WEBVTT

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A PRIVATE AFFAIR

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Commissioner, one question, please!

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I can assure you we've deployed
an unprecedented operation,

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but you must give us time to work.

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At this time, discretion is imperative.

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Please have confidence in our work.

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Is it fair to ask for confidence

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after hiding for weeks
that there's a serial killer?

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Those weeks were essential
for the police to do their job

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and track the killer, Ms. Montero.

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An advantage that we have lost
thanks to you, Anaïs.

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Commissioner, please!

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"The police fail to catch the killer."

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This has turned into a real mess.

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Rather, we really made a mess of things.

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What are you two whispering about?

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What's that, Mother?

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-Hide this.
-But...

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Don't let her see it.

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I said this apartment
isn't bad for a police apartment.

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In the 40 years of his career,

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your father never once felt the need
to take us away from the city.

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Not for a single day.

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-Héctor!
-Madam.

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I can't live in these conditions.

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I can't find any of my essentials.

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Where are my clothes?

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And my crossword puzzles?
I need a drink, Héctor.

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Don't worry, madam.
The cleaning crew is about to arrive.

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And as for your drink,

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you may enjoy a small glass
of Doña Carmiña's cherry liqueur here.

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Pour, keep going.
I have a very difficult day today.

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Fill it up.

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It's delicious.

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Shall I leave your breakfast?

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No breakfast,
I have a very difficult day today. Later.

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-Excuse me.
-Thank you.

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Is half the police still out there?

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If Arturo put half the effort into Cándido

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as he puts into keeping me here,
he would've found him.

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What's this?

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But you don't need to leave
the house to keep moving forward.

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-Do you have it?
-Yes.

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I left it in here.

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-Wonderful.
-Look.

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Did you try it?

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If you don't count the fact
that it burns your ears,

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it works great.

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You can hear the police frequency
as if we were there.

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-What did you find out?
-It's crazy.

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It turns out that the whole town
has passed him on the street.

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"He's my neighbor.
He's my landlord. He's my boss."

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Someone even swore
it was his mother-in-law.

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-Is this it?
-The mother-in-law?

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What? No. The key clue. Look.

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"The concierge of a boarding house

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"saw him nearby two weeks ago.

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"His hands were shining."

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Look.

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I've been scrubbing for days
and it's not coming off.

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I look in the mirror,
and when I think it's gone...

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A little flash.

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And then another and another.

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The killer worked
in the theater's tailor shop,

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so he was sewing...

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The chorus girls' costumes.

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Like the one I wore
when I came looking for you.

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Voilà.

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Let's see. 23 Virreina Passage.

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But you can't leave here now.
You're being watched.

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Right. I'm kidnapped!

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-This is an...
-Miss!

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We can't lose our temper.

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It won't do any good.

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I could go.

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What?
How come you get to go out and I don't?

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Who do you think goes out every morning
to get the groceries?

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No one notices the butler.

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If I go out with the shopping cart,
no one will suspect a thing.

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I don't know, Héctor.
What if you get hurt again?

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I can't let you go alone.

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Let me try.

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Where's Dad's badge?

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I want two cars at the door
24 hours a day. Keep an eye...

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Give me a cigarette.

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-Don't be a sponge.
-Come on.

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It's the last one.
You're always asking.

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Miss, of all the crazy things you've done,

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this is the craziest.

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Are you sure this will hold?

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Of course. It's a 400 thread-count sheet!

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But it's not the sheet
that worries me, miss,

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it's your head.

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You hold on tight.

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I'm going to be supported by the pipe.
This is just life insurance.

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Mon Dieu.

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Everything will be fine.

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Everything will be fine.

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No!

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Héctor.

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Good morning.

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Marina?

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Héctor Hugo, police officer.

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Héctor Hugo, police officer.

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Héctor Hugo, police officer.

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I've come to ask you
about Cándido Expósito.

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Thank goodness you're here.
I haven't slept a wink,

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since I saw his picture in the paper.

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He had a strange face,
the kind you don't forget.

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And since I spoke to him for a bit...

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You spoke to him?

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A little bit, yes.

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With this myopia that God gave me,

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I tend to be suspicious, you know?

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The fact is that he was there,
in that corner,

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stiff as a stick watching my doorway.

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He was there for an hour,
two hours, five hours at least.

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I said to myself,

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"Chusa, this is not normal."

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Because it wasn't normal.

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And of course,
I needed to see him properly to be sure.

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So I started to sweep,

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getting closer little by little.

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And suddenly,

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he tapped me on the shoulder,
questioning me.

