WEBVTT

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SIMU LIU: You know,
when I was still struggling as an actor,

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I had this job
where I literally dressed up

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as Spider-Man
for kids' birthday parties.

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And the reason why I'm dressed up
as Spider-Man is 'cause

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I was Asian and I couldn't show my face.

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There weren't any
Asian superheroes, you know?

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So, I could only play
one of those heroes with a full mask.

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And it's pretty incredible now that, uh,

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you know, not only is Shang-Chi making it
to the big screen, but he has no mask.

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His face is, you know,
is just his face and he's out there.

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People will inevitably
watch this movie and be like,

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"Did he do his own stunts?
Does know martial arts?"

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And to those people,
I only have one thing to say.

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LIU: When they announced Shang-Chi,
I was like really, really excited

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and at the same time,
did a bit of research on the character.

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I was like,
"Okay, he's a martial arts master

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"and he's an Asian guy."

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So, I was like,
"Okay, where are they gonna take this?"

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The comic was originally
created in the 1970s,

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where there was a bit of,
shall we say, a Kung fu craze,

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you know, sweeping across America.

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It was not the most,

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uh, progressive source material
that we've ever had.

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And, you know, from day one,

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it was something that we knew
right off the bat had to change.

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When we looked at the comics,
I think we learned a lot.

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Some of that was what not to do.

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Shang-Chi in 1973,
was definitely brought to life

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by people who are big fans
of Kung fu cinema,

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but didn't necessarily understand it
from the inside out.

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It was very important that this story
was told primarily by Asian-Americans.

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With Dave Callaham as the writer
and with Destin as the director,

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we felt like we were in good hands
in making sure

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that we honored that experience.

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Yeah, the more
you can make it feel heart felt...

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Then when she says, "Are you..."

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Destin had already proven himself
to be a very adept filmmaker,

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primarily working with amazing actors.

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So, we knew that.

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What you don't always know is,

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are they interested
in stepping into the Marvel process?

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Are they interested in taking on something

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that is on a much bigger scale
than they've done before?

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I showed up and saw these crane...

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I've never seen
a crane this big in my life,

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and there's two of them.
Yeah, the scale's insane.

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Growing up,
I didn't really have anyone besides

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Bruce Lee, Rufio,

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Ricky "The Dragon" Steamboat
to dress up on Halloween.

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Those are my three options.

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CRETTON: To be able to add
not only one character,

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but to add
a whole cornucopia of Asian faces,

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and just seeing
these young Asian characters

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acting like I act and my friends act,

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is just something
I've never really seen before.

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And it's really exciting
to be a part of it.

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I have a lot of experience
writing action movies

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and writing comedy-action movies.

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At this point, I've been doing it
for 18 years professionally, now.

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The thing I was doing was writing
for other people, essentially.

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I was imagining, "What would it be like
to be a hot White guy named Chris?"

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And then I write that character
going through the world like that.

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This was the first opportunity
that I've ever been given

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to write a little bit more
of my own story.

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LIU: The thing that we're really fortunate
with about Shang-Chi

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is just that he's pretty obscure.

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Not a lot of people have heard of him.

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As far as his origin story,
there's nothing quite as iconic as,

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for example, Bruce Wayne with Batman

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or Spider-Man getting bitten
by the radioactive spider.

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What really moved me from the comics

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was this really interesting relationship

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of a dad who trained his son
to be a killer,

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and now, his son is back and grown up.

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And he has to face him.
That was really exciting to me.

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And it was the basis of the pitch
that I gave them.

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And it was actually a very personal pitch.

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FEIGE: Destin really had this
remarkable story of this son

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who felt one way about his father,

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and learned to think
another way about his father.

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And it was really emotional,
in a way that you go,

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"Well, if we can carry that
through the development of a script

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"and into this final movie,
this will be everything we've dreamed of."

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TSAI CHIN: What... Which one is it?
LIU: It's the Funyuns.

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-It's the Funyuns and the cigarette.
-This one?

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-It's called Fun...
-They're called "Funyuns."

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They're like onions, but more fun.

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LIU: It's our first day of filming.

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It's a family scene,

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and I think everyone was really
nervous/anxious/excited.

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But, um, once we all got on set
and we kind of felt the vibe,

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we kind of really chilled out,
and now, we're at it.

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So, I hope the rest of the shoot
goes like this, 'cause this was great.

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KYM BARRETT: Draw them up.

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CALLAHAM: I'm Chinese-American.
I was raised here.

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I don't feel too much
of a connection to China,

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which is a thing that gives me
a sense of shame, to a degree.

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I was interested in exploring
what that story could be like

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if this is a person
who's spent time in both places.

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He has, sort of, the ethics
and the culture of China behind him.

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He was raised to care about family.

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He was raised to listen to his parents.

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(SPEAKING MANDARIN)

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CALLAHAM: But because he spent time
in America and because his time in America

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was spent hiding from his past,

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he's built up a lot of
defense mechanisms around himself.

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Okay. Okay.

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BARRETT: He's got a slightly goofy
playfulness over the top of this,

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like, hidden part of his character

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which we don't really see until later on.

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So, we just tried
to give him a very American sensibility

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because he actually is, in a way,
kind of hiding from his past.

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So, he's, in effect,
wearing a costume when we first meet him.

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(SPEAKING MANDARIN)

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(IN ENGLISH) I don't know
what you're talking about.

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CRETTON: Our character
doesn't find his superpower by,

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you know, falling into a pit of slime.

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He finds it through going inward

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and dealing with the things that he's been
avoiding from his past and running from.

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That's definitely something

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that is rooted
in a lot of beautiful Chinese stories.

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You know, it's been a really
in-depth search to try to find

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somebody who will capture this character

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with all the dimensions that he deserves

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and it's going pretty well.

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We found him.

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-WOMAN: Do you wanna tell us who he is?
-You guys wanna meet him?

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Our search was spearheaded,
as always, by the great Sarah Finn,

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who's done such a great job

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finding many actors
in the Marvel Cinematic Universe.

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Destin and Jonathan and Sarah
saw literally hundreds of people,

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that we went through numerous rounds,
and found some wonderful people.

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But nobody that...

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There is that thing at Marvel,
which is, when you know, you know.

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And everybody sort of agrees.
And we hadn't found that yet.

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My real name is Shang-Chi.

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FEMALE CREW MEMBER: Shang-chi?

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Shang-Chi.

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I am just painfully ordinary.

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I haven't been
in a single movie before this.

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Hi, my name is Simu Liu
and I'm six feet tall.

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I never thought
that I would be in the running

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because I could think of 20 other guys

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who are taller than me,
who are buffer than me,

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who are better martial artists than me.

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The only thing, really,
that I had to my name was like,

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I could maybe do some stunts

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and I could tell a joke,
'cause I was on this show in Canada

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called Kim's Convenience.

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Simu rose to the top of the pack.

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His take on the character was really funny
and also had a lot of emotion.

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It was clear that there was
this deep well of emotion there.

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We knew he was a fan,

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how badly he wanted it
and how hard he worked for it.

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Picking up the phone
and calling Simu with Destin and Kevin

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and telling him he got the part,

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it's one of the most fun phone calls
that we get to make.

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I watched Endgame
in the movie theater in April of 2019,

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still as a fan,

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having no idea that three months later,

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I would be at Comic Con in front of,

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you know, 8,000 fans live being introduced
as one of the next Phase-Four heroes.

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It is a huge honor for me to introduce you
to the incredible Simu Liu.

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LIU: My first reaction
to reading the script, I cried.

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I cried because
there is such an intimate relationship

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between Shaun
and the characters in his family.

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I cried because we got to see
an Asian superhero

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saving the world and saving the day.

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And it was just such a profound moment

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for me as a fan, as an actor,
as an Asian person.

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(IN ENGLISH) Did you guys
get that, by the way?

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Not a damn thing. Okay, that's cool.

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The thing that really connects me
to this Shaun character,

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is that we're both
people that are in between.

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We're both people that struggle
with two different halves of ourselves.

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My parents are from China.
I was born in China.

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But I feel very much like an outsider
when I visit the country.

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And I speak to my relatives

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and they make fun of me for my Mandarin.

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(SPEAKING MANDARIN)

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(IN ENGLISH) But in Canada
and in the States as well,

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you aren't fully at home there, either.

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SCHWARTZ: We felt confident
that even though

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it was gonna have
a big action component,

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that we wanted to, as we always do,

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hire the best actor and get them
as far along as we could with the action,

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that the audience would respond
mostly to the performance

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and the emotion, and that the action
and martial arts would follow.

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LIU: Going into a job like this,
I think it's pretty natural that,

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you know,
you have all sorts of insecurities.

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Destin was really great in, kind of,

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grounding me
in what this movie was really about.

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Who is Shaun?

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What drives him to do
the things that he does?

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And in what ways will he find himself
over the course of this movie?

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Focusing on that made all the rest of it,

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all the Marvel part of it,
not seem so daunting.

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This character is the master of Kung Fu.

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He has mastered his body.

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Probably could scale a building just by
climbing with his bare hands.

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I am definitely not that cool, all right?

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I have trouble
getting out of bed in the morning

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-sometimes, when I'm really sore.
-(ALARM BEEPING)

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Oh, no.

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-MAN: More.
-Oh! Panic! At The Disco!

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-Oh, God.
-Nine, ten. Okay, okay.

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(CHUCKLING) Are you ready?

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LIU: The moment that I was cast,

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we started to have conversations about
what the training regimen would look like.

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I always fancied myself
as kind of like a physical guy.

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Fifty-three.

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Toronto's a bit of a smaller market.

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So, I was doing stunts
professionally at one point.

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I showed up for the first day of training
and I just got my * kicked.

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They have him on a crazy
training schedule. The poor guy.

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Let's go, let's go, let's go. Let's go!

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Basically, there's two main components.

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Strength and conditioning,
and martial arts.

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First, we're making sure
the fundamentals are there.

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Like flexibility, strength.

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He came in
with a lot of strength and power.

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So, we really needed to work
on his flexibility.

