WEBVTT

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HAPPY 80TH, DON HUMBERTO

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HAPPY BIRTHDAY

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I couldn't sleep last night.

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I was thinking and thinking.

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Alright...

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How do people see me?

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How do they see me?

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As a man who started from nothing

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and today is a leader
in the pharmaceutical industry

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and feeds almost 10,000 families.

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What do I care about that?

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I'll tell you how they see me.

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As a millionaire,

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with an obscene fortune,

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but with no prestige.

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Well, through your foundation
you've helped to set up projects...

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Everyone knows
what foundations are for.

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That building is practically unused.

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I've turned 80.

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I want to be remembered differently.

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I don't know,

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to do something that lasts.

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A bridge, for example,

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designed by a famous architect.

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A bridge with my name on it.

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To finance it,
then donate it to the State.

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The Humberto Suárez Bridge.

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Or if not, a movie.

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A movie?

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You want to direct a movie?

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No, you idiot,
how can I direct a movie?

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To finance a movie.

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To be the maker.

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So that people know I'm behind it.

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But not any movie.

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A great movie,

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with a great director,
famous actors,

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with the best.

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A movie.

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Yes, it's the best option.

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A movie.

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Sorry, excuse me.

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What would it be about?

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How should I know?

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Lola Cuevas, the director.

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She's the most prestigious now.

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She snaps up all the awards.

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Highly prized by the critics.

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She never grants interviews.

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She's kind of strange.

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Her films:
The Inverted Rain, from 1996.

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Her first work,
acclaimed around the world.

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The Void, 2001. Very weird,
not as celebrated as the previous one.

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Haze, 2015.
Considered her masterpiece.

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She's been waiting a few minutes.

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Remind me a bit about this project.

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It's all fine,
we have the book rights.

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-It was a tough negotiation, but...
-Sure, I found out what we paid.

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You asked me to prioritise it.

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One thing is prioritising,
another is getting ....

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But anyway, we've got it now.

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-Lola...?
-Cuevas.

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Iván Torres and Félix Rivero.
They're the perfect actors for this.

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They're being sounded out now,
and it's all go,

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despite loads of difficulties,
which was expected.

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They belong to different worlds.

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Iván is the master actor,
very prestigious,

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and Félix is...

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a worldwide star.

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I'm interested in that tension,
I think it'll help us a lot.

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And they've never worked together.

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I don't know...

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I want the best.

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Are they the best?

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Better, worse...

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wouldn't use those terms
to define an artist,

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but I get your question

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and the answer is yes,
they're absolutely the best for this.

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Excellent.

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-You really don't want any?
-No, you go ahead.

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Well, getting the book wasn't easy.

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But that's it.

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We have it, it's mine now.

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You know I'll do a very loose version
of the novel, don't you?

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It was the first thing I said
when they called me.

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But there will be
something of the book left?

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It cost me a fortune.

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Tell me,

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what did you think?

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It's meant to be good, isn't it?

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It's a Nobel Prize winner.

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I'd love you to tell me
what it's about.

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I haven't read it yet.

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I'm not much of a reader, actually.

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How do I tell you?

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Rivalry is...

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Alright then...

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It's the story of two brothers:

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Manuel is dull, introverted,

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and his brother Pedro,
his older brother,

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is very sure of himself, and rich.

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1970: a country town.

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Manuel is driving his parents
down a road.

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It's night and he's drunk.

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He loses control and the car
rolls over and over.

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I hate drunks.

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The parents die in the crash.
Manuel is unhurt.

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Pedro, the other brother,
reports him to the police.

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Well done.

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Then Manuel is sentenced
to several years in prison.

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Meanwhile, Pedro goes on
with his life

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and has a relationship with Lucy,
a whore at the town brothel.

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Everyone is suspicious
of Pedro's luxuries.

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He has a foundry,

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but nobody believes that
the money comes from there.

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Years go by
and Manuel gets out of prison.

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Pedro knows his brother is free
but they never meet.

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Until one day Manuel goes to
the brothel and sleeps with Lucy.

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His brother finds out, proposes to Lucy
and offers her a life of luxury.

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Lucy says yes.

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Manuel sinks into a terrible depression.

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Then he finds out
that Lucy is pregnant.