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That's when I saw his hands,
which had shiny dots on them.

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Then nothing.

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He asked me about the lady in 3-A.

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And who is the lady in 3-A?

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A certain Emilia.
She just arrived a month ago.

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And come to think of it,

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she should've paid me rent two days ago.

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I'd better close up if you're undercover.

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Let's see why she has not paid me.

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Hey, I will get a reward for this, right?

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Because I'm telling you,

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I don't get paid enough for my trouble.

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We should call the police.

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Aren't you the police?

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More of us, I mean. A lot more.

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Hello?

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Oh, no.

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-I'm sure it's nothing.
-Yes. I'm sure.

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-Come on, let's go. Come on.
-For sure.

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Excuse me.

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They've left the radio on.

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-Hello?
-We found her.

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But she's dead.

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-I'm on my way.
-No, not a chance.

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I'm already here,
you would put the mission at risk again.

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You've checked her pulse to confirm?

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I don't think I need to.
She has a color between gray and black

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that doesn't seem very healthy to me.

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Why an older woman all of a sudden?

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The fleur-de-lis,
is it marked on her chest?

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With her clothes on,
it's difficult to see.

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Undress her.

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For heaven's sake, she's a poor old lady.

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Héctor, we need to know if her death
is related to the other victims.

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Chusa, Chusa.

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-Bless you!
-It is the name of the concierge.

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-Huh?
-Chusa, it's the coroner.

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We need you to act as our liaison,

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while I check the corpse.

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Chusa Malpica, at your service.

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I'm listening.

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This is Pastora Luna.
I'm a forensic scientist for the police.

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Is he with the body?

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Yes, ma'am. He's there.

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-He can proceed to remove the clothing.
-Proceed to remove the clothing.

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Habemus a flower.

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-What?
-Repeat what I say.

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Habemus a flower.

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Habemus a flower.

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Tell him to search
for her personal belongings.

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Have him search closets,
drawers, anything that could be hers.

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Check her pockets to see if there are
any brooches, beads, anything.

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She only has a wedding ring,

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but it's stuck.

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Héctor?

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The phone, please.

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Miss,

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there is a postcard addressed
to the victim with a new address.

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Miss, I think it's time
to call the police.

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No, not the police.

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A policeman.

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The body is relatively well preserved
by the cold,

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but I'd say this woman
was killed at least two weeks ago.

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To be sure, we'll have to wait
for the results of the examination.

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Okay, perfect.

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-Thank you very much, Mr. Ricardo.
-Let's go.

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-You have to stay hidden in there!
-I need to see the symbol on her chest.

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I'm in trouble if they see me helping you!

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-Hide!
-Detective Zarco?

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Sir.

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Zarco, I must give you
my sincerest congratulations.

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-Are you all right?
-Yes.

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I thought you were still mad at me
about the other day, and...

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-About my sister?
-Yes.

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There's no word to describe her.

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Women complicate our lives.

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But thanks to you,
we have a new lead on the killer.

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Well...

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How did you find the key clue

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among all the calls we received?

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A lucky break, I guess.

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Don't be modest.
I like to surround myself with the best.

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-What was it?
-We got the call at 11:00...

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FLEUR-DE-LIS

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For a moment I thought
I'd have to come and help you, Detective.

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You're late.

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-Need a light?
-No, I just...

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You can keep it.

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-Thank you.
-Well, I owe you.

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Shouldn't have left you
handcuffed at the station.

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I didn't see that coming.

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Is that an apology?

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I asked you here
because I want us to work together.

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No. What? No, no.

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-You know you can't work...
-Yes, I can.

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-Do you have a plan?
-When have I not had one?

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I need you to surveil this safe house.

00:12:53.320 --> 00:12:55.680
No. I already risked it to get you out,

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-and it won't work every time.
-Pablo!

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You'd be saving innocent lives.

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How would we do it?

00:13:08.280 --> 00:13:09.200
We have a deal?

00:13:11.600 --> 00:13:12.520
Yes.

00:13:12.600 --> 00:13:14.760
-Marina, dinner!
-I'm coming!

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-When do we meet again?
-Are you asking me on a date?

00:13:20.040 --> 00:13:21.280
Good night.

00:13:21.840 --> 00:13:22.920
Good night.

00:14:05.200 --> 00:14:06.480
Goodness...

00:14:08.160 --> 00:14:09.360
Gentlemen!

00:14:09.440 --> 00:14:10.840
We weren't expecting you.

00:14:10.920 --> 00:14:12.480
I'm taking over surveillance.

00:14:12.560 --> 00:14:16.120
Mrs. Asunción went home
for her belongings with Ramírez.