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-Oh, God. Oh, God!
-One...

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-One...
-(GRUNTING)

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Definitely one of the signs
of a true martial artist

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is when they can just drop into splits,

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and they have that kind of range of motion

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that they trained over months
and months and months.

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He has to learn
two different styles of martial arts,

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because in our movie, he learns
a very aggressive style from his dad,

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and he learns a much more
spiritual flow from his mom.

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One main style that we're working
on right now is Tai chi,

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which is very, very flowy.

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Very, I think,
in harmony with your surroundings.

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Another one is Wing Chun,
which is a bit more combative

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and then looking
at certain regional styles

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like Southern boxing and other things,

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to kind of fill in this whole mosaic
of how this character moves.

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We took the time to explore a lot.
We explored what his strengths were.

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And we also covered
all his weaknesses as well.

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LIU: Oh, no! What weaknesses?

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-(LAUGHING)
-I have no weaknesses.

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-Come at me.
-I have no weaknesses.

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-Doing the splits.
-That's not what I told you say!

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Get in the splits.

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LIU: I wanted to do
as much of the stunts as I could.

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I mean, I felt like
it's the actor's responsibility

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to kind of become a sponge
and to soak in as much as they can.

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Definitely wasn't able to do this
when I got here for prep,

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but, uh, now, I'm very happy to say
that I could go head to knee.

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LE: One, two, let's go! Whoo!

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A lot of that physical intensity
of the training

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that he went through
really mirrored the character.

00:14:53.926 --> 00:14:56.929
Talking with Simu,
I think he was using a lot

00:14:57.013 --> 00:15:01.351
of that physical training as a mental tool
to tap into the character.

00:15:06.939 --> 00:15:10.443
KATY: Your dad trained you to be
an assassin when you were seven.

00:15:10.526 --> 00:15:13.446
You realize how messed up that is, right?

00:15:15.198 --> 00:15:18.451
SCHWARTZ: We really wanted this to be
the opportunity to show off The Mandarin.

00:15:19.619 --> 00:15:22.497
The Mandarin is really
a marquee character from the comics,

00:15:22.580 --> 00:15:24.874
who we've never been able
to execute on screen.

00:15:25.416 --> 00:15:27.126
WENWU: Names are sacred.

00:15:27.210 --> 00:15:31.255
They connect us not only to ourselves,
but to everyone who came before.

00:15:32.256 --> 00:15:37.178
Shang-Chi's father is Wenwu,
also known as The Mandarin,

00:15:37.261 --> 00:15:41.683
who was portrayed to some degree
in Iron Man Three.

00:15:42.100 --> 00:15:43.434
THE MANDARIN: You know who I am.

00:15:44.602 --> 00:15:46.437
You don't know where I am.

00:15:46.521 --> 00:15:49.190
And you'll never see me coming.

00:15:50.400 --> 00:15:51.901
What we got was a red herring.

00:15:51.984 --> 00:15:53.903
-Where's The Mandarin? Where is he?
-(SCREAMING)

00:15:53.986 --> 00:15:56.280
When we really saw behind the curtain,

00:15:56.364 --> 00:15:59.450
we saw that he was just this,
like, kind of dopey actor.

00:15:59.534 --> 00:16:01.577
My name is Trevor. Trevor Slattery.

00:16:01.661 --> 00:16:03.830
Don't hurt the face! I am an actor.

00:16:03.913 --> 00:16:07.542
We wanted Shaun to have a father
of great power in China,

00:16:07.625 --> 00:16:09.961
and as it happened,
the character of The Mandarin

00:16:10.044 --> 00:16:13.965
had already been teased,
but not utilized in any true way.

00:16:14.048 --> 00:16:15.967
Going all the way back to Iron Man one,

00:16:16.050 --> 00:16:19.512
we've seen this organization called
The Ten Rings pop up in Marvel movies.

00:16:19.595 --> 00:16:22.807
We've seen a little bit
in Iron Man one, in Ant-Man.

00:16:22.890 --> 00:16:26.644
Then there was this short film
that was released after Iron Man 3

00:16:26.728 --> 00:16:29.480
called All Hail the King
that established that Trevor

00:16:29.564 --> 00:16:32.650
had been basically sprung from jail
by the true Mandarin,

00:16:32.734 --> 00:16:34.068
who we don't see in the film.

00:16:34.152 --> 00:16:36.112
There's somebody who wants to meet you.

00:16:36.195 --> 00:16:38.656
-Do I know him?
-No.

00:16:38.740 --> 00:16:41.909
But you took his name,
and now he wants it back.

00:16:44.579 --> 00:16:47.623
(CHUCKLES) Nope, sorry,
I still don't get it.

00:16:48.750 --> 00:16:52.211
It's such a joy to have
Sir Ben come back as Trev.

00:16:53.046 --> 00:16:55.048
The way that he plays him

00:16:55.131 --> 00:16:59.218
is just so weird and so endearing.

00:16:59.302 --> 00:17:04.682
Every scene just feels so alive
and unlike anything I've seen before.

00:17:04.766 --> 00:17:07.018
Live on television.

00:17:08.478 --> 00:17:09.604
Sounds familiar, right?

00:17:09.687 --> 00:17:11.522
You shot a guy on live television?

00:17:11.606 --> 00:17:13.775
Yeah. No. Yeah, well, I faked it.

00:17:13.858 --> 00:17:16.986
But dramatically speaking,
yes, I did the deed.

00:17:17.070 --> 00:17:20.448
This is my third visit to Trevor.

00:17:20.531 --> 00:17:24.952
The wonderful thing about Trevor
is that he is an amazing adapter.

00:17:25.036 --> 00:17:28.247
He will adapt to anything.
He's a wonderful survivor.

00:17:28.331 --> 00:17:29.374
Calm down, mate.

00:17:29.457 --> 00:17:32.710
I'm not dead. It's just a performance.
Get down here and play along.

00:17:32.794 --> 00:17:34.212
As an actor, a craftsman,

00:17:34.295 --> 00:17:39.175
that whole package
and that journey over a few years now,

00:17:39.258 --> 00:17:42.011
is to me, immensely attractive.

00:17:43.513 --> 00:17:45.807
SCHWARTZ: The Ten Rings were
an element from the comics,

00:17:45.890 --> 00:17:48.226
which we felt were in need of an update.

00:17:48.309 --> 00:17:51.312
In the comics, there are ten rings
that are worn on the fingers,

00:17:51.396 --> 00:17:53.064
and they all have different powers.

00:17:53.147 --> 00:17:55.608
ANDY PARK: The whole idea
was to try to figure out

00:17:55.692 --> 00:17:58.945
a new language, a new power set.

00:17:59.028 --> 00:18:01.823
They knew that they didn't wanna do
the rings on the finger

00:18:01.906 --> 00:18:04.283
like you see in the comic book.

00:18:04.367 --> 00:18:07.161
And probably the main reason
is because of Thanos

00:18:07.245 --> 00:18:11.290
and the Infinity Saga
that we just had being too similar.

00:18:11.374 --> 00:18:13.418
Destin had the idea
that they would actually be

00:18:13.501 --> 00:18:17.171
more of the bracelets rings,
like, martial arts training rings.

00:18:17.255 --> 00:18:19.132
SCHWARTZ: What those rings
have become in Shang-Chi,

00:18:19.215 --> 00:18:21.342
is kind of Hung Gar inflected
iron Kung fu rings

00:18:21.426 --> 00:18:23.720
that pop up a lot in Kung fu cinema

00:18:23.803 --> 00:18:26.180
that really feel
a little bit truer to the genre.

00:18:26.264 --> 00:18:28.641
The Mandarin first found
the actual physical Ten Rings

00:18:28.725 --> 00:18:30.393
that the organization became named for.

00:18:30.476 --> 00:18:31.728
And built that organization

00:18:31.811 --> 00:18:34.147
from the ground up
with the power of those rings.

00:18:34.230 --> 00:18:36.649
Suddenly, the Ten Rings thing
goes from an Easter egg

00:18:36.733 --> 00:18:40.820
in the very first MCU movie
to the core of what I think

00:18:40.903 --> 00:18:44.240
is one of the greatest father-son
relationships in any of our films.

00:18:44.324 --> 00:18:47.910
We will rebuild The Ten Rings
to what it once was.

00:18:47.994 --> 00:18:51.914
FEIGE: Thinking about this character,
as the father to Shang-Chi,

00:18:51.998 --> 00:18:55.877
as a man who is corrupted by these rings
and corrupted by power,

00:18:55.960 --> 00:18:59.130
and who at every turn
kind of wanted to do the right thing.

00:18:59.213 --> 00:19:03.176
But his greed or his obsessions
would turn him away from that.

00:19:03.259 --> 00:19:07.055
That started to unlock
the notion of doing justice to a character

00:19:07.138 --> 00:19:11.893
and more justice than have ever been done
in the comics, frankly.

00:19:11.976 --> 00:19:17.148
The Mandarin is a brand
that we wanted to peel away

00:19:17.231 --> 00:19:22.195
and understand
the person behind that title.

00:19:22.278 --> 00:19:27.367
If there was anybody in the world
who will instantly break the cliché

00:19:27.450 --> 00:19:32.872
of the mustache-twirling villain,
it would be Tony Leung.

00:19:35.919 --> 00:19:38.672
MAN: And, cutting. All right.

00:19:38.755 --> 00:19:40.632
-WOMAN: That was really nice.
-(CHUCKLES) Right?

00:19:40.715 --> 00:19:41.758
WOMAN: That was great.

00:19:41.841 --> 00:19:43.718
LIU: So, I still cannot believe this.

00:19:43.802 --> 00:19:46.012
But I just shot a scene with Tony Leung,

00:19:46.096 --> 00:19:49.349
and, um. if you are into
Asian cinema at all,

00:19:49.432 --> 00:19:52.852
you'll know that
Tony Leung is an absolute legend.

00:19:53.895 --> 00:19:58.942
Every time I talk to my parents,
they always lead with the same question.

00:19:59.025 --> 00:20:02.946
It's not "How are you doing?"
It's not "Are you sleeping well?"

