WEBVTT

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- Ooh!
- Yeah!

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So far in my hard-hitting

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current affairs series
about Japanese culture...

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- What are you doing?
 -I've successfully dishonored

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- the Northern Islands...
 -It's terrible.

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...been put on a watch list
on the mainland...

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I feel like a pervert.

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...and had a dunk
with a monk

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that we shall never
speak of again.

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Yes, we are completely *.

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This time... this.

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- Trainspotters.
- Trainspotters.

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Did you eventually
meet some girls?

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Eh...

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I finally hit the bustling
hub of what most of us think of

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when we hear Japan: Tokyo.

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So, how to begin?

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A dreadfully amusing shot
of me being the tallest person

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in a lift, perhaps.

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Or maybe we should set
our sights a little higher.

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Believe it or not,
everything you're going to see

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out of the window
of this helicopter

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began life over 900 years ago

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as a fishing village called Edo.

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This is the biggest urban area
on the planet.

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38 million people.

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It was also, of course,

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largely destroyed
in World War II

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by American firebombing.

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Most of what you see today
is obviously post-war.

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And then, of course,
you mustn't forget

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that Godzilla, by my reckoning,

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has destroyed Tokyo
at least 15 times.

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Oh, my God, there it is now.
No, it isn't.

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As usual, I've arranged to meet
with a local guide,

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so I land my helicopter
on one of the quieter streets

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and go to find him.

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Presumably at
a suitably epic location.

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Konnichiwa.

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Which of this means "cats"?

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Konnichiwa.

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Hello, kitty.

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I said, "Hello, kitty."

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You'll have to kill me.

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Wash your hands, please.

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Thank you.

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"No flash, please.
Don't hold a cat.

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"Don't give food and drinks
to the cats.

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If you're inflicted the injury,
only first aid."

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- Okay.
- Thank you.

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Hello.

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Cat cafés like this one
have recently started

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springing up here
and there in the West,

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but as usual with flights
of whimsical madness,

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Japan is far ahead
of the curve.

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In Tokyo,
you can find themed cafés

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for dogs, rabbits,

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snakes, owls,
hedgehogs, robots...

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This is for mad cat people.

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Well, it's quite tricky.

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I think I'm gonna have
one of those

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with chips and vegetables.

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I think you're supposed
to choose

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which cat
you would like to meet.

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Yukinojou. Ragdoll.

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I think that might be...

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that one? Seven. Ow.

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Konnichiwa.

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- Konnichiwa.
 -Are you Mr. James May?

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I am.

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Hello, sir.
Uh, it's a big honor.

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My name is Samurai Yujiro.

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- Oh, you're Yujiro.
- Yes.

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Sorry. I thought you were
a mad cat person.

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- Oh.
 -Konnichiwa.

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- Konnichiwa.
- Sumimasen. Sumimasen.

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- Your Japanese is better than
mine already. -Fantastic.

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- Yes.
- Are you really a samurai?

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I decided
to get dressed as a samurai.

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- Right.
- Because, literally,

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"samurai" comes from
the word "saburau."

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Means "to serve the master."

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So I have decided
I want you to be my master.

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And I'll be your samurai.

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I'll be the servant.

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- So, can I call you master?
- Um...

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Master James?

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Well, it's a bit weird,
but, um...

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Okay. I'll call you "sensai."

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- Oh, sensei. Sensei, yes.
- Sensei. Sorry.

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"Sensai" means "deodorant."

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- Okay, I'll call you that.
- Yeah.

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Sensei, okay.

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Master James.

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- Yeah?
- Do you know the term sakura?

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It's... Hang on.

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Sakura is cherry blossom.

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Absolutely, sir.

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You have come at a perfect day.

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The sakura today
is very beautiful.

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It will be my huge honor
if I can kidnap you

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all the way
to the great cherry blossom.

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Would that be okay, sir?
Can I take you?

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Yes, but we can just go on the
tube if you want, that's fine.

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For a few brief days a year,

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the cherry trees
famously flower,

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showering parks
in Japan everywhere

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with amazing pink petals.

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But I can't really pay
attention to any of that.

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I'm boggled by
my new samurai deodorant.

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Uh, that way.

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After the calm of rural Japan,

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Yujiro's like Tokyo itself:

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bigger, madder,
and much louder.

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- Uh, Master James. -Yes, you don't
have to call me master, it's...

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Okay, okay, sir.

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- Master James,
are you a big fan of sausages? -No.

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Why have you brought me out
on a pink swan-stroke-duck?

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We are riding on the pink duck

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because cherry blossoms
are also pink.

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- Yes, that makes sense.
- Yes.

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I finally manage to
focus Yujiro's enthusiasm

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back on the cherry blossom.

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This is a sakura...

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In Japan,
their brief blooming is celebrated

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as being symbolic of life...

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beautiful but tragically short.

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Just like Richard Hammond.

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Tokyo citizens will take
the day off work

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to sit under the sakura,

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and Yujiro tells me he has
some friends doing just that.

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And these are my lads, my mates.

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- Your mates, your lads.
- Yeah.

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James May...

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Konnichiwa. Konnichiwa.

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Konnichiwa. Arigato.

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Shoes.

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Oh, shoes, shoes.

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- Oh!
- Shoes!

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- Yes.
- Sumimasen.

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- Taking me shoes off.
- Yes. Yeah, yeah.

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- Cheers.
- Yes.

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No, not cheers!
We have to do it Japanese way.

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James...
 Kanpai!

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Kanpai!

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Are you hungry?

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- Hung... hungry?
- Not really.

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- Yeah, yeah, yeah...
- Okay, yes.

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- Yes, I am hungry.
- You have to say yes.

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- Yes.
- You have to say yes.

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- Yes, okay, yes.
- Japanese bento.

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- Yes. -JAMES: Japanese bento.
- Whoa...!

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- Oh, that looks fantastic. Yes.
- Oh, my God!

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- Yes.
- Whoa...!

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- Who made it?
- Oh, uh, my... wife.

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His wife made it for you!

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My God!

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Ah, the quiet,
peaceful cherry blossom.

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- So, Master James.
- Yes?

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The Japanese love
the so-called...

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- the "brevity of life."
- Well, that's the thing

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that baffles me.

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Yes.

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You celebrate...

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- Yes.
- that life is short...

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- Yes.
- and will end soon.

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- Absolutely, sir. Yes.
- Is that right?

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Yes. Japan is a land
of conformity.

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We are ostensibly
a homogenous nation,

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- Yes.
- with, uh,

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sakura trees everywhere

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across the nation.

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So it's something that unites

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the heart of our people.

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Yes.

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It turns out
even cherry blossom

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isn't as fleeting
as a Japanese picnic

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once it starts raining.

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A Tokyo gathering
is a world away

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from the quiet and cozy
Obihiro yatai hut

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from my very first day.

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But I feel every bit
as welcome.

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- So, Master James.
- Yes?

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Can I wrap it up with
Japanese type of ending?

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- Sure.
- Okay.

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Okay.

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In the beginning, you have
to say, "Yo." That's your job.

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- Yo. -Okay? Okay, ready?
- Yeah, yeah, yeah.

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- Yo.
- Yo.

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Hey!

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Hey!

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Right, that's good.

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- Arigato.

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Yes.

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Well, I was advised that he was

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a little bit bonkers,
and that's putting it lightly,

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but, you know, I don't mind
that sort of thing.

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And... let's be honest,
his English is fantastic,

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his local knowledge
is fantastic,

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and he's quite amusing.

