my brother?

00:18:34.200 --> 00:18:35.480
Him too.

00:18:50.360 --> 00:18:52.560
Héctor, keep the engine running.

00:19:12.680 --> 00:19:14.120
Freeze! Who's there?

00:19:14.200 --> 00:19:15.680
Pablo, it's me!

00:19:15.720 --> 00:19:17.200
You scared me.

00:19:20.400 --> 00:19:22.920
-I'm here to see Castaño.
-Right, very nice.

00:19:23.000 --> 00:19:25.600
You sneak in
thinking you can get away with it.

00:19:25.720 --> 00:19:28.760
You're right, I can't. I tore my sleeve.

00:19:28.840 --> 00:19:29.800
What?

00:19:29.840 --> 00:19:31.160
-Pull.
-What?

00:19:31.240 --> 00:19:34.040
You think I'm going looking like this?

00:19:34.080 --> 00:19:35.480
Seriously...

00:19:35.560 --> 00:19:37.040
Seriously, I...

00:19:38.240 --> 00:19:41.160
You've arrested Castaño.
We got the wrong officer.

00:19:42.000 --> 00:19:43.760
What? Marina...

00:19:43.840 --> 00:19:47.720
Marina, all the evidence points to him.
You let them take him.

00:19:47.840 --> 00:19:50.440
Yes. But I also noticed it doesn't add up

00:19:50.520 --> 00:19:52.440
with the details of my kidnapping.

00:19:52.520 --> 00:19:55.960
That's why I had to see you.
I need your help for a moment.

00:19:56.040 --> 00:19:57.280
And if you don't,

00:19:57.320 --> 00:20:01.040
-I'll think you have something to hide.
-That's a low blow.

00:20:01.080 --> 00:20:05.160
Your car story was hard to believe
and you were the last to the cabin.

00:20:06.160 --> 00:20:08.560
All right. But make it quick.

00:20:08.600 --> 00:20:11.520
-I'm not leaving you alone.
-Perfect, you can keep guard.

00:20:13.760 --> 00:20:16.200
-The cells are to the left.
-I grew up here.

00:20:16.280 --> 00:20:17.600
You have ten minutes.

00:20:17.720 --> 00:20:20.480
-That's all I need.
-I'll watch in case someone comes.

00:20:20.560 --> 00:20:22.160
You see how it was a good idea?

00:20:22.240 --> 00:20:25.720
Do you realize I'm putting my job
on the line for you again?

00:20:25.800 --> 00:20:28.320
What would life be
without a bit of danger?

00:20:29.960 --> 00:20:31.400
You are so dramatic.

00:20:35.240 --> 00:20:36.480
Last cell.

00:20:45.440 --> 00:20:46.800
Silence!

00:20:54.080 --> 00:20:57.560
You're smart enough
to realize that you've made a mistake.

00:20:58.200 --> 00:20:59.840
That's right.

00:20:59.960 --> 00:21:01.760
And you're here to help me.

00:21:01.840 --> 00:21:04.080
I'm here so you can tell me the truth.

00:21:07.200 --> 00:21:08.480
Come on, Castaño.

00:21:10.000 --> 00:21:12.200
If someone comes, I'll have to leave.

00:21:12.280 --> 00:21:15.840
And you'll have lost
your only chance of getting out of here.

00:21:19.800 --> 00:21:20.800
I want a cigarette.

00:21:21.760 --> 00:21:23.520
-Now?
-Yes.

00:21:24.960 --> 00:21:26.000
Give me a moment.

00:21:31.760 --> 00:21:33.440
-What?
-Your cigarettes.

00:21:33.520 --> 00:21:35.600
-My cigarettes?
-Give me your cigarettes!

00:21:35.680 --> 00:21:37.880
-My cigarettes?
-You don't even smoke.

00:21:37.960 --> 00:21:40.440
-Why?
-Just give me one! It's important!