00:20:03.029 --> 00:20:05.156
It's "Did you work with Tony Leung today?"

00:20:05.240 --> 00:20:06.241
Perfect.

00:20:06.324 --> 00:20:08.326
AWKWAFINA: When I found out
that he was cast in this,

00:20:08.410 --> 00:20:12.205
I almost fell out of my chair
'cause for me, that's like...

00:20:12.288 --> 00:20:14.374
Legitimately one of my favorite actors.

00:20:18.503 --> 00:20:23.174
TONY LEUNG: I think this time,
the story is trying to approach

00:20:23.258 --> 00:20:25.051
Mandarin in the more

00:20:26.428 --> 00:20:27.679
human perspective.

00:20:29.431 --> 00:20:32.600
CRETTON: The way that Tony Leung
sees that character,

00:20:32.684 --> 00:20:35.020
it's all rooted in Wenwu's pain

00:20:35.103 --> 00:20:39.858
and in Wenwu's desperation to be loved

00:20:39.941 --> 00:20:43.987
and to show love,
but he does not know how to show it.

00:20:44.070 --> 00:20:46.488
(SPEAKING MANDARIN)

00:20:49.242 --> 00:20:51.328
SCHWARTZ: I think what Destin
was after was

00:20:51.411 --> 00:20:53.705
looking at those Ten Rings
and the power they brought

00:20:53.788 --> 00:20:55.373
and the immortality that they brought.

00:20:55.457 --> 00:20:57.667
It's kind of a metaphor
for addiction, in a way.

00:20:57.751 --> 00:21:00.045
PARK: I had the idea
that when it powers on,

00:21:00.128 --> 00:21:02.464
the rings would
kind of raise up on the arm.

00:21:02.547 --> 00:21:05.508
And then you would see
that it's embedded in there

00:21:05.592 --> 00:21:09.471
and it's also just kind of infusing
whatever energy, power

00:21:09.554 --> 00:21:12.807
that the rings emit into your whole body.

00:21:13.516 --> 00:21:16.686
Wenwu gets drawn to this power.
It's almost like drug.

00:21:16.770 --> 00:21:20.148
So, we're try to make
the rings give this sense

00:21:20.231 --> 00:21:21.858
that as they're going through his arms,

00:21:21.941 --> 00:21:26.863
you get this sense of the veins glowing
as he becomes more powerful with them.

00:21:26.946 --> 00:21:29.783
CRETTON: Those rings are also his chains.

00:21:29.866 --> 00:21:32.744
They are the thing that keeps The Mandarin

00:21:32.827 --> 00:21:34.871
from being the person
that he is meant to be,

00:21:34.954 --> 00:21:36.831
that his wife believed he could be.

00:21:36.915 --> 00:21:40.835
Ultimately, this is a story
about how this family has kind of

00:21:42.128 --> 00:21:44.422
lost each other at the moment

00:21:44.506 --> 00:21:48.301
that the glue of that family
who was their mother, was killed.

00:21:50.595 --> 00:21:54.099
LIU: This is not the same father
that was around when he was a boy.

00:21:54.182 --> 00:21:57.227
This is a much meaner
and more hardened father

00:21:57.310 --> 00:22:00.689
that has been scarred by tragedy.

00:22:00.772 --> 00:22:04.067
WILLIAM POPE: The gambling den
is a story told in flashback.

00:22:05.068 --> 00:22:06.861
What Shang-Chi sees,

00:22:06.945 --> 00:22:09.406
is his father is a monster,

00:22:10.115 --> 00:22:14.786
and the goodness in his life is gone,
and he's left with this monster.

00:22:15.495 --> 00:22:17.038
That's what the scene is about.

00:22:17.122 --> 00:22:19.958
The child
and the child's understanding of it.

00:22:20.041 --> 00:22:23.962
So, instead of going down
to the end of the room

00:22:24.121 --> 00:22:26.539
(SPEAKING MANDARIN)

00:22:27.908 --> 00:22:29.785
LEUNG: Wenwu is the tragic character.

00:22:30.052 --> 00:22:32.930
Although he is so powerful with the rings,

00:22:33.013 --> 00:22:37.810
he is lonely all his life
until he met his wife,

00:22:37.893 --> 00:22:42.815
and I think that's the most happiest time
in his one thousand years of life.

00:22:49.646 --> 00:22:52.733
I think when people watch
the movie in theaters,

00:22:52.816 --> 00:22:55.527
they're just gonna look
at this sequence and think,

00:22:55.611 --> 00:22:57.905
"Oh, of course they found
a beautiful waterfall

00:22:57.988 --> 00:23:01.450
"in the middle of a forest
that's perfectly lit."

00:23:01.533 --> 00:23:04.787
But in actuality, everything from the dirt

00:23:04.870 --> 00:23:07.623
that's on the ground right now,
to the leaves,

00:23:07.706 --> 00:23:11.960
to every single branch of bamboo
has been carefully designed.

00:23:13.587 --> 00:23:17.500
It's one of the most gorgeous sets
that I think we've built for this movie.

00:23:17.683 --> 00:23:20.269
It's really bittersweet for me

00:23:20.352 --> 00:23:23.189
because I haven't been
born yet at this point.

00:23:24.648 --> 00:23:27.276
SUE CHAN: One of the things
we want to convey,

00:23:27.359 --> 00:23:29.987
with all the sets relating to Li,

00:23:30.070 --> 00:23:35.868
is that they utilized the five elements,
which is a core idea in Chinese culture.

00:23:35.951 --> 00:23:38.996
Fire, metal, water, earth and wood.

00:23:39.079 --> 00:23:43.626
In Chinese cosmology,
these are the five foundational elements.

00:23:43.709 --> 00:23:47.087
-This looks so good.
-You're not tired of it yet?

00:23:47.171 --> 00:23:48.506
So beautiful.

00:23:48.589 --> 00:23:53.344
You know, the idea is that all these
things are in harmony in Li's life,

00:23:53.427 --> 00:23:56.764
and they're in harmony
in the sets in which Li appears

00:23:56.847 --> 00:23:58.766
and that she uses her Tai chi,

00:23:58.849 --> 00:24:01.477
which Brad has so nicely choreographed,

00:24:01.560 --> 00:24:05.356
which is also about
balance and being at one with nature.

00:24:05.439 --> 00:24:07.817
CRETTON: When we first
brought on Brad Allan,

00:24:07.900 --> 00:24:10.444
it was so important to all of us,

00:24:10.528 --> 00:24:15.658
and Brad included that we treat
all of the martial arts in this movie

00:24:15.741 --> 00:24:18.035
with the respect that it deserves

00:24:18.118 --> 00:24:23.374
and that Brad would bring on
some really amazing choreographers

00:24:23.457 --> 00:24:27.670
from China and Hong Kong
to root all of our choreography

00:24:27.753 --> 00:24:33.634
and martial arts styles, that would pay
respect to everything that came before.

00:24:36.554 --> 00:24:39.306
It's so rare that you can describe

00:24:39.390 --> 00:24:43.185
a fight scene as beautiful and moving.

00:24:43.269 --> 00:24:48.232
Peng and Chris did an amazing job
creating a fight sequence

00:24:48.315 --> 00:24:53.154
that really tells the story
of a real human connection.

00:24:53.237 --> 00:24:56.699
Destin, he actually
have very strong vision.

00:24:56.782 --> 00:25:01.120
We would give him lot of different ideas,
a lot of different designs.

00:25:01.203 --> 00:25:03.789
CRETTON: Right there,
the rings should be flying already.

00:25:03.873 --> 00:25:07.710
So, I think we should cancel this shot

00:25:07.793 --> 00:25:11.088
and maybe tweak the choreo
of the next shot.

00:25:11.172 --> 00:25:13.007
COWAN: He knows
what he needs for his story,

00:25:13.090 --> 00:25:15.759
and that was beneficial for us to see

00:25:15.843 --> 00:25:18.345
what we can lose
and also keep to make sure

00:25:18.429 --> 00:25:22.016
that we're still telling the story
that he wants to tell.

00:25:22.099 --> 00:25:24.685
CRETTON: Li's character,
a lot of her movements

00:25:24.768 --> 00:25:28.522
and her philosophy is rooted in Tai chi,

00:25:28.606 --> 00:25:31.442
which is the opposite of aggression.

00:25:31.525 --> 00:25:36.614
It's about taking
somebody's aggressive power and attacks

00:25:36.697 --> 00:25:40.326
and reverting that energy back on them.

00:25:41.285 --> 00:25:44.497
The style for Tai chi
is not just the martial arts.

00:25:44.580 --> 00:25:47.500
It's also a culture. Also a philosophy.

00:25:47.583 --> 00:25:51.462
It's very hard
to put that style into the movie,

00:25:51.545 --> 00:25:53.297
especially to the Marvel movie.

00:25:53.380 --> 00:25:56.550
We have to figure out a lot of idea,

00:25:56.634 --> 00:26:00.137
how we're gonna
combine the style with excitement

00:26:00.221 --> 00:26:05.518
and also keep respecting
the original culture and philosophy.

00:26:05.601 --> 00:26:09.188
Tai chi, it looks very easy and graceful,

00:26:09.271 --> 00:26:12.358
but it's actually
the hardest thing to learn.

00:26:12.441 --> 00:26:15.152
Every move has a countermove
on the other side.

00:26:15.236 --> 00:26:19.573
So, it took me literally weeks
to even just understand that concept.

00:26:20.449 --> 00:26:22.451
Tony made it look so easy.

00:26:22.535 --> 00:26:25.371
He learned all his moves
within the first two days,

00:26:25.454 --> 00:26:28.040
and it took me weeks to remember all mine.

00:26:28.124 --> 00:26:30.876
What I was doing is tiger-claw.

00:26:31.585 --> 00:26:34.588
I think it's more like a symbolic thing.

00:26:34.672 --> 00:26:37.758
It's a symbol
of the character's state of mind.

00:26:37.842 --> 00:26:41.011
It feels like
it represents the aggressiveness

00:26:41.095 --> 00:26:44.265
and anger of Wenwu's character.