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He begins to wonder
if the child is his.

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The baby is born.

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But is it his or not?

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Wait, I'll go on.

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One day Manuel steels himself
and goes to Pedro's house.

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He knocks on the door.

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Pedro opens up.

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Manuel sees Lucy with the baby

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in a scene of devastating ordinariness.

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Manuel asks, almost begs
to talk to his brother.

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The brothers walk around
the estate at night, in darkness.

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Manuel apologises to Pedro.

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Pedro relents.

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The brothers embrace
and cry like children.

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Because men do cry.

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I love it. It ends well.

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I like the ending.
The brothers have reconciled.

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Wait, it doesn't end there.

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There's still the ending.

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OFFICIAL COMPETITION

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Take care of it!

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Maestro, we meet at last.

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It'll be a real honour
to work with you.

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Thank you.

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Let's go.

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Well...

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First rehearsal, eh?

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Good luck, pal.

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You'll need it.

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Sure.

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So will you.
Don't get too confident.

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Coats.

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Thank you.

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Go ahead.

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Look, there she is.

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Lola, good afternoon.

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I really rushed to finish it,
but it's turned out very well.

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A lot of work, loads.

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It ended up a bit bulky.

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With all my notes.

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I can't stop.

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How about we do a short exercise?

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Okay.

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How do you see your character, Iván?

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I've thought a lot about Pedro
all these months.

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I think Pedro's...

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driving force has been
to outdo his younger brother

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in front of their parents.
*

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So let's say that Pedro
has done everything right,

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he's always been steadfast,
secure, even with women.

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A football fan,

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a touch of the macho,
aggression, nationalism...

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He channels the primitive side,

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joining other primates
on the bleachers of the stadium.

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He gets up early.

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He's a simple, optimistic man.

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And I think that
he never wanted children,

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although he ended up
with one at this late stage.

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I love the idea of two brothers
forming a single entity,

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but split into two bodies.

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Look.

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They try to lead their lives
on different paths,

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but an unexpected event
puts them in opposition.

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Yes, yes.

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The fate of one is irrevocably linked
to that of the other.

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In fact, what happens to one,

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-happens to the other, right?
-Exactly.

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Félix, how do you see your character?

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Manuel, my character, doesn't exist.

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Pedro, his character, doesn't either.

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-Oh no?
-No.

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They're black ink on white paper.

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I don't need to know my character's past,
because he doesn't have one.

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I'll study the words and say them
with conviction and authority.

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That'll be enough,
the people will see Manuel.

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When you go to the doctor,

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you don't need him to tell you
his life story to believe him.

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If he has a white coat, a diploma
on the wall and a stethoscope,

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-to the audience he's a doctor.
-That underestimates the audience.

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Well...

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And it underestimates the actor,
it underestimates our work.

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-No, I don't think so.
-Yes.

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Anyway, I haven't argued about
these things for 30 or 40 years.

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You can never be so sure of
what the audience perceives

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about you or the character.

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There's an exercise I do
with my students.

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I tell them that when they're alone

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to call themselves out loud.

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For that very reason, to see
and feel themselves from outside.

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I know it sounds silly...

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-Sounds good.
-...but it's quite distressing.

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Iván!

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Iván!

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Iván!

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Iván!

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Oh, jeez...

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Poor kids, poor kids.

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I want to return to what you said
about the character,

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that he doesn't want children.

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I think it's a major detail.

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So do I, it is.

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-Do you have children?
-Yes.

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Five.

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All with this guy.

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Sorry, you gave it to me
on a platter.

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Yes, five with four
different women, yes.

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Do you have any Iván?

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Sorry?

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-Do you have any children?
-Yes, yes.

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One from my first marriage.

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He's grown up now, over 40.

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With Violeta,
we've been together for 28 years,

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we tried at the time,

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but now it's a little late.

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-I would have liked to.
-Okay.

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-Do you have...?
-No. Nor do I want to.

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I think an artist without children
has a huge advantage.

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You can create freely, without fear.

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With children, there's panic.

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People become conservative,
have no ideas. It's normal.

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With children to take care of,

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with the constant worry that
something bad could happen to them...

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it doesn't leave much room
to create anything risky, but anyway...