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I find the whole master-servant
thing a little bit...

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kinky.

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But as long as he's not
expecting anything later on,

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that's fine.

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As the sun
sets across the city,

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the streets come alive
with a very particular part

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of Japanese culture.

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Like the werewolves of Tokyo,
these are the salarymen.

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Their lifestyle all
revolves around

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two very Japanese concepts
of behavior:

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"honne" and "tatemae."

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To explain more, here's
my advisory antiperspirant.

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Salaryman... men...
or man who receives salary

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- from the company, literally speaking.
- Right.

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- We say salaryman.
- Salaryman.

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I read about, is it honne?

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Honne and... not tatami.

00:08:52.920 --> 00:08:54.440
- Ah, yes. Yes.
- That's a type of carpet.

00:08:54.480 --> 00:08:57.120
- We're not talking about carpet
here, Master James. -No, no, no.

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- Yes, very close.
Honne to tatemae. -Tatemae.

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One is the... diplomatic face

00:09:03.920 --> 00:09:05.840
- that you use at work.
- Yeah, tatemae.

00:09:05.880 --> 00:09:07.680
Like devotion.
It's like...

00:09:07.720 --> 00:09:10.040
Uh, s-some, some people say
human sacrifice.

00:09:10.120 --> 00:09:12.280
- Ooh.
- In a way.

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Japan is a land of conformity.

00:09:14.680 --> 00:09:18.280
And even if you hate
your boss, you obey.

00:09:18.280 --> 00:09:21.560
Overly submissive.
So you're stressed out.

00:09:21.600 --> 00:09:24.400
But there is an unwritten rule
that says when you go,

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you know, "Hey, hey, kanpai"
 with your work colleagues,

00:09:28.280 --> 00:09:31.760
then, mm-mm... you've had...

00:09:31.800 --> 00:09:34.280
- That's-that's honne.
 -Then you can be honest.

00:09:34.280 --> 00:09:35.600
- Yes.
- Really honest.

00:09:35.640 --> 00:09:38.400
Be honest, your true feelings.
That's honne.

00:09:38.440 --> 00:09:41.480
The Japanese is very much
work... work very hard, work very long,

00:09:41.520 --> 00:09:44.720
drink like hell, fall over,

00:09:44.760 --> 00:09:46.280
get up, go back to work.

00:09:46.360 --> 00:09:48.560
- And-and puke. Puke.
- And puke.

00:09:48.600 --> 00:09:52.640
I decide to seek out
some salarymen with Yujiro,

00:09:52.680 --> 00:09:54.920
if only so that he can
practice some honne

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and start calling me a bellend
rather than bloody "master."

00:10:01.120 --> 00:10:02.040
Where do you work?

00:10:02.120 --> 00:10:04.040
At a bank.

00:10:04.120 --> 00:10:05.480
- Bank?
- Bank.

00:10:07.000 --> 00:10:08.600
M and A.
Merger and acquisition.

00:10:08.640 --> 00:10:09.720
- You know, like investment.
- Yes. Okay. Yeah, yeah, yeah.

00:10:10.840 --> 00:10:12.280
- Same-same company.
- Together?

00:10:12.360 --> 00:10:15.160
Is it very hard work?
Is it very tough?

00:10:15.240 --> 00:10:16.880
Do you feel a lot of pressure?

00:10:16.920 --> 00:10:18.120
Very.

00:10:18.160 --> 00:10:19.680
- Very much.
- Very much?

00:10:19.720 --> 00:10:23.240
In Japan, you're not allowed
to say what you think.

00:10:23.280 --> 00:10:26.120
And basically
you have to say a tatemae,

00:10:26.160 --> 00:10:29.280
which is something that
respects the other person,

00:10:29.360 --> 00:10:30.840
and you have to say something
that is good

00:10:30.880 --> 00:10:32.240
for the other person.

00:10:32.280 --> 00:10:35.720
So you have to kind of suppress
your own opinion

00:10:35.760 --> 00:10:37.240
and respect others.

00:10:37.280 --> 00:10:40.560
Especially if someone is
older than-than you, so...

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But what if you've had,
say, eight Asahis?

00:10:43.600 --> 00:10:44.840
- Eight Asahis?
- Yeah.

00:10:44.880 --> 00:10:47.360
Oh, then that's a different question.

00:10:47.400 --> 00:10:49.680
In Britain, after a heavy one,

00:10:49.720 --> 00:10:51.840
you'd end up outside
a kebab shop somewhere

00:10:51.880 --> 00:10:53.840
distributing lumps
of doner meat

00:10:53.880 --> 00:10:55.720
and salad on the pavement.

00:10:55.760 --> 00:10:57.000
But not in Japan.

00:10:59.600 --> 00:11:01.400
- Yes.
- Yes.

00:11:01.440 --> 00:11:03.160
Let's go!

00:11:05.080 --> 00:11:06.880
Karaoke recently experienced

00:11:06.920 --> 00:11:08.520
something of a renaissance
in the West,

00:11:08.560 --> 00:11:11.280
especially with video games
like SingStar

00:11:11.320 --> 00:11:12.600
letting you be irritating
in the home.

00:11:12.640 --> 00:11:16.600
But here in Tokyo,
karaoke never left.

00:11:18.320 --> 00:11:21.560
I'm not... I'm not really sure
what to make of all that,

00:11:21.600 --> 00:11:24.280
because it's not how I'd
normally spend a Friday night.

00:11:24.320 --> 00:11:26.960
In a small, hot room
with some other blokes

00:11:27.000 --> 00:11:28.480
singing songs
I've never heard of,

00:11:28.520 --> 00:11:30.720
but it was actually
quite good fun.

00:11:30.760 --> 00:11:33.360
God knows how we're going
to edit it together,

00:11:33.400 --> 00:11:34.960
but it's not a problem
we can't fix.

00:11:35.000 --> 00:11:36.760
We can do it in the mix.

00:11:40.080 --> 00:11:42.480
In the mix.

00:11:46.560 --> 00:11:48.880
After a night of vehemently
insisting that I did,

00:11:48.920 --> 00:11:51.480
in fact, build this city
on rock and roll,

00:11:51.520 --> 00:11:53.040
I'm a bit bleary this morning.

00:11:53.080 --> 00:11:55.800
But you do have to hand it
to the Japanese.

00:11:55.840 --> 00:11:58.360
The culture does work.

00:11:58.400 --> 00:12:00.440
They've retained
their manufacturing industry,

00:12:00.480 --> 00:12:03.320
despite ten years
of a flatlining economy,

00:12:03.360 --> 00:12:04.840
and if that means
you have to sing

00:12:04.880 --> 00:12:06.960
"Last Night a DJ Saved My Life"

00:12:07.000 --> 00:12:10.200
with eight big glasses
of Asahi on board,

00:12:10.240 --> 00:12:12.280
well, then that's what it takes.

00:12:13.720 --> 00:12:15.960
Today I'm going to a festival,

00:12:16.000 --> 00:12:18.240
if I can continue
to speak properly

00:12:18.280 --> 00:12:21.160
and remain alive
for the rest of this journey.

00:12:22.120 --> 00:12:23.840
Something Japan
is best known for...

00:12:23.880 --> 00:12:26.160
apart from, now,
giant phalluses...

00:12:26.200 --> 00:12:29.680
is ingenious gadgets and tech.

00:12:30.680 --> 00:12:33.440
This is a super gadget shop
I recommend.