00:26:44.348 --> 00:26:46.976
Ready, and action.

00:26:47.059 --> 00:26:50.312
POPE: Each character
has their own fight style.

00:26:50.396 --> 00:26:54.233
We wanted each person's
character or their emotions,

00:26:54.316 --> 00:26:58.904
or the motivations, or the plot
to be carried forward by the fight.

00:26:58.988 --> 00:27:00.197
I like it better than this.

00:27:00.281 --> 00:27:02.908
COWAN: Every action sequence
has a different style, flavor.

00:27:02.992 --> 00:27:05.995
We've been lucky enough
to work with different designers,

00:27:06.078 --> 00:27:10.166
different choreographers, and everyone
has their different sort of flair.

00:27:10.249 --> 00:27:13.961
LIU: Certainly, we take a lot
of influences from Chinese Kung fu,

00:27:14.044 --> 00:27:16.964
but at the same time,
I think it's important to distinguish

00:27:17.047 --> 00:27:19.091
between a Kung fu movie
and a Marvel movie.

00:27:19.175 --> 00:27:22.470
And I think Shang-Chi is,
at its core, a Marvel movie.

00:27:24.096 --> 00:27:27.183
SCHWARTZ: What the martial arts movies
and Marvel movies have in common,

00:27:27.266 --> 00:27:29.226
is that they express
character through action.

00:27:29.310 --> 00:27:32.104
That's what Destin and this movie
have done a great job of,

00:27:32.188 --> 00:27:35.191
is that scenes
that would ordinarily be dialogue-driven,

00:27:35.274 --> 00:27:36.734
are action and fight-driven.

00:27:36.817 --> 00:27:39.195
And that's a great way
that we've managed to

00:27:39.278 --> 00:27:42.740
honor the genre, but also,
make it feel like a Marvel movie.

00:27:44.950 --> 00:27:46.911
We're in the middle of our bus sequence,

00:27:46.994 --> 00:27:50.289
which is the first time
that Shang-Chi reveals

00:27:50.372 --> 00:27:52.708
to his best friend and to the world

00:27:52.792 --> 00:27:57.171
that he's actually
an extremely skilled fighter.

00:28:03.427 --> 00:28:06.806
Is there maybe a snack
that I may have gotten along the way?

00:28:06.889 --> 00:28:09.975
-Or like a boba?
-A snack? Are you snacking?

00:28:10.059 --> 00:28:12.895
-A boba? Obviously, a boba.
-(LAUGHING)

00:28:12.978 --> 00:28:15.356
We needed somebody to anchor Shang-Chi,

00:28:15.439 --> 00:28:20.194
and to anchor him
in Asian-American culture.

00:28:20.945 --> 00:28:23.322
There's no one better
to do that than Nora. (CHUCKLES)

00:28:23.405 --> 00:28:25.366
That is the highest
I've ever seen an umbrella.

00:28:25.449 --> 00:28:27.618
I've never seen
an umbrella that high before.

00:28:27.701 --> 00:28:30.120
Whoa! It's like Lady Liberty,
am I right? (LAUGHING)

00:28:31.080 --> 00:28:32.623
AWKWAFINA: I connect to Katy a lot.

00:28:32.706 --> 00:28:35.918
I think anyone that comes
from some kind of immigrant background,

00:28:36.001 --> 00:28:37.878
in my case, any dash-American,

00:28:37.962 --> 00:28:40.422
will always have that kind of duality

00:28:40.506 --> 00:28:43.676
and sense of struggle when it comes
to finding their own identity.

00:28:43.759 --> 00:28:45.761
And I think Katy really embodies that.

00:28:45.845 --> 00:28:48.848
She's not necessarily
against embracing her culture,

00:28:48.931 --> 00:28:51.725
but she does know
that she's more of a stranger to it.

00:28:51.809 --> 00:28:56.397
-"Moving on" is an American idea.
-You're American, Mom!

00:28:56.480 --> 00:29:00.734
She brings such a fun
and unique angle to Katy.

00:29:00.818 --> 00:29:03.279
And what we found right away,

00:29:03.362 --> 00:29:06.365
is that we had just
such a natural chemistry working together.

00:29:06.448 --> 00:29:10.703
And I think it speaks to just her level
of preparation and her work ethic,

00:29:10.786 --> 00:29:15.416
and also just like our shared ability
to just kind of be goofy with each other.

00:29:15.499 --> 00:29:20.713
The other day, I made
a U-turn into a parking spot using...

00:29:20.796 --> 00:29:23.632
Right, get ready for it.
Just my * cheeks. (LAUGHS)

00:29:26.760 --> 00:29:31.891
The bus scene, it's basically Shang-Chi
being revealed to Katy for the first time.

00:29:31.974 --> 00:29:34.101
That's really what
the import of the scene is.

00:29:34.185 --> 00:29:37.813
Katy realizes that this meek guy...
(LAUGHING)

00:29:38.647 --> 00:29:41.442
"You didn't really need my help, did you?"

00:29:42.318 --> 00:29:44.987
It was still being shot
in the last week we were here.

00:29:45.070 --> 00:29:48.449
CRETTON: Yeah, it was the beginning
and end of our entire shoot.

00:29:48.532 --> 00:29:51.243
POPE: I called it a road to nowhere.
Just never ends.

00:29:51.327 --> 00:29:55.998
Yeah, it was really fun at first,
and then really claustrophobic.

00:29:59.960 --> 00:30:02.838
You know, working with
some of the best stunt coordinators,

00:30:02.922 --> 00:30:04.882
fight coordinators in the business

00:30:04.965 --> 00:30:07.384
and coming up
with this sequence over the past,

00:30:07.468 --> 00:30:09.804
-how long has it been, like four months?
-Four months.

00:30:09.887 --> 00:30:13.265
-It's been seven. September, right?
-LIU: Yeah. Yeah. Yeah.

00:30:13.349 --> 00:30:16.602
October, November, December, Jan... Five.

00:30:16.685 --> 00:30:18.771
-So, it's been...
-Yeah, five.

00:30:18.854 --> 00:30:20.064
Okay, Yung can't count.

00:30:20.147 --> 00:30:22.358
-(LAUGHTER)
-But it's been a lot of months.

00:30:23.567 --> 00:30:26.445
SCHWARTZ: There's a version of this movie
that's very Jackie Chan.

00:30:26.529 --> 00:30:30.366
That's kind of prop-based and comedic,
but also very real and practical.

00:30:30.449 --> 00:30:32.576
Our stunt coordinator, Brad Allan,

00:30:32.660 --> 00:30:34.495
was with Jackie Chan's stunt troop

00:30:34.578 --> 00:30:36.747
and brings a lot of
that amazing skill and talent

00:30:36.831 --> 00:30:41.252
and a lot of those people who made those
movies so great to this movie as well.

00:30:41.335 --> 00:30:46.465
-What's the style of this fight?
-The man with the plan.

00:30:46.549 --> 00:30:49.301
-Like, the choreography? What...
-The style.

00:30:49.385 --> 00:30:51.637
-Do you have any references it comes from?
-Yeah.

00:30:51.720 --> 00:30:55.266
This style is come from us,
where we come from. Jackie Chan's stunts.

00:30:56.851 --> 00:30:58.727
CHENG: We're influenced by Jackie Chan.

00:30:58.811 --> 00:31:00.771
But no style is a style,

00:31:00.855 --> 00:31:02.940
like what Bruce Lee said.

00:31:03.023 --> 00:31:05.151
That's then one Shang-Chi style.

00:31:05.234 --> 00:31:07.069
That's why we're making Shang-Chi style.

00:31:07.153 --> 00:31:09.738
Everything you can name it,
we have something there.

00:31:09.822 --> 00:31:11.699
But we don't want to base on one thing.

00:31:11.782 --> 00:31:15.244
We want to base
on the character and the situation,

00:31:15.327 --> 00:31:18.581
and we create
that makes Shang-Chi outstanding.

00:31:21.000 --> 00:31:23.627
My favorite thing,
is this move right here,

00:31:23.711 --> 00:31:27.423
where I get to do this. (GRUNTS)

00:31:27.506 --> 00:31:30.217
Run up here. (GRUNTS)

00:31:31.510 --> 00:31:32.803
So, just a bit of that.

00:31:35.431 --> 00:31:38.058
TOWNSEND: What we're going to be doing
in visual effects primarily,

00:31:38.142 --> 00:31:41.270
is putting San Francisco
out through the windows.

00:31:41.353 --> 00:31:44.356
We've got the lighting,
it's all rigged to emulate the lighting

00:31:44.440 --> 00:31:46.358
as you go down through the streets,

00:31:46.442 --> 00:31:49.612
but also taking on any wires
and rigs that the stunts people...

00:31:49.695 --> 00:31:52.531
-Really?
-Yeah, it's all it is to me, it's easy.

00:31:52.615 --> 00:31:54.366
Basically, it's all in camera.

00:31:54.450 --> 00:31:58.370
One of the things
that Chris constantly says,

00:31:58.454 --> 00:32:00.998
is it's always better
to try to do it live.

00:32:01.081 --> 00:32:04.168
Enhancing something
that is rooted in reality,

00:32:04.251 --> 00:32:08.839
I think, allows an audience to not just
turn their brain off and go,

00:32:08.923 --> 00:32:11.300
''That's a computer. That's a computer.''

00:32:12.593 --> 00:32:17.389
Our role was to build a rig that could
simulate that kind of bus motion.

00:32:17.473 --> 00:32:21.060
So, for this particular bus,
we're using a six-axis gimbal.

00:32:21.143 --> 00:32:24.522
What the six-axis gimbal gives
us is six degrees of freedom.

00:32:24.605 --> 00:32:28.734
So, we get heave, which is up and down.
We get pitch, which is forward and back.

00:32:28.901 --> 00:32:32.196
We get roll, which side to side.
We get yaw as well.

00:32:32.279 --> 00:32:36.158
So, we get all those motions which
can be programmed into the system

00:32:36.283 --> 00:32:40.329
to give the bus pretty much any motion
that would seem real-life.