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Can you face me so that I can
see you better when we read?

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Well, Félix, we may have
different work methods,

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but we do agree on
the mediocrity of having children.

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-Shall we read?
-Yes, of course.

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Let's go.

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"Scene 1: interior, night,
Pedro's house.

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Pedro is told about the crash.

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The phone rings.
It's 11:30 at night.

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Pedro looks at the time and answers."

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"Hello."

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"A man's voice on the other end.

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Pedro knows it's a policeman.
He answers."

00:17:48.113 --> 00:17:50.115
"Good evening. Who is it?"

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Again, please.

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What?

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"Good evening". Again.

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-"Good evening."
-Once more.

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"Good evening."

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Once more.

00:18:09.676 --> 00:18:11.845
-"Good evening."
-Again.

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"Good evening."

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Once more.

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"Good evening." Do we carry on?

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No, because it's not right.

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You know that "good evening"
can mean many things, don't you?

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An invitation, an apology,
an attack, a thousand things.

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Here, this "good evening" must say:

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"What the hell's happened
for the police to call me

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at 11 o'clock at home?"

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All that?

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All that.

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You can do it perfectly well.
Let's go.

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"Good evening."

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That's it.

00:19:05.315 --> 00:19:06.441
That's it.

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"Scene 2: exterior, night, road.

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Pedro reaches the scene of the crash.

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An overturned car, an ambulance,
and his parents' bodies on the asphalt.

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Beside them is Manuel, kneeling,
crying desperately, a cop beside him."

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Pedro.

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Excuse me, Lola.

00:19:29.006 --> 00:19:31.008
A small observation on this text.

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Here the script says:

00:19:33.218 --> 00:19:36.638
"What happened?
What have you done, you ... drunk?"

00:19:37.306 --> 00:19:39.600
I think Pedro should first just ask

00:19:39.766 --> 00:19:43.187
"What happened?", without the insult.

00:19:43.896 --> 00:19:47.065
I think it's better
if he's more restrained at first,

00:19:47.316 --> 00:19:49.276
trying to understand the situation.

00:19:49.443 --> 00:19:51.653
Later, yes...

00:19:52.029 --> 00:19:55.365
as he gradually gets angrier,

00:19:55.949 --> 00:19:58.702
he explodes at his brother,

00:19:59.328 --> 00:20:00.829
but not...

00:20:00.996 --> 00:20:02.664
What do you think?

00:20:05.000 --> 00:20:07.294
No, it's better to say it
as it's written.

00:20:07.711 --> 00:20:11.173
Let's go from where Pedro arrives
at the scene of the crash.

00:20:11.340 --> 00:20:12.341
Iván.

00:20:13.634 --> 00:20:17.346
"What happened? What have
you done, you ... drunk?"

00:20:17.512 --> 00:20:18.931
"Sorry, sorry.

00:20:19.097 --> 00:20:23.018
Something ran in front of me,
a dog or whatever..."

00:20:23.185 --> 00:20:25.437
-Stop. Let's stop for a moment.
-Yes.

00:20:25.604 --> 00:20:27.940
-One crucial thing that you know...
-Yes.

00:20:28.106 --> 00:20:31.777
A drunk tries not to look drunk,
isn't that right?

00:20:32.027 --> 00:20:34.529
Even more if he's caused an accident.

00:20:34.696 --> 00:20:36.365
Then let's...

00:20:36.573 --> 00:20:38.325
How...?

00:20:38.700 --> 00:20:40.827
Imagine your level of drunkenness

00:20:40.994 --> 00:20:45.290
from 1 to 10, 10 being really drunk.
Try to give me a 3.

00:20:45.832 --> 00:20:46.833
Very well.

00:20:47.000 --> 00:20:48.168
A 3.

00:20:51.338 --> 00:20:53.674
Sorry, sorry.

00:20:54.675 --> 00:20:57.886
Something ran in front of me,
a dog or whatever...

00:20:58.136 --> 00:20:59.221
A 5.

00:21:01.098 --> 00:21:02.516
Sorry, sorry.

00:21:02.683 --> 00:21:06.937
Something ran in front of me,
a dog or whatever...

00:21:08.063 --> 00:21:10.607
A bit more, a 6.5.