00:14:16.200 --> 00:14:18.400
That's right. They just left, sir.

00:14:18.480 --> 00:14:21.440
Perfect. I'll keep watch.
You go and make rounds.

00:14:22.040 --> 00:14:24.880
Gentlemen! Please,
get your things. Come on!

00:14:26.120 --> 00:14:28.640
The lady complained about the commotion.

00:14:28.720 --> 00:14:30.240
Don't let it happen again.

00:14:30.360 --> 00:14:31.720
She has such a temper.

00:14:31.800 --> 00:14:33.680
Yes, it must run in the family.

00:14:33.720 --> 00:14:36.360
Go get donuts at the cafe
to wake yourselves up.

00:14:36.440 --> 00:14:37.720
-Thank you.
-Thank you.

00:14:39.560 --> 00:14:42.200
-Did you park far away?
-What? Where are we going?

00:14:42.240 --> 00:14:45.200
-I thought they'd never go.
-This isn't what we agreed.

00:14:45.240 --> 00:14:47.720
With Miss Marina,
nothing's ever predictable.

00:14:48.240 --> 00:14:50.320
-He's coming too?
-Didn't I tell you?

00:14:50.400 --> 00:14:51.560
We are a team.

00:14:51.640 --> 00:14:55.680
-I deserve this for trusting you, miss.
-Back to formalities, Detective?

00:14:56.680 --> 00:14:57.800
Pardon.

00:14:57.880 --> 00:14:59.120
Come on, let's go.

00:14:59.200 --> 00:15:03.040
-What about the boarding house woman?
-Her name was Emilia Bouzas.

00:15:03.120 --> 00:15:07.680
She was the 65-year-old widow
of Arnau Berio, a sergeant killed in 1934.

00:15:07.720 --> 00:15:11.840
-No relation to the other victims.
-And no evidence she was a prostitute.

00:15:11.920 --> 00:15:13.600
She lived there for a month.

00:15:13.680 --> 00:15:16.640
The concierge said
the only man he saw was Cándido.

00:15:16.720 --> 00:15:19.320
-The coroner found anything?
-Her throat was slit.

00:15:19.400 --> 00:15:21.480
But the flower was engraved postmortem.

00:15:21.600 --> 00:15:25.240
The body showed more signs
of violence than in the other cases.

00:15:25.360 --> 00:15:28.360
So he snapped.
That could mean something personal.

00:15:28.440 --> 00:15:31.120
Or that she struggled
more than the others.

00:15:31.640 --> 00:15:32.880
Fascinating.

00:15:32.960 --> 00:15:35.960
Yes. Fascinating, yes.

00:15:37.080 --> 00:15:38.480
I'm talking about the case.

00:15:40.920 --> 00:15:44.120
Yes, of course.
Will you tell me where we are going?

00:15:44.200 --> 00:15:48.960
To find out where the victim lived
before she moved into that boarding house.

00:15:49.800 --> 00:15:52.480
Stealing evidence from a crime scene?

00:15:52.600 --> 00:15:53.480
Pablo, please.

00:15:53.560 --> 00:15:55.240
Héctor, tell him what happened.

00:15:55.320 --> 00:15:57.840
We could say that the evidence came to me.

00:16:07.360 --> 00:16:08.600
No one home.

00:16:09.800 --> 00:16:12.720
Save the, "We need a warrant
to search the house,"

00:16:12.800 --> 00:16:14.640
or the, "I'm risking my job..."

00:16:18.920 --> 00:16:21.640
Well, who says someone didn't break in?

00:16:21.720 --> 00:16:25.440
The young lady
is definitely a bad influence.

00:16:30.200 --> 00:16:31.640
What a house.

00:16:32.320 --> 00:16:35.640
How could a widow of a low-ranking
military officer live here?

00:16:41.240 --> 00:16:44.120
Why move to a boarding house
when you have this place?

00:16:44.200 --> 00:16:46.640
For the same reason we're in a safe house.

00:16:47.480 --> 00:16:49.600
To protect herself from the killer.

00:16:52.040 --> 00:16:53.480
Don't look so surprised.

00:16:53.560 --> 00:16:55.720
Héctor's worked for us for years,

00:16:55.840 --> 00:16:58.720
he has more police experience
than the both of us.

00:17:20.680 --> 00:17:21.560
Hello?

00:17:24.360 --> 00:17:25.480
Is anybody home?

00:17:28.200 --> 00:17:29.240
Hello?

00:17:30.160 --> 00:17:32.360
I think after breaking down the door,

00:17:32.440 --> 00:17:34.720
if anyone was here, we would've already...