00:12:34.760 --> 00:12:37.000
We are in Akihabara,

00:12:37.000 --> 00:12:39.520
Tokyo's hub for solutions
to problems

00:12:39.600 --> 00:12:42.240
that no one
has ever identified.

00:12:43.400 --> 00:12:45.680
And where I experience
firsthand

00:12:45.720 --> 00:12:47.280
the Yujiro shopping channel.

00:12:47.280 --> 00:12:50.000
This is a, uh, backpack

00:12:50.000 --> 00:12:52.280
to carry your animal.

00:12:52.360 --> 00:12:53.520
A dog or cat.

00:12:53.600 --> 00:12:56.760
- What is that?
- It's-it's a mask.

00:12:56.840 --> 00:12:58.840
It blocks tiny particles
from the pine trees...

00:12:58.880 --> 00:13:00.520
- Like hay fever?
- Yes.

00:13:00.600 --> 00:13:03.640
- It also makes you look a tit.
- Yes.

00:13:03.680 --> 00:13:06.000
It's an ear cleaner.

00:13:06.000 --> 00:13:09.200
But if I clean your ears,

00:13:09.240 --> 00:13:11.080
the video inside of your ears

00:13:11.120 --> 00:13:13.480
is displayed on your iPhone.

00:13:13.520 --> 00:13:16.600
- Isn't that fantastic?
- No.

00:13:16.640 --> 00:13:18.080
- What do you think this is?
- I don't know.

00:13:18.120 --> 00:13:20.840
- I've no idea what that is.
- It's a dish cleaner.

00:13:20.880 --> 00:13:23.760
- What?
- There you go.

00:13:23.760 --> 00:13:26.360
What is the point
of that, really?

00:13:26.400 --> 00:13:29.200
- You're not gonna buy this?
- No, I'm not.

00:13:29.240 --> 00:13:32.280
As well as the smaller
Aladdin's caves of Akihabara,

00:13:32.360 --> 00:13:35.880
there are towering shrines
to tech.

00:13:35.920 --> 00:13:36.960
When I first came to Tokyo

00:13:37.000 --> 00:13:38.920
25 years ago,
you could buy things

00:13:38.960 --> 00:13:40.080
that you simply
didn't see anywhere else,

00:13:40.120 --> 00:13:41.280
like a little credit card

00:13:41.360 --> 00:13:43.280
that held phone numbers
and addresses.

00:13:43.360 --> 00:13:45.480
This was before we had
smartphones and what have you,

00:13:45.520 --> 00:13:48.280
but these days
that's not the case, because

00:13:48.360 --> 00:13:50.120
we get the same electronics
everywhere.

00:13:53.180 --> 00:13:55.140
Akihabara

00:13:55.180 --> 00:13:56.900
isn't just a center
for gadgets.

00:13:57.320 --> 00:14:01.560
The "otaku," which translates
roughly as "super geek."

00:14:01.600 --> 00:14:03.840
The difference between
super geeks here

00:14:03.880 --> 00:14:06.640
and in Britain, for example,
is that,

00:14:06.680 --> 00:14:08.280
here they're not derided.

00:14:08.320 --> 00:14:10.400
They are embraced,
they are welcomed

00:14:10.440 --> 00:14:13.000
as a necessary part
of the social fabric.

00:14:13.040 --> 00:14:16.040
And the greatest of all
super geeks are, of course...

00:14:16.080 --> 00:14:18.480
Tetsudo mania,
 or trainspotters.

00:14:18.520 --> 00:14:19.800
Trainspotters.

00:14:19.840 --> 00:14:23.160
Japanese trains
are so efficient,

00:14:23.200 --> 00:14:26.040
if they are late, they often
have to issue certificates

00:14:26.080 --> 00:14:27.640
to all the passengers,
or their workplaces

00:14:27.680 --> 00:14:29.200
won't believe it happened.

00:14:29.240 --> 00:14:33.600
This means Tokyo is
a trainspotter's paradise.

00:14:33.640 --> 00:14:37.320
Yujiro's arranged for me
to meet two trainspotting otaku

00:14:37.360 --> 00:14:40.680
at a model-railway themed café
around the corner.

00:14:40.720 --> 00:14:42.480
Because of course there is.

00:14:45.320 --> 00:14:47.800
- Konnichiwa.
- Konnichiwa.

00:14:47.840 --> 00:14:49.320
Konnichiwa.

00:14:49.360 --> 00:14:51.240
Excellent.

00:14:51.280 --> 00:14:52.640
Do you have to be secret

00:14:52.680 --> 00:14:55.520
about your train obsession?

00:14:57.360 --> 00:15:00.360
- Ah...
- Oh...

00:15:01.800 --> 00:15:03.720
Did you eventually
meet some girls?

00:15:03.760 --> 00:15:06.400
Mm. Mm.

00:15:08.440 --> 00:15:13.440
Ah. Uh... uh...

00:15:14.520 --> 00:15:16.920
No.

00:15:22.320 --> 00:15:25.680
Takahiro-san is
so obsessed with trains...

00:15:26.960 --> 00:15:29.160
...he actually achieved

00:15:29.200 --> 00:15:32.280
15 minutes of fame in Japan
with a top 20 single

00:15:32.320 --> 00:15:34.840
where he mimicked
platform announcements.

00:15:35.960 --> 00:15:37.360
No, really.

00:15:45.800 --> 00:15:49.080
I mean,
it's still better than Coldplay.

00:15:57.840 --> 00:15:59.480
And that's not all.

00:15:59.520 --> 00:16:00.960
You can...
I heard you do noises.

00:16:01.000 --> 00:16:03.760
You can do beatbox train noises?

00:16:03.800 --> 00:16:05.920
- Yes.
- Can you do Shinkansen?

00:16:05.960 --> 00:16:08.120
That's the Japanese
bullet train.

00:16:13.040 --> 00:16:14.960
- That's quite good, isn't it?
- Whoa...

00:16:15.000 --> 00:16:16.480
Yes!

00:16:16.520 --> 00:16:17.920
- Bravo! Bravo!
- Yes.

00:16:17.960 --> 00:16:20.240
Can you do...? I don't know

00:16:20.280 --> 00:16:22.440
- if you can see this.
- Yes.

00:16:22.480 --> 00:16:24.040
There's a small...
looks like a German steam.

00:16:24.080 --> 00:16:25.680
- Oh.
- Oh. Made in Japan.

00:16:25.720 --> 00:16:27.160
- That's Japanese steam locomotive?
Okay. -Yes.

00:16:27.200 --> 00:16:29.240
Can you...
can you do the noise of that?

00:16:41.160 --> 00:16:42.440
This is...

00:16:42.480 --> 00:16:45.680
- Whoa! Bravo!
- That's fantastic.

00:16:45.720 --> 00:16:49.280
That is a realistic
chuffing sound.

00:16:49.320 --> 00:16:51.080
- Domo arigato gozaimasu.

00:16:53.720 --> 00:16:55.400
Closing.

00:16:57.840 --> 00:16:59.120
- Okay.
- End of interview.

00:16:59.160 --> 00:17:00.440
Okay.

00:17:02.760 --> 00:17:05.240
My new otaku friends take me
to Shibuya Station

00:17:05.280 --> 00:17:08.400
so I can observe them
in the wild.

00:17:08.440 --> 00:17:10.280
And, as luck would have it,

00:17:10.320 --> 00:17:12.640
an incredibly rare train
has just pulled in.