00:21:40.520 --> 00:21:42.000
Lower your voice, please!

00:21:43.400 --> 00:21:45.760
Castaño wants a cigarette.

00:21:45.840 --> 00:21:46.960
Castaño?

00:21:50.080 --> 00:21:51.640
A cigarette for Castaño.

00:21:52.640 --> 00:21:54.280
-Come on!
-Okay.

00:21:55.560 --> 00:21:57.400
-Here.
-Thank you.

00:21:57.480 --> 00:21:59.600
He better enjoy it. You're welcome.

00:22:05.160 --> 00:22:06.000
Thanks.

00:22:13.280 --> 00:22:15.000
What year is this from?

00:22:17.560 --> 00:22:21.440
Castaño, to get you out of here,
I need you to tell me everything.

00:22:21.520 --> 00:22:24.000
I'll complete your investigation.

00:22:24.080 --> 00:22:26.520
Spoken like a true Quiroga.

00:22:26.600 --> 00:22:30.200
I didn't work with your father,
but I worked with your grandfather.

00:22:30.280 --> 00:22:32.080
He mentored me at the academy.

00:22:32.160 --> 00:22:33.360
My grandfather?

00:22:35.240 --> 00:22:36.800
He was like a father to me.

00:22:36.880 --> 00:22:39.840
But then things got complicated.

00:22:40.440 --> 00:22:41.560
What do you mean?

00:22:43.720 --> 00:22:45.880
Will you get me out of here?

00:22:45.960 --> 00:22:47.680
To be honest, I don't know how.

00:22:50.640 --> 00:22:52.280
Where is Margó?

00:22:52.360 --> 00:22:54.840
She's with me.
Don't worry, she's not in danger.

00:22:54.920 --> 00:22:59.200
Margó is always in danger,
and if she's with you, you both are.

00:22:59.280 --> 00:23:02.520
Then tell me how to make
a breakthrough in the investigation.

00:23:02.600 --> 00:23:07.400
No one knew the true identity
of a girl at the House of Water.

00:23:07.480 --> 00:23:09.040
I was looking into her.

00:23:09.120 --> 00:23:11.440
-Who are you talking about?
-Manoli.

00:23:12.920 --> 00:23:14.680
Her family lives in Meira.

00:23:14.760 --> 00:23:18.560
Don't even think of going there alone.
It's dangerous.

00:23:18.640 --> 00:23:21.400
Her sister is the only person
who can help us now.

00:23:21.480 --> 00:23:22.320
Marina!

00:23:22.400 --> 00:23:25.200
No one is who they seem at this station.

00:23:25.280 --> 00:23:28.160
Be very vigilant
about what happens around you.

00:23:29.960 --> 00:23:31.320
Marina.

00:23:32.600 --> 00:23:34.200
We have to go.

00:23:35.720 --> 00:23:36.600
No one.

00:23:43.080 --> 00:23:44.960
Let's go, please, come on.

00:23:51.440 --> 00:23:54.200
-What did he say?
-No one is who they seem to be.

00:23:55.040 --> 00:23:57.680
-What a revelation.
-What details do you have?

00:23:57.760 --> 00:23:59.880
It's Arturo! Come here. It's Arturo.

00:23:59.960 --> 00:24:02.680
-It's not those people.
-And where are they?

00:24:02.760 --> 00:24:04.360
Get in here. Come on.

00:24:04.440 --> 00:24:06.440
-That's a closet!
-We have no choice!

00:24:10.000 --> 00:24:13.960
Commissioner, they say
he was talking to someone.

00:24:15.120 --> 00:24:16.720
Why wasn't I told immediately?

00:24:16.800 --> 00:24:19.720
I'm sorry, Commissioner,
I was only just informed.

00:24:25.880 --> 00:24:27.200
Let's go.

00:24:27.280 --> 00:24:29.440
Come on!

00:24:41.360 --> 00:24:42.560
Thank you.

00:24:43.480 --> 00:24:45.080
Everything all right?