00:17:48.560 --> 00:17:52.040
Miss, this smell is similar
to that at the boarding house.

00:18:06.440 --> 00:18:07.640
Freeze, police!

00:18:16.560 --> 00:18:18.480
I thought I'd have to catch you.

00:18:19.880 --> 00:18:22.160
This food must've been here for weeks.

00:18:23.120 --> 00:18:25.200
Let's search the rest of the house.

00:18:35.400 --> 00:18:38.480
-Find anything interesting, Héctor?
-Humidity.

00:18:38.560 --> 00:18:41.440
-Can't you smell it, miss?
-We're by the sea.

00:18:41.520 --> 00:18:42.840
It's normal, isn't it?

00:18:43.760 --> 00:18:48.760
Throughout my years, I've had to deal
with humidity more than once,

00:18:49.240 --> 00:18:52.880
and even with the sea nearby,
this smell is not normal.

00:19:16.880 --> 00:19:18.520
That's as far as we go.

00:19:18.600 --> 00:19:20.080
It's a combination lock.

00:19:20.160 --> 00:19:22.840
The bomb squad
will have to blow the door off.

00:19:22.920 --> 00:19:24.280
Let me try something.

00:19:26.600 --> 00:19:27.720
Thank you.

00:19:31.360 --> 00:19:32.560
I'll be right back.

00:19:49.000 --> 00:19:50.120
Thank you.

00:19:50.200 --> 00:19:52.040
A stethoscope.

00:19:52.840 --> 00:19:53.720
Hold this.

00:19:53.800 --> 00:19:56.520
-You know how to open safes?
-You don't?

00:19:58.040 --> 00:20:00.520
I can't believe
my father didn't teach you.

00:20:00.600 --> 00:20:02.240
9.3 seconds.

00:20:02.320 --> 00:20:05.120
The academy's best mark
in the last eight years.

00:20:05.920 --> 00:20:07.960
9.1 seconds.

00:20:08.040 --> 00:20:11.000
You're lucky
they don't admit women to the academy.

00:20:27.440 --> 00:20:31.200
As your mother would say,
"Jesus, Mary and Joseph."

00:20:31.280 --> 00:20:34.200
I have a feeling
someone else has had fun in here.

00:20:36.760 --> 00:20:38.760
What did she have set up here?

00:20:44.000 --> 00:20:45.080
Come on, Héctor.

00:20:59.280 --> 00:21:01.000
Where are we going?

00:21:01.080 --> 00:21:03.120
To see someone who can help us.

00:21:19.120 --> 00:21:20.440
Mrs. Carmucha.

00:21:22.600 --> 00:21:24.880
Marina, it's been a long time.

00:21:24.960 --> 00:21:26.880
-How are you?
-Good.

00:21:26.960 --> 00:21:29.200
-You look well.
-I'm hanging in there.

00:21:30.040 --> 00:21:33.520
Toni! Toni, come out, Marina is here!

00:21:38.680 --> 00:21:42.160
-Who is he?
-A friend who's in the import business.

00:21:42.240 --> 00:21:44.760
-A friend?
-Don't you have any friends?

00:21:44.840 --> 00:21:46.560
Not like yours, no.

00:21:46.640 --> 00:21:47.560
Hey, Marina.

00:21:48.480 --> 00:21:50.840
Last time I saw you, you had me worried.

00:21:51.480 --> 00:21:53.240
-How are you?
-Busy.

00:21:54.440 --> 00:21:57.400
-So you aren't...
-I'm looking for a woman, Ángela.

00:21:57.480 --> 00:22:00.880
Brunette, gorgeous,
and apparently very good at escorting.

00:22:01.920 --> 00:22:03.200
The Volcano?

00:22:03.280 --> 00:22:04.560
The very same.

00:22:07.040 --> 00:22:09.720
What about her?
Has she gotten into trouble?

00:22:10.480 --> 00:22:13.360
She's in danger.
Like the woman at the port.

00:22:16.720 --> 00:22:19.120
I'll make some calls. Will you wait here?

00:22:22.080 --> 00:22:22.960
A friend?

00:22:35.760 --> 00:22:37.280
She asked about you.

00:22:39.480 --> 00:22:40.560
Okay.

00:22:40.640 --> 00:22:43.560
I do not doubt
that this very athletic gentleman

00:22:43.640 --> 00:22:45.600
is phenomenal in his own field.

00:22:45.680 --> 00:22:51.160
-But should we trust everything he says?
-Look, this is the house of the two bells.