00:17:12.680 --> 00:17:15.880
For Minamida-san,
it's all too much.

00:17:17.840 --> 00:17:19.400
Here it comes.

00:17:19.440 --> 00:17:21.800
Yeah.

00:17:21.840 --> 00:17:22.880
Should I bow to it?

00:17:22.920 --> 00:17:24.040
- Because it's exceptional.
- Whoa!

00:17:24.080 --> 00:17:26.720
It is old style.

00:17:31.960 --> 00:17:35.720
James, it said
that is a Tokyu Line

00:17:35.760 --> 00:17:38.800
90th anniversary model.

00:17:38.840 --> 00:17:40.800
In case you
didn't quite get that,

00:17:40.840 --> 00:17:43.160
that was a 90th anniversary
liveried

00:17:43.200 --> 00:17:44.920
Tokyu 5122.

00:17:44.960 --> 00:17:46.640
I'm not doing the noises.

00:17:51.000 --> 00:17:53.160
I can't help but notice
that every train station

00:17:53.200 --> 00:17:56.080
in Tokyo seems to have
its own catchy jingle.

00:18:01.680 --> 00:18:02.800
And there's ano...

00:18:02.840 --> 00:18:05.360
There it is.

00:18:07.520 --> 00:18:10.120
- Whoa.
- What... So, do you do

00:18:10.160 --> 00:18:12.480
- jingle dances all the time?
- Yeah.

00:18:15.360 --> 00:18:17.040
That was a jingle.

00:18:17.080 --> 00:18:18.840
- Jingle maker. Jingle composer.
- Yeah.

00:18:18.880 --> 00:18:20.440
Jingle...
Yeah, that's what he said.

00:18:20.480 --> 00:18:23.560
You must meet Mr. Mukaiya,

00:18:23.600 --> 00:18:26.040
- the composer of this jingle.
- I'd-I'd love to...

00:18:26.080 --> 00:18:27.600
I would love to meet
Mr. Mukaiya, a jing...

00:18:27.640 --> 00:18:29.440
- a train jingle composer. Yes.
- Yeah.

00:18:29.480 --> 00:18:32.440
Domo arigato gozaimasu
 for showing us your trains.

00:18:32.480 --> 00:18:34.040
We have to leave you.

00:18:34.080 --> 00:18:36.360
So wait till the ne...
the jingle comes.

00:18:36.400 --> 00:18:38.680
Then we'll leave this scene
with a jingle dance,

00:18:38.720 --> 00:18:40.560
away from the station, okay?

00:18:40.600 --> 00:18:42.360
So, it's gonna come any second,
I think.

00:18:54.000 --> 00:18:56.280
So, acting on this hot tip,

00:18:56.320 --> 00:18:59.360
I decide to see if I can find
and meet this Mr. Mukaiya,

00:18:59.400 --> 00:19:01.760
the train station composer.

00:19:01.800 --> 00:19:03.760
Yujiro's got
the rest of the day off,

00:19:03.800 --> 00:19:05.720
but I'm sure
I can cope by myself.

00:19:05.760 --> 00:19:07.640
Well, I had imagined

00:19:07.680 --> 00:19:10.440
that Mr. James May
would be a typical gaijin,

00:19:10.480 --> 00:19:14.600
or a ter-term as a foreigner
as a... in Japanese.

00:19:14.640 --> 00:19:19.920
But he has turned out to be,
in a way, a real samurai.

00:19:22.960 --> 00:19:25.240
What did I do?

00:19:29.240 --> 00:19:31.760
Uh...

00:19:31.800 --> 00:19:33.200
Yes.

00:19:36.760 --> 00:19:40.280
He-he knows so much
about this country.

00:19:43.960 --> 00:19:45.720
Yes. Sumimasen.

00:19:45.760 --> 00:19:47.720
- Uh, sumimasen.
- Sumimasen.

00:19:47.760 --> 00:19:50.120
James understands the background

00:19:50.160 --> 00:19:54.120
of these Japanese
mythical world.

00:19:54.160 --> 00:19:55.840
Yellow line.

00:19:55.880 --> 00:19:57.720
- O-Okay? Okay?
- Okay. Sumimasen, huh?

00:19:57.760 --> 00:19:58.960
- Sumimasen.

00:19:59.000 --> 00:20:03.920
He is the blue-eyed
British samurai.

00:20:03.960 --> 00:20:06.000
- Camera, camera.
- Camera. Yes.

00:20:07.960 --> 00:20:09.760
- YouTube?
- YouTube?

00:20:09.800 --> 00:20:11.760
- No, no, no, no, no.
- YouTube. Ah, no.

00:20:11.800 --> 00:20:13.560
Not YouTube.
Well, maybe.

00:20:13.600 --> 00:20:15.440
This bit might be on YouTube.

00:20:15.480 --> 00:20:18.120
Having shaken the rozzers,

00:20:18.160 --> 00:20:21.920
I finally find
Mr. Mukaiya's HQ.

00:20:21.960 --> 00:20:24.320
It's a paradise for train nerds
and even has

00:20:24.360 --> 00:20:27.400
its own working
Tokyo underground simulator.

00:20:27.440 --> 00:20:28.640
- Here.
- Oh, there.

00:20:28.680 --> 00:20:30.160
- Oh, on the red triangle.
- Yes.

00:20:30.200 --> 00:20:31.360
- Okay.
- Okay.

00:20:31.400 --> 00:20:32.360
- The... oh, it's right there!
- Oh!

00:20:33.560 --> 00:20:35.000
- Oh, no!
- Oh, oh, oh, oh, oh,

00:20:35.040 --> 00:20:36.880
oh, oh, oh, oh, oh.

00:20:36.920 --> 00:20:40.160
The 200-plus jingles
Mr. Mukaiya has written

00:20:40.200 --> 00:20:42.200
are played constantly
at Japanese stations,

00:20:42.240 --> 00:20:43.880
which technically makes him

00:20:43.920 --> 00:20:47.960
one of the world's
most-played musicians.

00:20:48.000 --> 00:20:49.600
You've got seven seconds
and you have

00:20:49.640 --> 00:20:51.160
to capture the character

00:20:51.200 --> 00:20:52.560
- of the station.
- Mm-hmm.

00:20:52.600 --> 00:20:53.960
Is the... is the name
of the station

00:20:54.000 --> 00:20:55.120
- an inspiration?
- Name of the station. Yeah.

00:20:55.160 --> 00:20:56.920
So let's say
the-the station is my name.

00:20:56.960 --> 00:20:58.760
It's called James May Station.

00:20:58.800 --> 00:21:01.040
- James May.
- "May" is like

00:21:01.080 --> 00:21:02.600
a Japanese word, isn't it?

00:21:02.640 --> 00:21:05.720
Ja-Jame-Jame-James May.

00:21:05.760 --> 00:21:07.720
And it's an outside Tokyo...

00:21:07.760 --> 00:21:09.440
James May. Outside Tokyo.

00:21:09.480 --> 00:21:10.520
- Just write, like, a...
- Yeah.

00:21:12.560 --> 00:21:14.840
- Like a James May.
- That's quite nice.

00:21:17.520 --> 00:21:19.160
Is this keyboard going? Yeah.

00:21:22.720 --> 00:21:23.680
Because I'm...

00:21:26.200 --> 00:21:28.040
'Cause it has

00:21:28.080 --> 00:21:29.120
- almost a bow at the end.
- Okay, okay, okay.