00:32:41.831 --> 00:32:45.876
We had to choreograph the fights according
to the streets of San Francisco,

00:32:46.043 --> 00:32:48.462
of their dips, their curves,
rounds or turns,

00:32:48.838 --> 00:32:51.006
and put that into the fight.

00:32:52.424 --> 00:32:55.177
I was getting carsick in that thing.

00:32:55.261 --> 00:32:56.971
You actually did get sick.

00:32:57.054 --> 00:32:58.472
CRETTON: When it was turned sideways,

00:32:58.556 --> 00:33:00.724
I thought it'd be really fun
to get on to direct,

00:33:00.808 --> 00:33:03.394
and I got on,
and my head just started going like...

00:33:05.646 --> 00:33:07.106
I couldn't do it.

00:33:07.648 --> 00:33:11.318
So, what we have here is,
it's a little slide on the roof of the bus

00:33:11.402 --> 00:33:16.240
This is one of my favorite stunts
that I've had to do so far.

00:33:16.323 --> 00:33:17.992
It basically involves doing this.

00:33:22.872 --> 00:33:24.457
Didn't mean to go that far.

00:33:24.957 --> 00:33:27.126
-(AIR HISSING)
-CRETTON: All right, here we go!

00:33:27.209 --> 00:33:29.712
And, three, two, one, action!

00:33:35.217 --> 00:33:38.137
-CRETTON: Cut! You all right?
-Yeah.

00:33:38.971 --> 00:33:40.389
CRETTON: What happened? Oh, it broke.

00:33:42.808 --> 00:33:49.231
Oh, man, it's all about applying
even pressure, even distribution of heat.

00:33:56.155 --> 00:33:58.324
Could be a little bit more convincing.

00:33:58.407 --> 00:33:59.700
-And then...
-It's not bad.

00:33:59.783 --> 00:34:04.705
And then jumping, I could flare my legs
out more further back,

00:34:04.789 --> 00:34:05.915
but that's...

00:34:06.081 --> 00:34:09.084
You did the face adjustment.
I love it. It's fun.

00:34:09.168 --> 00:34:11.504
TOWNSEND: I'm going to the corner,
which is better.

00:34:11.587 --> 00:34:13.881
Could I get you to regrip
a little more urgently?

00:34:13.964 --> 00:34:16.467
-You know, too much hang time.
-Yeah. Sure.

00:34:16.592 --> 00:34:20.304
-You wanna have one more go?
-I would like one more go.

00:34:20.471 --> 00:34:24.141
-(HEROIC MUSIC PLAYING)
-CRETTON: And, three, two, one, action!

00:34:34.568 --> 00:34:38.113
Oh, man.
That concludes our time in the bus.

00:34:38.531 --> 00:34:41.951
Gotta say, it was
a very love-hate relationship. Um...

00:34:42.201 --> 00:34:46.288
Lot of good times. Lot of bad times,
like getting hit in the shin, twice.

00:34:49.083 --> 00:34:51.836
Do you mind? I'm doing...

00:34:51.919 --> 00:34:55.005
Just a talking head. Pardon me.

00:34:58.259 --> 00:35:02.847
We were able to shoot
for about eight or nine weeks

00:35:03.013 --> 00:35:07.476
before COVID swept around the world
and production shut down.

00:35:08.477 --> 00:35:11.272
CHARLES NEWIRTH: It became very apparent
we couldn't continue.

00:35:12.064 --> 00:35:13.566
We stopped filming,

00:35:13.649 --> 00:35:16.819
we sent many people home,
back to their countries.

00:35:16.902 --> 00:35:18.654
Some people did stay here.

00:35:18.737 --> 00:35:21.991
Destin, our director, stayed here and
continued to do some post-production work

00:35:22.074 --> 00:35:25.452
because we did have about
a third of the movie shot already.

00:35:25.661 --> 00:35:29.999
We shot entirely in sequence, so we had,
basically, the beginning of the movie done

00:35:30.166 --> 00:35:33.085
and posted over the course
of that time that we were off.

00:35:33.210 --> 00:35:36.672
We were able get a lot of visual effects
in the pipeline and in general,

00:35:36.797 --> 00:35:40.801
just kind of keep refining the movie
in a way that we don't ever get to do.

00:35:41.051 --> 00:35:45.473
It was a very big decision
to shut everything down.

00:35:45.556 --> 00:35:51.103
And then it became a weekly,
monthly revisit,

00:35:51.353 --> 00:35:55.983
trying to gauge when it actually
could be safe to re-open again.

00:35:56.108 --> 00:35:58.861
NEWIRTH: We knew that we had to put
a lot of protocols in place.

00:35:59.111 --> 00:36:03.199
One thing we had going for us on our film
was that we were filming in Australia,

00:36:03.532 --> 00:36:06.577
and Australia did have
a very low incidents

00:36:06.660 --> 00:36:10.122
relative to United States for sure,
of COVID cases.

00:36:10.873 --> 00:36:13.167
When we finally got the green light
to come back,

00:36:13.250 --> 00:36:15.836
it was just such an incredible moment.

00:36:16.041 --> 00:36:17.501
I can't believe that I'm saying this,

00:36:17.584 --> 00:36:21.005
but this is actually
our first day back on set

00:36:21.088 --> 00:36:22.965
since the pandemic started,

00:36:23.048 --> 00:36:25.801
and it's such a huge moment for all of us.

00:36:25.884 --> 00:36:29.096
Yeah, it's honestly
just an indescribable feeling.

00:36:29.596 --> 00:36:31.015
(CRETTON SPEAKING)

00:36:40.170 --> 00:36:41.797
LIU: Don't know why
I just gave Satan horns.

00:36:41.922 --> 00:36:45.592
The Golden Dagger is just this kind
of mix between like, a discotheque

00:36:45.759 --> 00:36:48.554
and also like a massive fight club.

00:36:50.147 --> 00:36:53.900
CHAN: I really liked the idea
of the Shanghai ads from the 1930s,

00:36:53.984 --> 00:36:56.611
where you had these
beautifully-dressed women

00:36:56.862 --> 00:36:58.848
selling cigarettes
or whatever they were selling.

00:36:59.110 --> 00:37:02.431
And then my amazing graphic design team
just took that idea

00:37:02.514 --> 00:37:07.436
and sort of mashed it up
with modern graffiti, Asian graffiti,

00:37:07.603 --> 00:37:12.149
Western graffiti,
and we just threw it all in there,

00:37:12.232 --> 00:37:15.069
and came up with what I think
is a really great aesthetic

00:37:15.194 --> 00:37:18.405
for that nightclub,
it feels very fresh and modern.

00:37:20.090 --> 00:37:24.303
Shang-Chi needed to be surrounded
by two strong female characters

00:37:24.386 --> 00:37:27.180
who represented
the two worlds that he's from.

00:37:27.431 --> 00:37:33.020
Meng'er represents the modern,
Chinese female experience.

00:37:33.520 --> 00:37:36.648
We did a big search, and it was
very important to us to find an actor

00:37:36.732 --> 00:37:40.485
who was from China, who grew up there,
and who speaks

00:37:40.819 --> 00:37:43.071
Mandarin as their primary language.

00:37:46.408 --> 00:37:50.287
LIU: Meng'er is easily the goofiest
of the bunch.

00:37:50.370 --> 00:37:54.791
She's just such a light and a spark
and always finds a way to make us laugh.

00:37:56.084 --> 00:38:00.130
LIU: She is always the first person
at the snack table.

00:38:02.424 --> 00:38:05.302
Simu is just like my brother.

00:38:05.427 --> 00:38:11.099
Yeah. He sometimes annoys me,
sometimes takes care of me.

00:38:11.350 --> 00:38:13.852
But most of the time, he annoys me.

00:38:14.436 --> 00:38:17.481
Fight me, brother. Fight me. Fight me.

00:38:17.856 --> 00:38:19.149
LIU: Gonna call my agent.

00:38:19.566 --> 00:38:21.401
-(CHUCKLES)
-He can't. He can't fight me.

00:38:23.445 --> 00:38:29.243
Jokes aside, he brings genuine sibling
connection with me,

00:38:29.326 --> 00:38:30.577
on and off set.

00:38:30.697 --> 00:38:31.540
Shang-Chi and Xialing,

00:38:31.624 --> 00:38:37.046
we just wanted it to feel like a brother
and sister arguing,

00:38:37.380 --> 00:38:40.424
but doing it through
a physical expression.

00:38:42.093 --> 00:38:44.679
Three, two, one, go!

00:38:44.860 --> 00:38:46.262
I have three sisters and two brothers.

00:38:46.312 --> 00:38:52.443
So, I know what it feels like
to be in that seemingly very aggressive,

00:38:52.610 --> 00:38:54.904
emotional fight,

00:38:55.029 --> 00:38:58.741
but knowing that
you're still in a safe place

00:38:58.825 --> 00:39:02.537
'cause there's no way you would
actually hurt the other person.

00:39:02.820 --> 00:39:04.197
It's fun and brutal,

00:39:04.280 --> 00:39:09.368
but it's also just watching two siblings
work through their crap together.

00:39:13.441 --> 00:39:16.653
LIU: What's been
extremely gratifying for me

00:39:16.736 --> 00:39:19.614
is seeing Meng'er from the moment
that she arrived to now.

00:39:19.698 --> 00:39:23.743
Because I've watched literally
like a fighter come out of a child.

00:39:26.538 --> 00:39:30.500
PENG ZHANG: Another big action sequence
is a scaffolding fight.

00:39:30.583 --> 00:39:35.839
Which is outside the building,
like, 20 floors high.

00:39:36.715 --> 00:39:38.842
Oh, hell no. * you!
I'm not doing this.

00:39:39.175 --> 00:39:41.845
When you actually put the people
in the straight wall...

00:39:41.928 --> 00:39:45.348
And it's very difficult.
So, we build a wall, 45 degree.