00:21:14.528 --> 00:21:16.113
Sorry, sorry.

00:21:16.280 --> 00:21:19.783
Something ran in front of me,
a dog or whatever...

00:21:21.285 --> 00:21:23.161
That's it, Félix, right there.

00:21:24.496 --> 00:21:26.498
I felt it too.

00:21:27.624 --> 00:21:28.542
Yes.

00:21:31.795 --> 00:21:32.796
Did you see?

00:21:32.963 --> 00:21:36.341
Back into the brain,
no one can survive that.

00:21:36.633 --> 00:21:37.342
-Nobody?
-Nobody.

00:21:37.634 --> 00:21:38.677
I believe you.

00:21:38.844 --> 00:21:40.053
Alright, another one.

00:21:40.429 --> 00:21:44.141
Some guy comes along
and hits you square in the face.

00:21:44.308 --> 00:21:44.975
Alright.

00:21:45.142 --> 00:21:48.645
Because you stole his girlfriend
or he just doesn't like you.

00:21:48.812 --> 00:21:51.273
-For whatever reason.
-Okay.

00:21:51.398 --> 00:21:52.649
-Okay.
-Go.

00:21:52.816 --> 00:21:55.777
-Slowly first, right?
-Yes, in slow motion.

00:21:55.944 --> 00:21:57.321
-Go.
-That's it.

00:21:57.529 --> 00:22:01.199
Okay, now we use
the inertia of his body,

00:22:01.408 --> 00:22:03.160
to pull him forward.

00:22:03.994 --> 00:22:07.122
It's very simple, but it works.

00:22:07.289 --> 00:22:09.207
-It works.
-Yes.

00:22:09.416 --> 00:22:11.668
-Let's go.
-Good.

00:22:11.793 --> 00:22:14.963
Go on.
We'll do it a bit faster, okay?

00:22:19.468 --> 00:22:21.011
-Did you see?
-Can I try?

00:22:21.178 --> 00:22:23.138
-Go ahead.
-I'm going to try.

00:22:23.138 --> 00:22:24.806
Let's see if I can do it.

00:22:24.973 --> 00:22:26.308
Come on!

00:22:26.767 --> 00:22:27.851
Ready?

00:22:32.272 --> 00:22:33.732
At most,

00:22:34.191 --> 00:22:37.152
at most, one of you,

00:22:38.070 --> 00:22:39.363
only one,

00:22:40.155 --> 00:22:42.032
will finish this hard road

00:22:42.324 --> 00:22:45.786
and get to be a professional actor.

00:22:45.952 --> 00:22:47.996
One at most.

00:22:49.664 --> 00:22:52.000
So, if there's anyone here

00:22:54.169 --> 00:22:58.298
who's not absolutely sure
that they're this chosen one,

00:22:59.466 --> 00:23:04.179
I ask you, please, to leave the room
and not come back.

00:23:06.515 --> 00:23:10.060
The world needs engineers,
dentists, lawyers,

00:23:10.602 --> 00:23:13.188
people who turn the wheel,
labourers who work,

00:23:13.355 --> 00:23:16.900
but one thing it doesn't need
is more actors.

00:23:27.953 --> 00:23:29.955
Does no one have any doubts?

00:23:33.166 --> 00:23:34.042
No.

00:23:34.209 --> 00:23:35.252
Yes.

00:23:35.877 --> 00:23:37.212
Maybe.

00:23:37.754 --> 00:23:41.091
This guy is in every ... movie
in this country. No.

00:23:41.258 --> 00:23:42.551
Maybe.

00:23:42.717 --> 00:23:43.552
No.

00:23:43.718 --> 00:23:44.761
Yes.

00:23:45.011 --> 00:23:45.679
No.

00:23:46.012 --> 00:23:46.680
No.

00:23:47.389 --> 00:23:47.931
No.

00:23:48.682 --> 00:23:49.224
No way.

00:23:49.599 --> 00:23:50.142
No.

00:23:50.684 --> 00:23:51.226
No.

00:23:52.310 --> 00:23:55.063
What a bland face. No.

00:23:56.189 --> 00:23:59.276
This cross eyed one, maybe.

00:23:59.693 --> 00:24:01.278
No.