00:24:45.160 --> 00:24:47.200
-We're going to Meira.
-What?

00:24:47.280 --> 00:24:50.600
Tell me you didn't take
Margó's clothes to the cleaner's.

00:24:55.720 --> 00:24:59.080
I'm serious. I think my brother
could be protecting someone.

00:24:59.160 --> 00:25:01.800
That's a very serious accusation.

00:25:01.880 --> 00:25:04.400
Was he promoted
in exchange for his silence?

00:25:04.480 --> 00:25:07.680
You and your brother
come from a line of police commissioners.

00:25:07.760 --> 00:25:11.360
-There's nothing strange about Arturo--
-We can't be blinded by this.

00:25:11.440 --> 00:25:13.960
Why are you thinking
about this now, anyway?

00:25:14.040 --> 00:25:17.600
We must be wary of everything around us.
Like Castaño said.

00:25:17.680 --> 00:25:22.040
I know he meant something specific.
And that "something" could be anyone.

00:25:31.760 --> 00:25:33.160
-One would think we planned this.

00:25:33.160 --> 00:25:34.560
Yeah.

00:25:34.640 --> 00:25:36.280
Even the shoes are my size.

00:25:36.360 --> 00:25:39.200
Well, they're a little old.

00:25:39.280 --> 00:25:41.480
Yeah, they aren't
very comfortable, either.

00:25:42.480 --> 00:25:44.000
That must be it.

00:25:44.080 --> 00:25:48.160
Remember, Manoli was a childhood friend,
and you are my uncle.

00:25:50.960 --> 00:25:54.400
Hello. We are looking for Manoli's sister.

00:25:55.160 --> 00:25:56.240
Paco!

00:26:09.080 --> 00:26:09.960
Hello.

00:26:10.040 --> 00:26:11.520
What are you doing here?

00:26:13.160 --> 00:26:16.840
My name is Paquita,
and this is my uncle Bartolo.

00:26:17.520 --> 00:26:19.080
We lived in Meira years ago,

00:26:19.160 --> 00:26:21.360
and I was friends with Manoli as children.

00:26:21.440 --> 00:26:23.520
I don't remember seeing you around.

00:26:23.600 --> 00:26:25.560
And I don't remember him either.

00:26:25.640 --> 00:26:28.200
Maybe we should return
at a more appropriate...

00:26:28.280 --> 00:26:31.480
We want to find the person responsible
for Manoli's death.

00:26:31.560 --> 00:26:33.440
And we need your collaboration.

00:26:33.520 --> 00:26:35.520
You'll find no collaboration here.

00:26:36.040 --> 00:26:39.520
I know your relationship was complicated,
but the death of--

00:26:39.600 --> 00:26:42.600
-Who do you think you are?
-You see...

00:26:43.240 --> 00:26:45.320
Manoli got what she deserved.

00:26:45.400 --> 00:26:49.480
She tainted the family name
working in that brothel for rich people.

00:26:54.400 --> 00:26:55.960
-No...
-Kill it.

00:26:56.040 --> 00:26:56.960
What?

00:26:57.040 --> 00:27:00.120
You heard me! Break the creature's neck.

00:27:09.480 --> 00:27:12.160
I can't, miss! I can't.

00:27:16.720 --> 00:27:21.080
Anyone from around here
would've bitten the head off the chicken.

00:27:21.160 --> 00:27:24.600
Who the hell are you?
And why are you here?

00:27:24.680 --> 00:27:29.000
Honestly, we just want to find
Manoli's murderer. It's true.

00:27:31.320 --> 00:27:33.160
Get out of here. Out!

00:27:34.000 --> 00:27:36.520
-Get out of here!
-Yes. Let's go.

00:27:43.720 --> 00:27:45.600
We almost got ourselves killed.

00:27:45.680 --> 00:27:48.320
We can't go to dangerous places.