00:39:45.515 --> 00:39:48.810
TOWNSEND: Special effects department that
built this set on this incredible rig,

00:39:48.935 --> 00:39:51.896
which leans
the entire set back 45 degrees,

00:39:51.980 --> 00:39:55.191
so that the stunts department,
they're able to work with this set

00:39:55.275 --> 00:39:58.361
either in a vertical position
or a 45 degree position.

00:39:58.445 --> 00:40:00.864
So, I'm here with one
of my stunt doubles, Sunny.

00:40:00.947 --> 00:40:04.451
Sunny, he's one of the people that puts
his life on the line everyday.

00:40:04.617 --> 00:40:07.996
And really just gives a 100%
of his mind, his body,

00:40:08.079 --> 00:40:09.748
and his soul to his craft.

00:40:10.331 --> 00:40:11.916
CRETTON: Three, two, one, action!

00:40:13.918 --> 00:40:15.545
LIU: The stunt team...

00:40:15.879 --> 00:40:18.298
I mean there's stuff that they do

00:40:18.923 --> 00:40:21.259
that I would not do
for any amount of money.

00:40:21.760 --> 00:40:24.429
Every actor wants to go in front
of a talk show and say,

00:40:24.512 --> 00:40:27.474
how they did their own stunts
and the reality is,

00:40:27.599 --> 00:40:31.186
these people are professionals,
they've been training their whole lives,

00:40:31.269 --> 00:40:32.520
they train every single day.

00:40:32.604 --> 00:40:36.566
I would be disrespecting their efforts
if I said that I did all my stunts,

00:40:36.649 --> 00:40:37.692
'cause it's not true.

00:40:52.248 --> 00:40:55.919
Simu was actually really keen
on doing a lot of it.

00:40:57.962 --> 00:41:01.841
(CHUCKLING) He's always bummed when
the doubles sometimes go in

00:41:02.092 --> 00:41:06.513
and you could see Simu actually
being legitimately down sometimes.

00:41:06.596 --> 00:41:08.348
He's like, "I really want to do this."

00:41:08.431 --> 00:41:10.975
Like, so it just shows
how much he wants it.

00:41:11.059 --> 00:41:15.605
And how, I guess, just excited
he is to get in front and do this stuff.

00:41:15.772 --> 00:41:18.650
Let me try one more
'cause I feel like we're close.

00:41:18.733 --> 00:41:21.945
Yeah, and then if we can't get it,
then, we'll be back.

00:41:22.070 --> 00:41:23.321
CREW MEMBER: All right.

00:41:41.631 --> 00:41:43.925
KATY: Is what he said about
your mom's village true?

00:41:47.846 --> 00:41:50.765
SHAUN: She used to tell us stories
about Ta Lo when we were kids.

00:41:57.856 --> 00:42:00.900
LIU: Ta Lo was just
such an incredible set,

00:42:00.984 --> 00:42:04.237
it really felt like we were completely
somewhere else.

00:42:04.904 --> 00:42:09.868
CRETTON: Sue and her team built
an entire village for us to shoot on.

00:42:11.036 --> 00:42:14.497
It's mind-blowing what her
and her team put together.

00:42:15.498 --> 00:42:17.250
It's transformative.

00:42:17.417 --> 00:42:20.920
When we're saying we're going to set,
we just say we're going to Ta Lo.

00:42:21.087 --> 00:42:24.924
It's very important to build the sets
practically as much as possible.

00:42:25.008 --> 00:42:27.052
And in the village in particular,

00:42:27.135 --> 00:42:29.804
we decided to build all of these buildings

00:42:29.888 --> 00:42:31.556
the way they might have been built,

00:42:31.639 --> 00:42:33.808
we really studied
the Chinese architecture,

00:42:34.059 --> 00:42:37.353
and we erected them in a way
that would make sense.

00:42:37.437 --> 00:42:40.231
We had to come in here
and do quite a bit of grading

00:42:40.315 --> 00:42:42.359
in order to build all of our buildings.

00:42:42.484 --> 00:42:46.154
And, as you can see, each of them
has a little stone foundation,

00:42:46.780 --> 00:42:48.114
some bigger than others.

00:42:48.615 --> 00:42:50.408
We wanted the temple in the middle

00:42:50.492 --> 00:42:54.788
because the notion of the ancestors
and this long line of protectors

00:42:54.954 --> 00:42:58.875
was a big part of what Destin
wanted to convey in that,

00:42:59.042 --> 00:43:02.128
a person is made of where they come from.

00:43:02.712 --> 00:43:05.256
The level of detail
as you go around the village,

00:43:05.340 --> 00:43:07.842
as you see the individual houses
and the temple...

00:43:08.051 --> 00:43:10.428
I mean, it's just absolutely phenomenal.

00:43:10.512 --> 00:43:14.766
They built houses,
full houses with toilets in them.

00:43:14.933 --> 00:43:17.811
Maybe not toilets here
'cause I don't know if that's the vibe,

00:43:18.144 --> 00:43:22.649
but the point is that they're putting
in full plumbing and it's incredible.

00:43:22.732 --> 00:43:27.487
To walk into the weaponry
and pick up a tool

00:43:27.570 --> 00:43:32.492
and know that somebody went through
the trouble of making this tool

00:43:32.575 --> 00:43:35.870
that is specific to cutting Dragon Scale.

00:43:36.413 --> 00:43:40.583
All of those details may not make
it to the final big screen,

00:43:40.667 --> 00:43:45.922
but they will in what it does
to an actor and their performances.

00:43:46.256 --> 00:43:52.345
Even the floor on one house that the
interior of which is possibly never seen,

00:43:52.846 --> 00:43:54.556
is deep green tiles.

00:43:55.140 --> 00:43:56.558
A lazier filmmaker would say,

00:43:56.641 --> 00:43:59.102
"It doesn't matter.
The audience won't see it,"

00:43:59.185 --> 00:44:02.772
the actor sees it
and it feeds the actor's energy.

00:44:02.856 --> 00:44:06.443
It places the actor
in this beautiful village.

00:44:06.526 --> 00:44:12.240
And wherever the eye looked,
we are fed by this wonderful ambience.

00:44:15.618 --> 00:44:20.040
Because Ta Lo is kind of this, like,
supernatural, interdimensional place,

00:44:20.206 --> 00:44:23.376
we had a lot of creative liberties
to introduce creatures

00:44:23.460 --> 00:44:25.837
that were not of this world.

00:44:25.920 --> 00:44:31.092
We have many that are influenced
by ancient Chinese folklore and culture.

00:44:31.217 --> 00:44:34.721
Things like the nine-tailed foxes,
fire birds, and the Ch'i-lin.

00:44:35.305 --> 00:44:40.101
It's a horse-like, dragon-like,
deer-like creature,

00:44:40.226 --> 00:44:43.146
and I have one tattooed on my back
and have for years.

00:44:43.229 --> 00:44:45.231
Now, there's one in the movie,
and it's like,

00:44:45.315 --> 00:44:46.399
(CHUCKLING) "That's awesome."

00:44:46.483 --> 00:44:47.609
That's super cool.

00:44:47.692 --> 00:44:48.860
That's a weird horse.

00:44:49.194 --> 00:44:50.945
What's it looking at me for?

00:44:52.280 --> 00:44:55.367
CALLAHAM: The Fu dogs, which looks sort
of like lion, sort of like dogs.

00:44:55.450 --> 00:44:57.577
There's always two
on both sides of an entrance.

00:44:57.660 --> 00:45:00.246
They're very built into Chinese mythology.

00:45:00.705 --> 00:45:04.584
To be able to finally see
what one looks like is amazing.

00:45:06.836 --> 00:45:09.589
I have a lovely companion, Morris,

00:45:09.839 --> 00:45:13.551
who's a pet and a companion
and a guide and a mentor.

00:45:13.635 --> 00:45:14.636
My animus.

00:45:14.719 --> 00:45:16.638
-KATY: Oh, oh!
-What is that?

00:45:16.721 --> 00:45:19.099
-What's what? What's what?
-That. That. That.

00:45:19.265 --> 00:45:20.308
This is Morris.

00:45:20.392 --> 00:45:23.978
Morris is based on a Hundun,
which is a mythological character

00:45:24.229 --> 00:45:26.981
thought to be sort of the
God of Chaos and Confusion.

00:45:27.399 --> 00:45:31.152
We use this stuffy for our
sort of what we call a proxy,

00:45:31.403 --> 00:45:32.946
which gives the actors a prop,

00:45:33.029 --> 00:45:36.533
so that they can be physically holding
something and reacting to it.

00:45:36.991 --> 00:45:38.993
At one point, we actually asked Sir Ben,

00:45:39.077 --> 00:45:41.371
if it was okay
if we change this for something else,

00:45:41.454 --> 00:45:44.541
and he said, "No, no,
I've grown quite fond of Morris."

00:45:45.083 --> 00:45:49.963
KINGSLEY: I built a rapport with Davi,
who operates Morris.

00:45:50.046 --> 00:45:52.382
I said, "Davi, you are my puppeteer.

00:45:52.632 --> 00:45:56.344
"You are my fellow actor.
We must build a rapport."

00:45:56.428 --> 00:45:59.305
So, I was not working
with an abstract lump of green.

00:45:59.389 --> 00:46:00.932
I was working with a creature

00:46:01.015 --> 00:46:04.185
because Davi was so sensitive
in the scene to,

00:46:04.269 --> 00:46:05.895
"What would Morris do in this scene?"

00:46:06.020 --> 00:46:08.648
He'd probably jump up,
he'd probably want a little tickle,

00:46:08.732 --> 00:46:10.108
or he'd probably be scared,

00:46:10.191 --> 00:46:12.193
or he'd probably want
to wake his master up.

00:46:12.277 --> 00:46:16.948
Perfect. So, a green screen, and visual
effects do not have to be deadly.

00:46:18.867 --> 00:46:19.943
YING NAN:
You were everything to her.

00:46:20.076 --> 00:46:23.039
I knew that I was gonna get a suit.
Every superhero has a suit.

00:46:23.189 --> 00:46:25.066
Our first day with the suit.

00:46:26.634 --> 00:46:28.970
-(INDISTINCT CHATTER)
-Which is really exciting.