00:24:02.154 --> 00:24:02.779
No.

00:24:03.405 --> 00:24:04.906
No.

00:24:05.240 --> 00:24:05.866
No.

00:24:06.366 --> 00:24:06.950
No.

00:24:07.742 --> 00:24:08.743
Yes.

00:24:09.870 --> 00:24:12.581
-Hey, he was a student of mine.
-Really?

00:24:12.747 --> 00:24:15.750
-Yes. Not much talent, poor guy.
-Then no.

00:24:15.917 --> 00:24:17.919
No, no, please, let him!

00:24:18.086 --> 00:24:20.755
You don't have to be a genius
to sit without saying a word.

00:24:20.922 --> 00:24:21.631
Take him, please.

00:24:21.882 --> 00:24:23.550
-We'll include him for you.
-Thanks.

00:24:23.717 --> 00:24:25.969
They are actors, aren't they?
I don't want any surprises.

00:24:26.178 --> 00:24:27.262
Yes, they're all actors.

00:24:27.429 --> 00:24:29.181
Poor guys.

00:24:30.182 --> 00:24:31.725
-I'd keep...
-Excuse me.

00:24:31.892 --> 00:24:33.852
Apologies for Félix's delay.

00:24:34.019 --> 00:24:36.855
He had to see the doctor,
but he'll be here in a minute.

00:24:37.022 --> 00:24:39.232
I warn you, he's not in a good mood.

00:24:39.524 --> 00:24:42.068
I don't give a crap.
And who is this?

00:24:42.235 --> 00:24:43.904
Félix's errand boy.

00:24:44.196 --> 00:24:45.238
Come, come.

00:24:45.405 --> 00:24:46.114
I'll introduce you.

00:24:46.281 --> 00:24:48.366
Darío, Félix's personal assistant, Iván

00:24:48.533 --> 00:24:50.202
Iván, a pleasure to meet you.

00:24:50.368 --> 00:24:52.621
I'm a big fan,
I really admire you.

00:24:52.787 --> 00:24:54.789
Thank you very much.

00:24:58.043 --> 00:24:58.668
-You're not using that in my film.
-It works!

00:24:58.835 --> 00:25:00.545
Let's go again.
I'll watch from here.

00:25:00.712 --> 00:25:02.631
Let's go from "Mum and Dad".

00:25:04.049 --> 00:25:05.050
Action.

00:25:07.552 --> 00:25:10.263
Mum and Dad would hate you
if they were alive.

00:25:10.472 --> 00:25:13.600
Don't even say their names!
You should've died in the crash.

00:25:14.017 --> 00:25:15.185
Let it out, Iván!

00:25:16.186 --> 00:25:17.229
Hold on...

00:25:21.775 --> 00:25:23.568
Give me a break, man!

00:25:23.735 --> 00:25:26.238
-Why are you doing this? Why?
-Nothing happened.

00:25:26.488 --> 00:25:30.450
Don't be an ...!
Look, blood. I'm bleeding!

00:25:33.954 --> 00:25:35.288
He's all better.

00:25:35.497 --> 00:25:38.333
-By contract you can't touch his face.
-What?

00:25:38.500 --> 00:25:40.168
I thought you knew.

00:25:40.418 --> 00:25:42.420
Why would I know that crap?

00:25:42.587 --> 00:25:45.382
Is that true? It's extraordinary.

00:25:45.632 --> 00:25:47.092
It's pretty wild.

00:25:50.095 --> 00:25:52.055
Come on, let's act.

00:25:53.557 --> 00:25:55.267
Let's go.

00:25:57.227 --> 00:26:00.939
The link between these two brothers
is broken now,

00:26:01.189 --> 00:26:02.607
it has shattered.

00:26:03.358 --> 00:26:07.529
But something is still alive, okay?

00:26:08.321 --> 00:26:11.366
Let's work on that,
that impotence.

00:26:11.866 --> 00:26:13.535
But restrained, Iván.

00:26:17.414 --> 00:26:18.748
Let's go for it.

00:26:21.626 --> 00:26:22.877
Action.

00:26:26.214 --> 00:26:28.258
You're despicable.

00:26:29.509 --> 00:26:31.011
I'm your brother.

00:26:32.387 --> 00:26:34.764
I'm all you have.