00:27:49.760 --> 00:27:53.440
We can't go around the world
as if we were conquerors.

00:27:54.280 --> 00:27:56.240
We are talking about a murderer,

00:27:56.320 --> 00:28:00.360
-everything around him is dangerous!
-Follow me. This way.

00:28:01.200 --> 00:28:03.160
-What?
-I don't know.

00:28:04.080 --> 00:28:05.480
I'll wait for you here.

00:28:06.000 --> 00:28:07.120
Take this.

00:28:07.960 --> 00:28:10.000
I'm Rai, Manoli's sister.

00:28:10.080 --> 00:28:12.440
I got this letter
a few days before she died.

00:28:12.520 --> 00:28:15.760
I was the only one in contact with her.
You've met my father.

00:28:15.840 --> 00:28:17.520
I want justice to be done.

00:28:17.600 --> 00:28:20.120
"Dear, Rai, I'm coming
to get you out of there.

00:28:20.200 --> 00:28:22.280
I discovered
the identity of a big client,

00:28:22.360 --> 00:28:24.160
and with the hush money from him

00:28:24.240 --> 00:28:25.960
we can start a new life together."

00:28:26.040 --> 00:28:28.560
She didn't deserve to die like this.

00:28:28.640 --> 00:28:29.760
Thank you, Rai.

00:28:34.320 --> 00:28:36.160
-Watch your head.
-Come.

00:28:38.040 --> 00:28:41.080
Blackmail! He killed her
for blackmailing him.

00:28:44.360 --> 00:28:47.280
I think we have something else.

00:28:47.360 --> 00:28:48.200
A new clue.

00:28:48.280 --> 00:28:49.280
MANOLI CORTAI
75, TOLEDO STREET

00:28:49.360 --> 00:28:52.040
You were a great police officer
in another life.

00:28:52.120 --> 00:28:55.680
-It's a shame I don't remember it.
-Come, we have no time to lose.

00:29:00.600 --> 00:29:03.400
Be careful, someone could be here.

00:29:04.120 --> 00:29:06.360
We'll just say we got the wrong house.

00:29:27.520 --> 00:29:30.120
-Look.
-Manoli lived here with someone else.

00:29:30.200 --> 00:29:33.160
If only we could find a photograph...

00:29:38.520 --> 00:29:42.360
"She cried in my arms dressed in black.

00:29:42.440 --> 00:29:44.960
You could hear her heart beating.

00:29:45.040 --> 00:29:48.280
Her chestnut curls covered her neck.

00:29:48.360 --> 00:29:51.200
She trembled with fear and love."

00:29:54.760 --> 00:29:56.160
My God.

00:29:58.920 --> 00:30:01.240
Héctor. Come, look at this.

00:30:10.240 --> 00:30:11.600
Mon Dieu!

00:30:12.560 --> 00:30:14.000
What a mess.

00:30:14.840 --> 00:30:17.200
Look at this, miss. Look.

00:30:20.040 --> 00:30:23.800
Looks like a footprint.
Someone stepped in the fresh blood.

00:30:24.400 --> 00:30:25.560
Hold on.

00:30:33.840 --> 00:30:35.960
Do you see what it looks like?

00:30:36.760 --> 00:30:39.920
-Looks like a woman's footprint.
-Put your foot over it.

00:30:43.720 --> 00:30:44.920
Margó!

00:30:45.000 --> 00:30:48.080
Margó was here the day Manoli was killed!

00:30:48.160 --> 00:30:49.120
She lied to us!

00:31:00.320 --> 00:31:02.840
Wait. You should get changed.

00:31:02.920 --> 00:31:05.520
We're on a mission,
not at the Vienna Opera House.

00:31:05.600 --> 00:31:06.600
There she is.

00:31:06.680 --> 00:31:09.640
She's with Roberto Louzán López de Zúñiga.

00:31:10.560 --> 00:31:13.000
-Puri. Excuse me.
-Marina.