00:21:29.160 --> 00:21:30.120
- It needs a little bow.
- All right.

00:21:30.160 --> 00:21:31.200
- 'Cause I say "sumimasen."
 -To try.

00:21:36.680 --> 00:21:38.040
Or it could even be, um...

00:21:42.480 --> 00:21:44.640
B flat, ninth chord.

00:21:50.720 --> 00:21:52.600
- Oh, that's nice. Yes.
- Okay.

00:21:54.440 --> 00:21:56.600
It is more sophisticated, yes.

00:22:06.640 --> 00:22:08.960
- Okay, we did it.
- You did it.

00:22:09.000 --> 00:22:10.240
I think it's fabulous.

00:22:10.280 --> 00:22:11.960
- Congratulations.
- Thank you very much.

00:22:12.000 --> 00:22:16.160
All we need to do now is build
James May Sumimasen Station

00:22:16.200 --> 00:22:18.040
on the Tokyo subway.

00:22:32.800 --> 00:22:35.320
I never thought meeting
a subway jingles composer

00:22:35.360 --> 00:22:37.800
would leave me
feeling creatively inspired,

00:22:37.840 --> 00:22:39.880
but I've decided
to book myself in

00:22:39.920 --> 00:22:41.880
for a thoroughly artistic day.

00:22:41.920 --> 00:22:44.560
First, I'm headed
to a little oasis of calm

00:22:44.600 --> 00:22:46.520
in the Wakamiya district

00:22:46.560 --> 00:22:49.520
to hone my quickly stagnating
haiku skills.

00:22:49.560 --> 00:22:52.720
And I've brought Yujiro
to stop me getting arrested.

00:22:55.520 --> 00:22:57.480
- Konnichiwa. -Konnichiwa.
- Konnichiwa.

00:22:57.520 --> 00:22:59.200
James-san. Yujiro-san.

00:23:01.640 --> 00:23:06.640
Hana Fujimoto and Toru Kiuchi
are venerated haiku masters.

00:23:06.680 --> 00:23:09.960
Fujimoto-san writes
for a popular haiku magazine,

00:23:10.000 --> 00:23:11.760
and Kiuchi-san
is the vice president

00:23:11.800 --> 00:23:15.000
of the Haiku International
Association.

00:23:15.040 --> 00:23:16.000
If you were going
to judge haiku,

00:23:16.040 --> 00:23:17.920
what would you look for?

00:23:17.960 --> 00:23:20.440
Or what would your...
what would your advice be?

00:23:20.480 --> 00:23:21.840
When I-I'm writing haiku,

00:23:21.880 --> 00:23:24.280
I write... I catch a moment.

00:23:24.320 --> 00:23:26.480
The clear image.

00:23:26.520 --> 00:23:28.600
Just like a photo, photograph.

00:23:28.640 --> 00:23:29.920
Like a snapshot.

00:23:29.960 --> 00:23:31.720
- Ah. Mm.
- Mm.

00:23:31.760 --> 00:23:33.760
A moment.

00:23:33.800 --> 00:23:36.160
At the end of my trip,
in about four weeks' time,

00:23:36.200 --> 00:23:38.880
I want to write one haiku

00:23:38.920 --> 00:23:41.080
that says everything I feel

00:23:41.120 --> 00:23:42.960
about my journey across Japan.

00:23:43.000 --> 00:23:43.960
Mm.

00:23:44.000 --> 00:23:46.120
Can I send that to you?

00:23:46.160 --> 00:23:48.520
And then you can give me
an honest critique

00:23:48.560 --> 00:23:49.720
and send it back.

00:23:49.760 --> 00:23:51.080
Oh, sure.

00:23:51.120 --> 00:23:52.520
May I read you some

00:23:52.560 --> 00:23:54.240
- of my original haiku...
- Okay.

00:23:54.280 --> 00:23:57.720
and you can give me,
maybe, marks out of ten?

00:23:57.760 --> 00:23:59.720
Or five?

00:23:59.760 --> 00:24:01.120
Or five, seven and five?

00:24:04.720 --> 00:24:07.320
This was written when we,
um, spent the day

00:24:07.360 --> 00:24:08.840
with a katana maker,

00:24:08.880 --> 00:24:11.040
a Japanese swordsmith.

00:24:11.080 --> 00:24:12.920
"The fire roars, the snow

00:24:12.960 --> 00:24:15.440
"Gathers at the forge threshold,

00:24:15.480 --> 00:24:17.240
Clamoring for peace."

00:24:17.280 --> 00:24:19.280
Oh.

00:24:19.320 --> 00:24:21.560
- You like that one?
- Oh, yeah.

00:24:23.120 --> 00:24:26.920
Um, this is when I had
a boil appeared on my chin

00:24:26.960 --> 00:24:29.920
early on in the trip.

00:24:29.960 --> 00:24:33.040
"Land of volcanoes,

00:24:33.080 --> 00:24:35.040
"Who thought your next eruption

00:24:35.080 --> 00:24:36.840
Would be on my face?"

00:24:36.880 --> 00:24:38.400
Hmm.

00:24:41.520 --> 00:24:43.440
"Ah, Matsushima,

00:24:43.480 --> 00:24:45.840
"The spring morning is windy;

00:24:45.880 --> 00:24:48.200
I blame the noodles."

00:24:48.240 --> 00:24:49.840
Mm.

00:24:54.120 --> 00:24:56.400
"Going for a poo,

00:24:56.440 --> 00:24:59.040
"I drop off my boots and wear

00:24:59.080 --> 00:25:01.160
Your flip-u-flop-u."

00:25:01.200 --> 00:25:02.240
Mm.

00:25:05.080 --> 00:25:06.480
Flip-u-flop-u.

00:25:06.520 --> 00:25:07.800
- Flip-u-flop-u?
- Flip-u... Oh.

00:25:07.840 --> 00:25:09.320
Flip-flop is...

00:25:09.360 --> 00:25:11.200
Flip-flop...

00:25:11.240 --> 00:25:12.480
Yes, beach sandals.
But in Japanese,

00:25:12.520 --> 00:25:14.000
I thought they would be

00:25:14.040 --> 00:25:15.320
- "flip-u-flop-u."
- Flip-u-flop-u.

00:25:15.360 --> 00:25:17.280
Mm.

00:25:17.320 --> 00:25:20.720
I may cancel the book launch.

00:25:20.760 --> 00:25:22.360
- That's it, I'm afraid.
- Good.

00:25:22.400 --> 00:25:23.960
- Yeah, the last one is very good.
- Thank you.

00:25:24.000 --> 00:25:26.360
Domo arigato.
 I've learned a lot.

00:25:26.400 --> 00:25:28.360
Like a haiku,
you have said a lot

00:25:28.400 --> 00:25:31.400
with very few words.
Fantastic.

00:25:31.440 --> 00:25:33.080
- You're welcome.
 -Arigato gozaimashita.

00:25:33.120 --> 00:25:37.960
My haiku genius was
clearly lost in translation.

00:25:38.000 --> 00:25:39.480
I have to say, though,

00:25:39.560 --> 00:25:41.920
even though
we're still very much in Tokyo,

00:25:41.960 --> 00:25:43.600
escaping from the sight
of the big city,

00:25:43.640 --> 00:25:45.960
even for a few moments,

00:25:46.000 --> 00:25:49.200
has me thinking
just what is it I'm looking for

00:25:49.240 --> 00:25:52.440
in my quest
to understand Japan.