00:26:37.892 --> 00:26:42.230
How can you live knowing that
you sent your only brother to prison?

00:26:44.399 --> 00:26:48.236
Leave that to me
and my conscience.

00:26:49.821 --> 00:26:52.032
You've only got two years left.

00:26:52.741 --> 00:26:55.285
For causing a massacre.

00:26:56.411 --> 00:26:57.787
It's nothing.

00:27:05.879 --> 00:27:08.423
Mum and Dad would hate you
if they were alive.

00:27:08.632 --> 00:27:10.216
Don't even say their names!

00:27:11.426 --> 00:27:13.219
Don't even say their names!

00:27:14.346 --> 00:27:17.932
You should've died in the crash.

00:27:19.059 --> 00:27:19.851
You.

00:27:55.053 --> 00:27:56.888
Very good, Iván.

00:27:58.890 --> 00:28:00.558
-Thank you.
-Very good.

00:28:06.898 --> 00:28:10.402
You don't have to smash
a chair to show anger.

00:28:10.610 --> 00:28:12.028
Sorry about that.

00:28:12.195 --> 00:28:15.031
We're not acting
for row 48 in a theatre.

00:28:15.198 --> 00:28:18.201
-You're right. A thousand pardons.
-Okay.

00:28:18.368 --> 00:28:19.869
-I don't know...
-It's fine, it's fine.

00:28:20.036 --> 00:28:23.039
-The tension... Forgive me.
-Forget it. It's over.

00:28:23.206 --> 00:28:27.001
Anyway, in the end
it turned out great.

00:28:27.168 --> 00:28:30.338
I'll tell you something.
I'm sure we'll make a great movie.

00:28:30.505 --> 00:28:31.506
I hope so.

00:28:31.673 --> 00:28:35.760
I can see us getting an Oscar
in the Dolby Theatre in Hollywood.

00:28:35.927 --> 00:28:37.887
Your speech in English.
You do speak English, right?

00:28:38.054 --> 00:28:39.514
-No, not at all.
-No?

00:28:39.681 --> 00:28:42.350
I'd never subject myself
to that circus.

00:28:42.642 --> 00:28:45.437
I don't want to be the Latino
who puts a bit of colour

00:28:45.645 --> 00:28:48.440
into that entertainment industry
for numbskulls.

00:28:49.190 --> 00:28:52.068
You go, you like it,
that's why you work...

00:28:52.235 --> 00:28:54.612
I won't say no.
Yeah, yeah, I'll go.

00:28:54.821 --> 00:28:56.781
-See?
-Yeah, sure.

00:28:58.324 --> 00:29:01.703
Hey, this wardrobe is great.

00:29:05.832 --> 00:29:09.210
Check out the lesbian-looking
eyesore outside.

00:29:09.377 --> 00:29:12.756
I bet you 100 euros
she's one of Lola's girlfriends.

00:29:12.922 --> 00:29:14.090
Done.

00:29:19.137 --> 00:29:22.348
Félix, this is Violeta, my wife.

00:29:24.142 --> 00:29:25.560
Nice to meet you.

00:29:25.769 --> 00:29:28.646
Félix, I'd like to give you
my latest book.

00:29:29.314 --> 00:29:31.524
She writes children's stories.

00:29:31.900 --> 00:29:35.445
I'm sure you've heard her name.
Violeta Valderrobles.

00:29:36.654 --> 00:29:40.241
She's famous in the circle
of children's writers.

00:29:41.785 --> 00:29:44.829
It's the story of a special child,
an immigrant

00:29:44.996 --> 00:29:47.665
who lives on the street
and turns junk objects

00:29:47.916 --> 00:29:51.461
into imaginary treasures
that teach him something.

00:29:51.628 --> 00:29:53.421
Don't tell him the whole book.

00:29:53.588 --> 00:29:55.256
It's a metaphor.

00:29:55.423 --> 00:29:58.092
It's a call to all of us,

00:29:58.259 --> 00:30:01.304
men, women, the genderless,

00:30:01.596 --> 00:30:04.682
to live in a state
of permanent poetry,

00:30:05.099 --> 00:30:08.520
against this ever more hostile, sick

00:30:09.020 --> 00:30:11.773
and unjust world we live in.