00:46:29.095 --> 00:46:34.767
BARRETT: Shang-Chi's hero costume
was a Marvel illustration by Andy Park.

00:46:35.059 --> 00:46:41.607
He's definitely starting to leave behind
some of his American culture

00:46:41.691 --> 00:46:46.737
and clothing looks and getting
slowly closer to his true self.

00:46:47.113 --> 00:46:51.158
The main thing as a character designer
that I'm trying to do,

00:46:51.367 --> 00:46:53.911
is bring a story into his look.

00:46:54.245 --> 00:46:58.374
For Shang-Chi,
his story is really about his family.

00:46:58.457 --> 00:47:00.084
His mother comes from Ta Lo,

00:47:00.209 --> 00:47:01.836
so from the great protector,

00:47:01.961 --> 00:47:05.381
I wanted to incorporate dragon scales,
dragon skin.

00:47:05.715 --> 00:47:08.050
When it came to the triangle motif,

00:47:08.134 --> 00:47:13.723
I had the idea of incorporating
the infinite knot or the endless knot.

00:47:13.890 --> 00:47:16.684
It's a symbol that has been used
throughout various cultures

00:47:16.767 --> 00:47:17.852
for thousands of years.

00:47:17.977 --> 00:47:20.062
And certainly, in Chinese culture.

00:47:20.146 --> 00:47:24.108
It symbolizes the endless cycle of life
and death and rebirth,

00:47:24.192 --> 00:47:27.028
which is definitely applicable
to the story of Shang-Chi.

00:47:27.403 --> 00:47:30.198
When he ran away,
he came to America.

00:47:30.364 --> 00:47:34.577
So, even though he's given the suit,
I wanted one element to be his.

00:47:34.744 --> 00:47:36.996
So, that's why you saw him
with his Air Jordans.

00:47:37.205 --> 00:47:38.956
He's also a product of his father.

00:47:39.123 --> 00:47:44.754
So, at the end of the film, he receives
the Ten Rings, which completes his look.

00:47:45.004 --> 00:47:48.341
You see his mom, you see his dad,

00:47:48.591 --> 00:47:51.594
you see when he was living in America
and his shoes.

00:47:51.844 --> 00:47:55.473
So, it tells the full story
of his whole journey.

00:47:56.557 --> 00:47:59.227
Of course, there is nowhere
to go buy dragon skin.

00:47:59.352 --> 00:48:03.981
And, so, for us,
that means carving all the scales,

00:48:04.065 --> 00:48:07.235
and then molding hundreds and thousands
and thousands of scales.

00:48:07.318 --> 00:48:12.698
And in fact, each suit has about
14,000 tiny individual scales,

00:48:12.782 --> 00:48:15.826
glued on to it, by hand, by our team.

00:48:17.703 --> 00:48:20.581
To be honest, it was very emotional,
trying it on for the first time.

00:48:22.416 --> 00:48:26.921
I understood the weight and the gravity
and the significance of what that meant,

00:48:27.004 --> 00:48:30.883
you know, and understanding
just how precious few people

00:48:30.967 --> 00:48:32.760
experience that kind of feeling.

00:48:32.927 --> 00:48:37.974
How do you feel? How do you feel wearing
the suit for the first time?

00:48:40.851 --> 00:48:44.230
Right? That's how I feel.

00:48:45.982 --> 00:48:47.984
We're in the bamboo practice dome,

00:48:48.067 --> 00:48:51.404
where Shaun's character
in the movie basically learns

00:48:51.863 --> 00:48:55.616
this whole new style of martial arts
from his aunt.

00:48:59.579 --> 00:49:05.209
Watching Michelle kick Simu's *
was really fun.

00:49:08.421 --> 00:49:11.424
It was very surreal shooting
that scene with Michelle

00:49:11.507 --> 00:49:15.928
because I've been such a die-hard fan
of hers for so long

00:49:16.012 --> 00:49:18.264
and to be able to meet her
and work with her

00:49:18.347 --> 00:49:22.059
and find out how lovely she is,
how silly she is,

00:49:22.143 --> 00:49:24.353
(CHUCKLING) how weird she is,

00:49:24.437 --> 00:49:25.949
and how much fun she is,
was really a huge

00:49:26.100 --> 00:49:30.604
In terms of Asian representation and
especially female Asian representation,

00:49:30.729 --> 00:49:35.401
Michelle has always played
nothing but strong women,

00:49:35.609 --> 00:49:37.903
and growing up watching someone like that,

00:49:38.070 --> 00:49:41.031
it impacts who you want to become
and how you see yourself,

00:49:41.115 --> 00:49:43.242
especially when there are not a lot of us.

00:49:43.826 --> 00:49:47.204
Working with Michelle, who's so good.

00:49:48.122 --> 00:49:51.375
'Cause when you're doing Tai chai
with two people, it's like a dance,

00:49:51.458 --> 00:49:54.920
you know, and you flow only
as well as the other person flows.

00:49:57.589 --> 00:50:00.509
She's so just steady and graceful
in all of her movements.

00:50:00.592 --> 00:50:03.679
I feel like a bit of a schlub next to her,

00:50:03.762 --> 00:50:07.516
but thankfully, that's kind of the cadence
of the fight to begin with.

00:50:09.435 --> 00:50:11.603
So, I think I played my part very well.

00:50:23.907 --> 00:50:24.908
Yes!

00:50:25.951 --> 00:50:30.038
It's a fun character to play.
Aunties are always fun.

00:50:30.497 --> 00:50:36.253
My character helps him understand
that you have to know who you are,

00:50:36.336 --> 00:50:39.006
and the only way you know
and love who you are,

00:50:39.089 --> 00:50:41.800
is by accepting the whole package.

00:50:51.521 --> 00:50:55.191
This is our big
final battle sequence basically,

00:50:55.275 --> 00:50:59.696
where the Ten Rings organization
faces off against the forces of Ta Lo.

00:51:03.866 --> 00:51:08.329
This is a crazy assembly
of martial arts masters.

00:51:08.663 --> 00:51:11.124
SCHWARTZ: Guang Bo, who we meet
in the mystic village of Ta Lo,

00:51:11.249 --> 00:51:14.919
he's played by this amazing actor,
Yuen Wah, a martial arts legend,

00:51:15.003 --> 00:51:16.337
who doubled for Bruce Lee,

00:51:16.588 --> 00:51:19.299
who brings this great
wealth of knowledge to the movie.

00:51:19.757 --> 00:51:23.261
CRETTON: Here we go. Ready, and action.

00:51:30.310 --> 00:51:32.228
GINTHER: It's always a challenge,
trying to

00:51:32.312 --> 00:51:34.856
make it look real
without someone getting hurt.

00:51:36.441 --> 00:51:38.276
We have some battles
with a lot of weapons.

00:51:38.359 --> 00:51:40.612
And like every movie,
when you put 'em that close

00:51:40.737 --> 00:51:44.574
and then sticks that are six-foot-long,
swinging 'em around,

00:51:44.699 --> 00:51:46.242
there were big challenges.

00:51:48.597 --> 00:51:50.867
We have to train everybody.
There's special skill extras,

00:51:50.934 --> 00:51:53.102
they all martial arts background.

00:51:54.309 --> 00:51:57.479
So, here's a story, right.
I show up to work, and they're like,

00:51:57.563 --> 00:52:01.567
"Listen, your stunt double
is gonna get put in a wire rig

00:52:01.650 --> 00:52:05.237
"and then flung out 40 feet out that way."

00:52:05.320 --> 00:52:07.072
"And you're not going to do it."

00:52:07.156 --> 00:52:08.949
And I was like, "The hell I'm not."

00:52:09.783 --> 00:52:11.618
"Put me in that harness right now."

00:52:11.869 --> 00:52:13.537
CRETTON: Three, two, one, action!

00:52:18.792 --> 00:52:20.794
CRETTON: And, cut!

00:52:22.463 --> 00:52:23.464
It's pretty cool.

00:52:23.630 --> 00:52:26.592
YEOH: Simu is brave and bold.

00:52:26.675 --> 00:52:28.677
There's no doubt he works very, very hard.

00:52:28.761 --> 00:52:30.220
He's always, like, ready.

00:52:30.304 --> 00:52:34.391
"Let me do this. Let me do that."
And I'm like, "Just sit down, dude."

00:52:36.393 --> 00:52:37.895
Just to reiterate, in this scene,

00:52:37.978 --> 00:52:40.606
I have to fight off three demons
and then catch my sister

00:52:40.689 --> 00:52:43.275
who's being snatched
by a tentacled beast in midair.

00:52:43.484 --> 00:52:45.194
CRETTON: Ready? And pull!

00:52:52.368 --> 00:52:54.369
(MAN SPEAKING)

00:52:55.913 --> 00:52:58.373
Yeah, there wasn't a whole lot
of acting going on.

00:52:59.500 --> 00:53:02.836
And you're being dragged out two ways.

00:53:06.840 --> 00:53:08.759
We are heading into our last week.

00:53:09.718 --> 00:53:11.678
We're on mile 24...

00:53:11.762 --> 00:53:15.224
-(MAN SPEAKING INDISTINCTLY ON PA)
-...of the, uh...

00:53:16.141 --> 00:53:17.601
Of the marathon.

00:53:21.146 --> 00:53:24.483
You can feel the fatigue
and the weariness all around set,

00:53:24.566 --> 00:53:29.113
but, uh, everyone's still pulling through.

00:53:29.238 --> 00:53:30.405
How do you feel, Alex?

00:53:30.489 --> 00:53:31.490
(ALEX SPEAKING)

00:53:36.662 --> 00:53:39.915
I didn't know that.
Now, I sound like an idiot.

00:53:40.666 --> 00:53:42.793
I honestly don't know
what I expected going in.

00:53:42.876 --> 00:53:46.213
It's my first feature film of any sort.

00:53:46.422 --> 00:53:49.675
Let alone a feature film of this size
and magnitude.

00:53:51.510 --> 00:53:53.971
PENG ZHANG: Then do your move.
Yeah, that's how you saddle.