00:25:52.440 --> 00:25:54.760
I'm wrestling with a bit
of an inner conflict here,

00:25:54.800 --> 00:25:57.440
because the thing
I've always loved about Japan

00:25:57.480 --> 00:25:59.680
is that it's so Japanese.

00:25:59.720 --> 00:26:02.400
And everything about it
is completely Japanese.

00:26:02.440 --> 00:26:04.960
Normal everyday things
like having your breakfast,

00:26:04.960 --> 00:26:06.840
going to the shops
to buy something,

00:26:06.880 --> 00:26:09.640
it's-it's... that's what makes it
so intriguing and so exciting.

00:26:09.680 --> 00:26:11.960
But what
I'm actually doing there

00:26:12.000 --> 00:26:14.640
is celebrating monoculturalism.

00:26:14.680 --> 00:26:16.960
So, by that token, I ought to be
the sort of person who says,

00:26:16.960 --> 00:26:18.440
"Britain should remain British."

00:26:18.440 --> 00:26:19.680
But I don't think that.

00:26:19.720 --> 00:26:21.920
I like Britain
being multicultural.

00:26:21.960 --> 00:26:25.640
Because it improves the food,
obviously.

00:26:25.680 --> 00:26:29.120
So where does that leave me?

00:26:29.160 --> 00:26:31.680
I am very close to being one
of those people

00:26:31.720 --> 00:26:33.680
who goes to visit
Maasai warriors and says,

00:26:33.720 --> 00:26:35.840
"Oh, isn't it wonderful that
they still live in mud huts?

00:26:35.880 --> 00:26:39.440
I hope this doesn't become
spoiled by tourism."

00:26:39.440 --> 00:26:43.320
Similarly, the East has bled
into Western culture, too.

00:26:43.360 --> 00:26:45.240
So, speaking of improved food

00:26:45.280 --> 00:26:47.120
and to somewhat demonstrate
my point,

00:26:47.160 --> 00:26:49.640
Yujiro and I decide to stop
at a sushi place for lunch,

00:26:49.680 --> 00:26:51.960
the sort of thing
that would have once seemed

00:26:52.000 --> 00:26:56.640
bewilderingly alien
but is now a Western staple.

00:26:56.680 --> 00:26:59.000
Hello, viewers. You join us
at a very exciting lunch.

00:26:59.080 --> 00:27:02.200
This is kaiten sushi,
which means, uh,

00:27:02.240 --> 00:27:04.200
sushi going round
on a conveyor belt.

00:27:04.240 --> 00:27:05.920
"Round and round," it means,
 "kaiten."

00:27:05.960 --> 00:27:07.960
Now, there's two ways to get
the food. You can take it off

00:27:08.000 --> 00:27:09.480
- the conveyor. The plates are...
- Excuse me, James.

00:27:09.560 --> 00:27:10.760
- Yes.
- That's a...

00:27:10.800 --> 00:27:13.320
- that's a bloody gaijin manner.
- What?

00:27:13.360 --> 00:27:15.600
- You never...
- Oh, sorry.

00:27:15.640 --> 00:27:17.560
- put your chopsticks like this.
- Oh, uh...

00:27:17.600 --> 00:27:18.960
- All right, now...
- Yeah, like this.

00:27:19.000 --> 00:27:19.960
- Very rude, yes.
- Okay.

00:27:20.000 --> 00:27:21.680
- You're-you're bollocks.
 -Sumimase...

00:27:21.720 --> 00:27:23.680
Yes. Yes.

00:27:23.720 --> 00:27:25.640
That's not how you use
"bollocks."

00:27:25.680 --> 00:27:26.960
- Okay. Th... Uh...
- I'll explain

00:27:27.000 --> 00:27:28.200
"bollocks" to you later.

00:27:28.240 --> 00:27:30.160
- Yes.
 -Sumimasen.

00:27:31.840 --> 00:27:33.200
- Okay.
- Now, there are several ways

00:27:33.240 --> 00:27:34.640
to select the food.

00:27:34.680 --> 00:27:37.280
But to start with,
let's say, have this one.

00:27:37.320 --> 00:27:39.600
Shit, that was a bit slow.

00:27:40.600 --> 00:27:42.480
"Bollocks," as you would say.

00:27:42.560 --> 00:27:43.600
- Yes.
- And then you eat it

00:27:43.640 --> 00:27:45.440
with your chopsticks.

00:27:45.440 --> 00:27:47.560
- And wasabi. Yes.
- And wasabi.

00:27:47.600 --> 00:27:50.120
Then you say "itadakimasu."

00:27:50.160 --> 00:27:51.960
Absolutely. To-Totally perfect.

00:27:52.000 --> 00:27:53.560
- Itadakimasu.
 -And then-then you pick it up

00:27:53.600 --> 00:27:55.560
with your chopsticks
and you shove it in your face,

00:27:55.600 --> 00:27:57.480
- like that. Okay?
- Yes.

00:27:57.560 --> 00:27:59.920
- Mmm.
- Perfect. Itadakimasu.

00:27:59.960 --> 00:28:01.360
Mmm.

00:28:01.400 --> 00:28:02.760
Should we try ordering
something?

00:28:02.800 --> 00:28:04.080
- Yes. Ha...
- So, if we go to... I would like to have

00:28:04.120 --> 00:28:07.120
- salmon roe. Ikura.
- Yeah.

00:28:07.160 --> 00:28:08.120
Order.

00:28:11.160 --> 00:28:12.600
I can see something coming.

00:28:12.640 --> 00:28:15.680
- This is exciting.
Are you ready? -Yeah.

00:28:15.720 --> 00:28:17.080
- Ah, look, there's ours.
- Yes.

00:28:17.120 --> 00:28:18.120
Oh.

00:28:18.160 --> 00:28:19.480
Ikura. Here you are.

00:28:19.560 --> 00:28:21.240
Even if you're used
to sushi places, though,

00:28:21.280 --> 00:28:24.360
as usual,
Tokyo is one step ahead.

00:28:24.400 --> 00:28:26.960
Over 50% of the sushi
is made by robots.

00:28:27.000 --> 00:28:29.640
So, like, for example,
this is rice, right?

00:28:29.680 --> 00:28:31.440
- Shari.
- Mm-hmm.

00:28:31.440 --> 00:28:32.840
This was made by a robot.

00:28:32.880 --> 00:28:35.600
And a human just put
the topping right here.

00:28:35.640 --> 00:28:38.440
Like this.
So, these robots here,

00:28:38.480 --> 00:28:39.960
it is said that,

00:28:39.960 --> 00:28:42.360
in one second
they can make one plate.

00:28:42.400 --> 00:28:43.960
In just one second.

00:28:43.960 --> 00:28:45.680
- Really?
- Yeah.

00:28:45.720 --> 00:28:47.560
I didn't know that.

00:28:49.160 --> 00:28:50.760
- That was egg.
- That was egg.

00:28:50.800 --> 00:28:51.960
- Yeah.
- And, furthermore,

00:28:51.960 --> 00:28:53.960
- in here, in Kurasushi,
- Yeah.

00:28:53.960 --> 00:28:57.240
if you insert five plates
inside this little...

00:28:57.280 --> 00:28:59.400
- What do you say?
- The bin.

00:28:59.440 --> 00:29:01.760
Bin. There's a lottery.

00:29:01.800 --> 00:29:02.920
- You want to try?
- Yeah.

00:29:02.960 --> 00:29:04.280
Please do.