00:30:13.149 --> 00:30:15.318
I love it. Thanks a lot.

00:30:15.485 --> 00:30:18.446
How do you know you love it
if you haven't read it yet?

00:30:18.738 --> 00:30:21.282
From what she told me.

00:30:21.908 --> 00:30:24.285
-It looks great.
-Thank you.

00:30:24.536 --> 00:30:26.704
And it only cost you 100 euros.

00:30:27.121 --> 00:30:27.872
Why?

00:30:28.039 --> 00:30:29.123
Shall we go?

00:30:29.290 --> 00:30:33.169
Did you know that the pink dolphin
is in serious danger of extinction?

00:30:33.628 --> 00:30:37.799
This marvellous animal has been
devastated by the deeds of man

00:30:38.007 --> 00:30:39.676
and it needs our help.

00:30:40.009 --> 00:30:42.136
The pink dolphin has no voice.

00:30:42.303 --> 00:30:44.305
Today I am its voice

00:30:44.472 --> 00:30:46.766
and I say: it needs your help.

00:30:46.933 --> 00:30:49.352
-How pathetic. Please...
-I need one euro.

00:30:49.519 --> 00:30:51.646
With your contribution we can...

00:30:51.813 --> 00:30:54.941
Lola, excuse me,
the crane is ready on the terrace.

00:30:55.316 --> 00:30:59.487
Félix will be late.
In case you want to entertain Iván.

00:30:59.654 --> 00:31:00.697
Coming.

00:31:01.281 --> 00:31:03.533
You must see this Félix thing.

00:31:03.741 --> 00:31:04.993
It's dreadful.

00:31:05.159 --> 00:31:09.289
Did you know that the pink dolphin
is in serious danger of extinction?

00:31:09.622 --> 00:31:13.751
This marvellous animal has been
devastated by the deeds of man

00:31:13.918 --> 00:31:16.838
and it needs our help.

00:31:19.257 --> 00:31:21.426
I'll speak in Spanish.

00:31:21.926 --> 00:31:26.097
I must say that when I was
nominated for this award,

00:31:26.306 --> 00:31:29.267
my first impression was distaste.

00:31:29.434 --> 00:31:32.186
I wasn't going to come, frankly,
but then...

00:31:33.229 --> 00:31:35.815
my family and friends
made me realize that

00:31:36.399 --> 00:31:40.695
it was important to be here
to say what I think.

00:31:40.904 --> 00:31:45.533
That's why I'm here before you,
to lay out my position.

00:31:46.034 --> 00:31:47.744
I don't believe in art as spectacle

00:31:47.911 --> 00:31:50.955
and much less
in what they call success.

00:31:51.706 --> 00:31:56.127
Making art compete
as if it were a sports event,

00:31:56.836 --> 00:31:58.421
I think is atrocious.

00:31:59.923 --> 00:32:03.009
Why then have I come?

00:32:03.635 --> 00:32:05.511
I've come...

00:32:05.970 --> 00:32:10.350
to formally declare
my rejection of this award.

00:32:12.769 --> 00:32:14.270
Thank you very much.

00:32:15.438 --> 00:32:17.148
And good night.

00:32:33.081 --> 00:32:34.082
Hello.

00:32:39.587 --> 00:32:40.838
What's this?

00:32:41.214 --> 00:32:44.342
This is about including
an external element

00:32:44.634 --> 00:32:47.637
that increases the tension,
increases the fear.

00:32:48.262 --> 00:32:51.641
It also symbolises the pressure
these two wretches live under,

00:32:51.808 --> 00:32:52.809
the weight of the law.

00:32:52.976 --> 00:32:54.811
I don't need that.

00:32:55.269 --> 00:32:57.522
It's not a need Iván,

00:32:57.730 --> 00:32:59.148
it's an exercise.

00:32:59.941 --> 00:33:02.402
Come on, it's only 5 tons.

00:33:02.568 --> 00:33:04.153
Is this safe?

00:33:06.406 --> 00:33:07.991
Are we ready?

00:33:14.038 --> 00:33:16.916
Remember, you're talking to a judge.

00:33:19.502 --> 00:33:22.588
That image will haunt me
my whole life.