00:22:51.880 --> 00:22:53.720
Trust me, I'm sure this is it.

00:22:56.000 --> 00:22:58.040
-Let me go!
-Héctor!

00:22:58.520 --> 00:22:59.960
Get off me!

00:23:01.360 --> 00:23:02.360
Or what?

00:23:09.000 --> 00:23:10.840
Miss Quiroga.

00:23:10.920 --> 00:23:13.040
Look what we found inside her case.

00:23:13.120 --> 00:23:17.200
Rich girl plays with guns.

00:23:20.800 --> 00:23:22.840
-The Volcano?
-In the flesh.

00:23:23.440 --> 00:23:26.160
Who hates it when busybodies
pry into her life.

00:23:27.440 --> 00:23:29.240
Why are you looking for me?

00:23:29.320 --> 00:23:32.320
We were at Emilia Bouzas' house
and saw the painting.

00:23:32.400 --> 00:23:35.000
We know you are hiding
from Cándido Expósito.

00:23:35.080 --> 00:23:35.920
If...

00:23:36.560 --> 00:23:39.640
If you help us, we can save you
and your colleague.

00:23:39.720 --> 00:23:42.160
I assure you that the lady is not lying.

00:23:46.520 --> 00:23:47.640
Untie them.

00:23:52.560 --> 00:23:54.560
-What do you need to know?
-Everything.

00:23:54.640 --> 00:23:56.520
Everything about the girls,

00:23:56.600 --> 00:23:59.040
the killer, and the meublé you worked in.

00:24:01.440 --> 00:24:03.320
-The House of Water.
-What?

00:24:03.400 --> 00:24:05.960
That was the name of Mrs. Emilia's meublé.

00:24:06.040 --> 00:24:07.280
The House of Water.

00:24:09.240 --> 00:24:13.280
And it wasn't a meublé like the others.
Only the best worked there.

00:24:13.360 --> 00:24:15.560
The parties we threw were unique.

00:24:16.680 --> 00:24:20.440
If you knew who our clients were,
your hair would stand on end.

00:24:20.520 --> 00:24:22.520
That's precisely what I need to know.

00:24:22.600 --> 00:24:25.280
You saw or heard something
you shouldn't have.

00:24:25.360 --> 00:24:27.200
That's why he wants to kill you.

00:24:27.280 --> 00:24:29.720
You have to believe me, you're in danger.

00:24:29.800 --> 00:24:32.360
That man killed your friends.
You must hide!

00:24:32.480 --> 00:24:34.320
They're coming for you! Watch out!

00:24:37.440 --> 00:24:38.440
Look out!

00:24:56.160 --> 00:24:57.440
Come on! Hurry up!

00:24:58.200 --> 00:24:59.360
Stop!

00:24:59.440 --> 00:25:01.360
-I'll take care of it.
-Stop!

00:25:04.280 --> 00:25:05.160
Stop!

00:25:34.480 --> 00:25:35.680
Pablo!

00:25:36.320 --> 00:25:37.600
Pablo!

00:25:40.720 --> 00:25:41.960
Pablo!

00:25:42.040 --> 00:25:43.760
-Pablo, are you okay?
-Yes.

00:25:49.720 --> 00:25:51.080
He's going to the port.

00:25:51.680 --> 00:25:53.160
Let's go! Come on!

00:26:01.960 --> 00:26:04.120
It's hot. He can't have gone far.

00:26:04.200 --> 00:26:08.120
-It's time to call for backup.
-Finally some common sense. Thank you.

00:26:08.200 --> 00:26:10.520
-No, we don't have time.
-There!

00:26:11.960 --> 00:26:13.800
What about the backup?

00:26:19.280 --> 00:26:21.840
-We have to split up.
-What?

00:26:21.920 --> 00:26:24.280
If we don't cover every exit,
he'll escape.

00:26:24.360 --> 00:26:26.800
We should cover our backs, not the exits.

00:26:26.880 --> 00:26:29.000
That sounds like a better idea.

00:26:29.080 --> 00:26:30.520
Let's go. That way.

00:26:30.600 --> 00:26:32.040
That way.

00:26:49.360 --> 00:26:50.480
Stop!

00:27:39.240 --> 00:27:40.080
Stop!

00:28:45.440 --> 00:28:46.400
Marina!

00:28:46.960 --> 00:28:49.080
I'm okay.

00:29:52.400 --> 00:29:54.600
Marina!

00:30:48.960 --> 00:30:51.360
Are you okay? Marina.

00:30:52.800 --> 00:30:54.720
Are you okay?

00:31:16.120 --> 00:31:17.640
Help!