00:29:04.320 --> 00:29:05.640
Uh, well,
I'll have to take a couple...

00:29:05.680 --> 00:29:06.960
- So, I just put them in there, yes?
- Yeah, yes.

00:29:07.000 --> 00:29:09.880
- One. Two.
- One-one. Two.

00:29:09.920 --> 00:29:13.720
- Three. Four.
- Three. Four.

00:29:14.760 --> 00:29:16.080
Five. There you go.

00:29:16.120 --> 00:29:17.440
Let's see.

00:29:17.440 --> 00:29:18.900
So, there you go. There you go.

00:29:19.080 --> 00:29:20.640
- You won!
- So, do I get a...?

00:29:20.640 --> 00:29:22.600
You're such a...

00:29:22.640 --> 00:29:25.680
- See, look! Yeah!
- Oh!

00:29:25.760 --> 00:29:28.560
Oh, my God,
you're a lucky bastard.

00:29:28.600 --> 00:29:31.840
Usually you don't win this
at-at a first try.

00:29:31.880 --> 00:29:33.320
- You like it?
- I love it.

00:29:33.360 --> 00:29:35.160
- Here you are. Here.
- Oh. Arigato, James.

00:29:35.160 --> 00:29:38.120
- Furthermore, James,
we put the plate here, right? -Yes.

00:29:38.160 --> 00:29:40.960
Actually, there's a river.
River is flowing.

00:29:41.000 --> 00:29:42.840
So the plates we put in

00:29:42.880 --> 00:29:45.160
goes automatically
to the kitchen.

00:29:45.160 --> 00:29:47.160
So everything's automatic.
Everything's AI.

00:29:47.200 --> 00:29:48.640
Robot, robot, robot.

00:29:48.640 --> 00:29:50.640
Rationalization, I guess. Yes.

00:29:50.640 --> 00:29:51.880
Arigato gozaimasu.

00:29:51.920 --> 00:29:54.080
Arigato.
 Soon we'll be robots, as well,

00:29:54.120 --> 00:29:55.880
and there will be no need
for television presenters.

00:29:55.920 --> 00:29:57.880
And that will be a good thing.

00:29:57.920 --> 00:29:59.400
Goodbye.

00:30:02.920 --> 00:30:04.760
I can't read manga, obviously,

00:30:04.800 --> 00:30:08.200
because my Japanese
is limited to ordering beers

00:30:08.240 --> 00:30:11.520
and sashimi, but I've-I've had
some translated

00:30:11.560 --> 00:30:13.520
for me by Japanese speakers,
and some of it,

00:30:13.560 --> 00:30:16.640
it-it delves
into quite dark corners

00:30:16.680 --> 00:30:19.040
of human consciousness,
like loneliness,

00:30:19.080 --> 00:30:21.120
depression, violence,

00:30:21.160 --> 00:30:24.440
uh, terrible relationships,
terrible work problems.

00:30:24.480 --> 00:30:26.160
All these things are covered,
aren't they?

00:30:26.200 --> 00:30:28.680
All the things that you would
expect in big dramas in film.

00:30:28.720 --> 00:30:30.600
- It's all in manga.
- Yeah.

00:30:30.640 --> 00:30:32.600
It is just part of literature.

00:30:32.640 --> 00:30:35.080
There's manga
for every situation in Japan:

00:30:35.120 --> 00:30:37.600
happy, uh, sad, angry.

00:30:37.640 --> 00:30:40.480
In Japan, uh, expressing
something with a picture

00:30:40.520 --> 00:30:44.400
has been a part of our culture
for several hundred years.

00:30:44.440 --> 00:30:47.640
Is it possibly because your-your
language... or kanji, anyway...

00:30:47.680 --> 00:30:50.120
- is really based around the
idea of pictures? -Yeah. Yes.

00:30:50.160 --> 00:30:53.440
Yeah. And it's easy to imagine,
like, um, certain characters.

00:30:53.480 --> 00:30:55.600
So it's e...
When it comes out in kanji,

00:30:55.640 --> 00:30:59.240
it's easier to imagine
what the word means.

00:30:59.340 --> 00:31:00.540
Here a voice-over acting class

00:31:00.580 --> 00:31:02.300
starts
with a warm-up introduction

00:31:02.340 --> 00:31:04.340
of saying your name
anime-style.

00:31:10.500 --> 00:31:13.340
- James-san.
- James-san!

00:31:13.380 --> 00:31:15.660
And to study movement,

00:31:15.700 --> 00:31:18.500
there's a visit
from a sword master.

00:31:20.060 --> 00:31:21.900
Of course,
the blue-eyed, British samurai

00:31:21.940 --> 00:31:23.940
- held his own.

00:31:34.420 --> 00:31:37.700
The school is currently
producing a feature film,

00:31:37.780 --> 00:31:40.140
and I'm invited
to the auditions.

00:31:40.140 --> 00:31:44.060
Apparently, there's a potential
role I'd be perfect for.

00:31:44.100 --> 00:31:46.300
The improvisation
is very important

00:31:46.340 --> 00:31:47.540
in voice-overs, yes.

00:31:47.580 --> 00:31:49.460
So, Japan update,
subject: anime.

00:31:49.500 --> 00:31:50.980
I've got a part,

00:31:51.020 --> 00:31:53.020
owing to my excellent
Japanese language skills.

00:31:53.060 --> 00:31:54.540
I'm a dog.

00:32:21.720 --> 00:32:24.120
Time for the real record.

00:32:47.360 --> 00:32:50.880
The review of the day's footage
seems to go down well.

00:32:57.840 --> 00:33:00.840
So, with a career in canine
vocalization beckoning,

00:33:00.880 --> 00:33:04.320
it's time to graduate
from the Yoyogi Academy.

00:33:08.640 --> 00:33:11.280
And, indeed,
it's time to leave Tokyo.

00:33:11.320 --> 00:33:14.000
But before I do, there's
one more artistic destination

00:33:14.040 --> 00:33:17.040
that apparently
can't be missed.

00:33:21.080 --> 00:33:23.640
Yujiro, typically,
downplays it.

00:33:23.680 --> 00:33:26.840
I'm honored to take you
to this super exhilarating

00:33:26.880 --> 00:33:29.200
Japanese experience, sir.

00:33:29.240 --> 00:33:32.760
This is something unreal
that's gonna blow your mind.

00:33:32.800 --> 00:33:36.840
- Something unbelievably amazing.
- Well, that's a relief.

00:33:36.840 --> 00:33:38.360
- Are you ready for that?
- Yes.

00:33:52.680 --> 00:33:54.680
Wow.

00:34:15.720 --> 00:34:18.280
For once,
Yujiro's unhinged enthusiasm

00:34:18.320 --> 00:34:20.720
is actually on the money.

00:34:23.600 --> 00:34:26.600
It's astonishing.

00:34:34.280 --> 00:34:36.000
This is Borderless,

00:34:36.040 --> 00:34:38.280
a cutting-edge
digital art installation

00:34:38.320 --> 00:34:40.360
from the Japanese group
teamLab,

00:34:40.400 --> 00:34:42.400
who've successfully managed
to visualize

00:34:42.440 --> 00:34:46.360
what it must look like
inside Brian Eno's head.

00:34:46.400 --> 00:34:49.520
If I lie down,
do I disappear in the flowers?

00:34:50.760 --> 00:34:53.120
It's all done
with a huge network

00:34:53.160 --> 00:34:55.920
of hundreds of computers
and projectors...