00:53:54.054 --> 00:53:55.097
LIU: Move? What the...

00:53:55.722 --> 00:54:01.478
I think it's just how much of a grind
everything is, has come as a surprise.

00:54:04.022 --> 00:54:05.149
CRETTON: All right, once again.

00:54:05.232 --> 00:54:11.321
LIU: It is such a dream to be here
every day and to be working,

00:54:11.405 --> 00:54:12.614
as my first film,

00:54:12.698 --> 00:54:17.161
but also as one of the only films that are
able to shoot around the world right now.

00:54:17.244 --> 00:54:20.289
But it really...
Yeah, it's hard. It's hard.

00:54:20.622 --> 00:54:22.958
There's a lot of fighting,
a lot of fighting.

00:54:25.085 --> 00:54:29.590
I kind of wish Shang-Chi was a master
of nonviolent de-escalation sometimes.

00:54:33.677 --> 00:54:37.264
You were there when they came for her,
and you did nothing.

00:54:38.932 --> 00:54:41.518
You stood at a window
and watched her die!

00:54:44.521 --> 00:54:47.733
When we see Shaun face off against
his father for the first time,

00:54:48.233 --> 00:54:50.277
he's emotionally all over the place.

00:54:50.402 --> 00:54:52.446
He's letting his anger
get the better of him.

00:54:52.654 --> 00:54:56.575
And he's just really just being controlled
by his emotions,

00:54:56.658 --> 00:54:58.452
rather than controlling them.

00:55:01.538 --> 00:55:04.917
You trained your son to be a killer.
Is this what you wanted?

00:55:06.877 --> 00:55:09.546
LIU: For Shaun, his maternal half
and his paternal half

00:55:09.630 --> 00:55:11.882
represent very different parts
of his personality,

00:55:11.965 --> 00:55:15.219
and he doesn't really feel like
he belongs in either which world.

00:55:15.552 --> 00:55:19.473
CRETTON: He's got a thousand years
of sin and destruction

00:55:19.556 --> 00:55:22.101
living somewhere inside
of him from his dad,

00:55:22.226 --> 00:55:26.647
and he has this peaceful
but powerful opposite to that,

00:55:26.730 --> 00:55:29.149
also living in him, from his mom.

00:55:29.358 --> 00:55:34.154
His journey is not as simple as just
rejecting Dad and bringing in Mom.

00:55:34.822 --> 00:55:38.283
It's him recognizing
that both of them are in him,

00:55:38.367 --> 00:55:41.203
and both of them
are neither good nor evil.

00:55:41.286 --> 00:55:44.373
They are just a part of him,
and that's what he has to work with.

00:55:44.998 --> 00:55:47.042
Once he recognizes that,

00:55:47.251 --> 00:55:51.672
that's when we see him blasting
out of the water on a dragon. (CHUCKLES)

00:55:59.263 --> 00:56:02.891
You can see when he makes
his first pose,

00:56:03.016 --> 00:56:06.520
that he's in a place
that he's never quite been before.

00:56:06.603 --> 00:56:08.564
He's very grounded and at peace.

00:56:08.730 --> 00:56:12.067
He's still got to stop his father, but he
doesn't do it from a place of anger.

00:56:12.151 --> 00:56:14.486
He's doing it from a place of love.

00:56:14.611 --> 00:56:18.115
I think we made
that action sequence very beautifully.

00:56:18.198 --> 00:56:20.284
I think that the relationship
and the story

00:56:20.367 --> 00:56:22.453
is very interesting inside the fight.

00:56:22.703 --> 00:56:26.331
COWAN: Yeah, you see things that Li does
while fighting Wu,

00:56:26.623 --> 00:56:29.626
you start seeing more
of his mother start come through

00:56:29.751 --> 00:56:32.504
Shaun towards the end,
which culminates to,

00:56:32.671 --> 00:56:36.341
I guess, sort of a perfect merge
of father and mother within Shaun.

00:56:41.013 --> 00:56:43.932
Shaun and Wenwu
are trying to find each other again,

00:56:44.057 --> 00:56:47.352
rather than just being
about who's stronger than the other,

00:56:47.436 --> 00:56:49.354
whose martial arts are better. It's like,

00:56:49.521 --> 00:56:52.316
this is a family that's trying
to find its way back together.

00:56:52.399 --> 00:56:54.777
And I think that's
really beautiful for a fight.

00:57:04.703 --> 00:57:08.707
CRETTON: It's really been incredible
to watch Simu sink into this character

00:57:08.791 --> 00:57:10.751
and take complete ownership over it.

00:57:10.834 --> 00:57:14.129
Over the course of this year,
I've watched him

00:57:14.546 --> 00:57:18.509
in a lot of ways, go on the journey
that Shang-Chi goes on.

00:57:18.759 --> 00:57:21.720
Shang-Chi starts out in this movie

00:57:21.845 --> 00:57:23.472
completely out of his element

00:57:23.597 --> 00:57:27.726
and learns over the course
of this journey,

00:57:28.060 --> 00:57:32.731
how to own himself,
how to be happy with himself,

00:57:32.815 --> 00:57:36.485
and look in the mirror
and be proud of what he sees.

00:57:37.194 --> 00:57:41.949
And I've watched Simu really
tap into that character.

00:57:42.282 --> 00:57:46.745
It was a very inspiring
and moving experience for me to witness.

00:57:49.873 --> 00:57:51.375
And cutting.

00:57:53.710 --> 00:57:59.925
Finishing picture to our Meng'er
and our lead man, Simu.

00:58:00.300 --> 00:58:02.119
-Finishing picture.
-(CHEERS AND APPLAUSE)

00:58:02.248 --> 00:58:06.335
I was a kid who was born
halfway around the world,

00:58:06.419 --> 00:58:08.671
who immigrated
when he was very young

00:58:08.755 --> 00:58:11.549
and had parents that never even dreamed of

00:58:11.674 --> 00:58:14.177
allowing their son to go into
show business.

00:58:14.802 --> 00:58:21.768
It just feels like I was plucked out of my
life and sent on this wild, wild ride.

00:58:21.851 --> 00:58:25.605
And I'm still trying to figure out,
"How did I get picked?"

00:58:29.484 --> 00:58:30.902
I have no words.

00:58:30.985 --> 00:58:33.696
(HESITATES) This is the most
incredible thing for me.

00:58:33.988 --> 00:58:37.200
Guys, this is as much
as a Cinderella story for me

00:58:37.408 --> 00:58:39.410
as you could ever find in the universe.

00:58:39.660 --> 00:58:42.372
I mean, a year ago, I was just some guy

00:58:42.455 --> 00:58:44.832
and now, for some reason, I'm a superhero,

00:58:44.916 --> 00:58:47.543
and you guys all helped
make that dream come true.

00:58:47.627 --> 00:58:51.214
And I honestly am so blown away
by all of your work.

00:58:53.132 --> 00:58:57.387
I know that it probably
doesn't hold a lot of water

00:58:57.470 --> 00:59:01.015
when I say that you're the best film crew
that I've ever worked with...

00:59:02.517 --> 00:59:05.561
...but you're the best film crew
that I will ever work with,

00:59:05.645 --> 00:59:06.979
so, there you go.

00:59:12.360 --> 00:59:15.822
You know, as a movie fan,
I grew up on American movies

00:59:15.905 --> 00:59:20.034
and I've never seen characters
like myself on-screen,

00:59:20.118 --> 00:59:21.869
it's incredibly meaningful.

00:59:21.953 --> 00:59:23.329
It's incredibly important.

00:59:23.454 --> 00:59:26.541
YEOH: I've grown up
looking at the Marvel Comics

00:59:26.624 --> 00:59:28.918
and know a bit about the Marvel world.

00:59:29.168 --> 00:59:33.464
And I've never seen a superhero
that looks something like me.

00:59:33.673 --> 00:59:37.677
And I'm really pleased
because it truly is the right time

00:59:38.713 --> 00:59:40.465
"Oh, look, we're superheroes, too."

00:59:41.841 --> 00:59:44.719
AWKWAFINA: When you see a superhero,
you see yourself.

00:59:44.802 --> 00:59:48.514
I think that's the really important
thing that movies like this does for kids.

00:59:48.598 --> 00:59:50.433
It allows them to feel the possibility,

00:59:50.516 --> 00:59:52.018
and it's only going to add to that

00:59:52.101 --> 00:59:55.688
and hopefully, will continue to open
the door for more movies like this.

00:59:57.065 --> 00:59:59.734
CRETTON: I hope Shang-Chi is another step.

00:59:59.901 --> 01:00:02.946
If Shang-Chi is the end,
then we have failed.

01:00:03.238 --> 01:00:09.494
I could not be more proud of the way that
this movie has allowed us to bring up

01:00:09.577 --> 01:00:13.665
more representation, both,
in front of and behind the camera.

01:00:13.748 --> 01:00:19.837
And I think the world just is hungry
for movies that reflect who we are

01:00:20.004 --> 01:00:21.339
and all of our colors.

01:00:26.094 --> 01:00:29.472
SCHWARTZ: I think Shang-Chi has
a very bright future within the MCU.

01:00:29.556 --> 01:00:32.767
When I look forward to super teams
and crossovers,

01:00:33.309 --> 01:00:35.895
Shaun feels like this huge,
untapped reservoir

01:00:36.020 --> 01:00:39.232
of great possibilities
from Simu and beyond.

01:00:44.696 --> 01:00:48.825
And that's our show. So, thank you for
tuning in to watch this documentary.

01:00:48.950 --> 01:00:51.661
I hope you learned something
about the magic of filmmaking,

01:00:51.744 --> 01:00:56.457
or something about Marvel
or cinema or anything.

01:00:56.541 --> 01:01:00.545
But it's been my pleasure
to spend the last little while with you

01:01:00.628 --> 01:01:03.548
and I can't wait for you to see the movie.

01:01:03.715 --> 01:01:05.049
Take care.

01:01:37.790 --> 01:01:40.627
(CHUCKLING) I don't think
this will make the documentary.