00:31:13.080 --> 00:31:14.280
Let me--

00:31:14.760 --> 00:31:17.800
-Why are you wearing my clothes?
-The Duke of Sotomayor.

00:31:17.880 --> 00:31:21.040
-Miss Marina. Long time no see.
-And such a brief encounter.

00:31:21.120 --> 00:31:24.400
-Can I talk to you for a minute, Puri?
-But I was enjoying--

00:31:24.480 --> 00:31:27.520
We just came back from 55 Toledo Street,

00:31:27.600 --> 00:31:29.520
-I think this is the time--
-Excuse me,

00:31:29.600 --> 00:31:31.480
I need to use the powder room. Sorry.

00:31:31.560 --> 00:31:32.440
-Marina...
-Marg--

00:31:32.520 --> 00:31:34.600
Remember the party here last year?

00:31:34.680 --> 00:31:36.880
-We'll talk later, thank you.
-Marina!

00:31:36.960 --> 00:31:38.240
Excuse us.

00:31:38.920 --> 00:31:40.760
Margó, there's Margó!

00:31:45.120 --> 00:31:47.120
Margó! Don't do anything foolish.

00:31:47.240 --> 00:31:49.080
Drop the gun or I'll kill her.

00:31:49.520 --> 00:31:51.160
All right.

00:31:51.240 --> 00:31:52.520
Look.

00:31:55.720 --> 00:31:56.920
There.

00:31:56.960 --> 00:31:59.160
Let me go and nothing will happen to her.

00:31:59.240 --> 00:32:02.840
Listen. Nothing will happen to you
if you tell us why you're running.

00:32:05.480 --> 00:32:07.680
Were you involved in Manoli's death?

00:32:08.480 --> 00:32:10.800
We are only trying to help you.

00:32:10.880 --> 00:32:13.200
We've proved to you we're on your side.

00:32:13.280 --> 00:32:15.960
Why did you lie to us? Why were you there?

00:32:17.480 --> 00:32:20.200
Please, trust us.

00:32:20.960 --> 00:32:22.840
We are all you have.

00:32:25.480 --> 00:32:26.720
Margó...

00:32:35.400 --> 00:32:39.360
I don't know who the man was
that she was trying to blackmail.

00:32:40.520 --> 00:32:43.520
They arranged to meet
at 7:00 p.m. at our house.

00:32:44.800 --> 00:32:45.960
I had to wait on a bench

00:32:45.960 --> 00:32:47.160
across the house

00:32:47.240 --> 00:32:49.160
in case she gave me a signal.

00:32:51.800 --> 00:32:54.760
Because that would mean
that something was wrong

00:32:55.800 --> 00:32:57.560
and I'd have to go and help her.

00:32:58.520 --> 00:33:01.040
But I didn't go because...

00:33:01.920 --> 00:33:06.040
Mrs. Emilia found me
when I was packing my suitcases.

00:33:09.560 --> 00:33:11.960
When I got home,

00:33:13.040 --> 00:33:15.160
she was lying on the floor,

00:33:16.440 --> 00:33:18.440
surrounded by blood.

00:33:26.480 --> 00:33:27.480
I killed her.

00:33:28.960 --> 00:33:30.720
I left her alone.

00:33:33.520 --> 00:33:36.480
It was my fault. I killed her.

00:33:46.280 --> 00:33:48.400
It's okay. Nothing will happen to you.

00:33:48.480 --> 00:33:50.200
I'll take care of everything.

00:33:53.400 --> 00:33:57.080
Maybe it would be best for her
to stay away from the police.

00:33:57.960 --> 00:33:59.400
I'll take care of it.

00:34:12.120 --> 00:34:13.200
There.

00:34:13.280 --> 00:34:16.640
I'll let my colleagues know.
Wait for me in the first car.

00:34:33.640 --> 00:34:35.120
Pablo!

00:34:35.200 --> 00:34:36.920
Let's get out of here.