00:34:55.960 --> 00:34:58.280
How does it look?

00:34:58.320 --> 00:34:59.560
...which all come together
to create

00:34:59.600 --> 00:35:01.600
the same
state-of-the-art experience

00:35:01.640 --> 00:35:03.280
you could get in the '60s
by drinking

00:35:03.320 --> 00:35:05.480
from the wrong beaker
at a party.

00:35:07.480 --> 00:35:09.480
Oh, I hope that's what it's like
being dead.

00:35:09.520 --> 00:35:11.040
It'll be fantastic.

00:35:13.600 --> 00:35:17.760
The exhibit is an astonishing
10,000 square meters,

00:35:17.800 --> 00:35:22.000
or roughly half the size
of the Genesis concept album.

00:35:23.000 --> 00:35:24.880
Look at that.

00:35:26.200 --> 00:35:28.200
And, just to complete the trip,

00:35:28.240 --> 00:35:32.600
the projections even respond
to your own movement.

00:35:32.640 --> 00:35:34.600
At least, I think they do.

00:35:34.640 --> 00:35:36.880
Mmm.

00:35:38.360 --> 00:35:40.360
Here come the birds.

00:35:42.840 --> 00:35:46.040
There are 50 digital artworks
on display,

00:35:46.080 --> 00:35:47.880
but they constantly change,

00:35:47.920 --> 00:35:49.520
blend and merge
with each other,

00:35:49.560 --> 00:35:52.280
and even move
into different rooms.

00:35:52.320 --> 00:35:54.000
Look, there's a moose.

00:35:54.040 --> 00:35:56.040
Look at that.

00:35:59.480 --> 00:36:01.440
Of course,
this being modern Japan,

00:36:01.480 --> 00:36:02.920
the installation
has fast become

00:36:02.960 --> 00:36:05.880
one of the most Instagrammed
places in the country.

00:36:05.920 --> 00:36:08.880
It's amazing, isn't it?

00:36:08.920 --> 00:36:11.440
But putting away the smartphone
and just drinking in

00:36:11.480 --> 00:36:15.440
the surreal atmosphere
is a transcendent experience.

00:36:15.480 --> 00:36:18.360
That is very disconcerting.

00:36:18.400 --> 00:36:20.400
Can I go that way?

00:36:24.400 --> 00:36:26.040
Ho!

00:36:26.080 --> 00:36:28.160
Have you looked up?

00:36:28.200 --> 00:36:29.720
- Look up.
- Oh, wow.

00:36:31.640 --> 00:36:34.640
Exhibits include
the Crystal World room...

00:36:38.280 --> 00:36:41.280
I'm completely lost,
but I don't think I mind.

00:36:44.960 --> 00:36:48.560
...the Forest
of Resonating Lamps...

00:36:56.120 --> 00:36:58.160
...and the even more catchy

00:36:58.200 --> 00:36:59.880
Memory of Topography
experience...

00:37:13.040 --> 00:37:14.360
...where I reunite

00:37:14.400 --> 00:37:17.160
with an equally lost Yujiro.

00:37:17.200 --> 00:37:20.560
- So, how do you like it?
- Welcome to the afterlife.

00:37:20.600 --> 00:37:22.280
- Thank you.
- It's fantastic, isn't it?

00:37:22.320 --> 00:37:24.080
Yes, it's a big honor

00:37:24.120 --> 00:37:26.720
meeting you
in the afterlife, too.

00:37:26.760 --> 00:37:28.320
It's...

00:37:28.360 --> 00:37:30.120
it's so real, you know?

00:37:30.160 --> 00:37:32.120
Yeah.

00:37:32.160 --> 00:37:34.880
So digital but so real.

00:37:34.920 --> 00:37:38.280
If we move three paces that way,
it'll change.

00:37:38.320 --> 00:37:40.440
- Really?
- Watch this. I think so.

00:37:42.120 --> 00:37:44.680
As I walk through the fields
of digital lilies

00:37:44.720 --> 00:37:47.800
and cherry blossom with
my faithful samurai aerosol,

00:37:47.840 --> 00:37:51.240
with the ancient
meeting the new all around us,

00:37:51.280 --> 00:37:54.160
I think back
on my time in Tokyo.

00:37:54.200 --> 00:37:57.800
Japan's shifting, both between
its past and its future

00:37:57.840 --> 00:38:00.520
and between East and West,

00:38:00.560 --> 00:38:02.640
is never more apparent
than here.

00:38:02.680 --> 00:38:05.000
As with most
big capital cities,

00:38:05.040 --> 00:38:06.720
there's a multiculturalism here

00:38:06.760 --> 00:38:09.160
that's a marked difference
to my rural adventures

00:38:09.200 --> 00:38:11.120
to this point.

00:38:11.160 --> 00:38:13.120
Yes, a lot of it
is still bizarre,

00:38:13.160 --> 00:38:15.640
but technology, anime, karaoke,

00:38:15.680 --> 00:38:19.560
sushi, even novelty cafés...
we're getting more used

00:38:19.600 --> 00:38:21.240
to this sort of thing
in the West every day.

00:38:21.280 --> 00:38:23.720
And the bleeding
of West into East

00:38:23.760 --> 00:38:26.200
is at its strongest here, too.

00:38:27.240 --> 00:38:29.080
I actually think
it's worth coming

00:38:29.120 --> 00:38:30.440
to Tokyo just to see that.

00:38:30.480 --> 00:38:32.200
- Yeah? -Wherever you
live in the world. Yeah.

00:38:32.240 --> 00:38:34.160
- How did you like it?
- It's fabulous.

00:38:34.200 --> 00:38:36.360
- Fancy a cheeseburger?
- Cheeseburger.

00:38:36.400 --> 00:38:38.000
Yes, everything
is American here.

00:38:38.040 --> 00:38:40.040
Yes, Big Mac.

00:38:48.680 --> 00:38:50.800
Tokyo. Do you know what?

00:38:50.840 --> 00:38:54.280
There are a lot of tired,
old clichés attendant upon it.

00:38:54.320 --> 00:38:57.720
I'm sure we've all heard about
the ten-pounds-a-pint beer,

00:38:57.760 --> 00:39:00.640
the exclusively raw fish diet,

00:39:00.680 --> 00:39:01.960
the gridlocked traffic,

00:39:02.000 --> 00:39:04.520
the impenetrable
language barrier on signs.

00:39:04.560 --> 00:39:06.600
And it was like that
when I first came here

00:39:06.640 --> 00:39:08.120
about a quarter
of a century ago,

00:39:08.160 --> 00:39:10.120
but it's not really
like that anymore.

00:39:10.160 --> 00:39:12.040
I have to speak as I find.

00:39:12.080 --> 00:39:13.920
Tokyo has changed a bit.

00:39:13.960 --> 00:39:16.920
Tokyo is not as Japanese

00:39:16.960 --> 00:39:19.760
as it once was.

00:39:19.800 --> 00:39:21.480
Still, if you're a fan
of the old ways,

00:39:21.520 --> 00:39:24.600
join me in a future episode,
where I will be in Kyoto,

00:39:24.640 --> 00:39:26.280
where everything's made
of real wood,

00:39:26.320 --> 00:39:28.600
and I'll be looked after
by a geisha.

00:39:28.640 --> 00:39:32.760
Until then, sumimasen.

00:39:35.000 --> 00:39:37.040
Exiting...

00:39:37.080 --> 00:39:39.000
No...