00:33:22.755 --> 00:33:24.507
Memories of horror.

00:33:24.716 --> 00:33:27.301
Mum and Dad stretched out.

00:33:27.885 --> 00:33:29.804
In shock, deep shock.

00:33:29.971 --> 00:33:32.598
...amid glass and blood...

00:33:32.765 --> 00:33:33.933
Now you hate him!

00:33:34.100 --> 00:33:37.186
...and Manuel kneeling on
the asphalt, drunk...

00:33:37.353 --> 00:33:38.604
Sentence!

00:33:39.939 --> 00:33:42.316
I didn't see my brother,
I saw my parents' killer.

00:33:42.483 --> 00:33:45.945
-Less Iván. Relax!
-Sure, "relax", Lola, but with this...

00:33:46.112 --> 00:33:47.613
Don't cut!

00:33:50.074 --> 00:33:51.576
Let's go again.

00:33:52.160 --> 00:33:54.370
From "I didn't see my brother".

00:33:54.787 --> 00:33:55.872
Action.

00:33:56.122 --> 00:33:58.833
I didn't see my brother,
I saw my parents' killer.

00:33:59.500 --> 00:34:00.585
Less.

00:34:02.587 --> 00:34:05.298
I didn't see my brother,
I saw my parents' killer.

00:34:05.423 --> 00:34:07.425
-Less.
-But...

00:34:07.633 --> 00:34:10.595
If I do any less,
I'll be doing nothing, Lola.

00:34:10.762 --> 00:34:12.138
That's the idea.

00:34:14.807 --> 00:34:16.851
-Alright, Félix...
-Yeah, yeah.

00:34:17.769 --> 00:34:20.021
-Use it, use it.
-Yeah, yeah.

00:34:20.438 --> 00:34:22.940
-You're terrified of the judge.
-Yes, the judge.

00:34:23.024 --> 00:34:24.317
Let's go.

00:34:27.236 --> 00:34:30.615
I bear the harshest sentence,

00:34:31.407 --> 00:34:32.325
the guilt...

00:34:32.492 --> 00:34:34.619
-From here, from the heart.
-Yeah, yeah.

00:34:34.786 --> 00:34:36.162
Say it from here.

00:34:36.329 --> 00:34:39.749
I would rather have died

00:34:40.208 --> 00:34:41.459
and they lived.

00:34:41.667 --> 00:34:43.127
-Fake, I don't believe it.
-No.

00:34:43.294 --> 00:34:45.838
Truth, I want the truth.

00:34:46.589 --> 00:34:48.132
Something...

00:34:48.591 --> 00:34:51.803
ran in front of me,
I think it was an animal or...

00:34:51.886 --> 00:34:53.387
Resigned.

00:34:54.305 --> 00:34:55.973
An accident.

00:34:56.641 --> 00:34:58.684
An accident I couldn't prevent.

00:34:58.893 --> 00:35:01.104
Again. Resigned and disillusioned.

00:35:01.270 --> 00:35:03.147
Disillusioned. Right.

00:35:05.733 --> 00:35:08.903
An accident I couldn't prevent.

00:35:09.487 --> 00:35:12.406
Resigned, disillusioned
and distressed.

00:35:14.158 --> 00:35:17.245
An accident I couldn't prevent.

00:35:18.246 --> 00:35:21.249
-That's it.
- Yes, I...

00:35:21.415 --> 00:35:23.417
That's the way, guys.

00:35:23.793 --> 00:35:25.962
I promise to shut up.

00:35:26.087 --> 00:35:27.547
It's all yours.

00:35:27.672 --> 00:35:28.714
Action.

00:35:30.341 --> 00:35:33.970
We've done three rehearsals.
Six to go.

00:35:34.220 --> 00:35:38.307
I never understood that.
Nine seemed like very few.

00:35:38.808 --> 00:35:42.520
Sorry, it's the best I can do
with my schedule.

00:35:42.728 --> 00:35:43.980
Sure, but...

00:35:44.730 --> 00:35:47.692
You always have to rehearse
according to what the work requires.

00:35:49.527 --> 00:35:53.114
Sometimes rehearsing too much
can overcook the thing.

00:35:53.281 --> 00:35:55.908
Too much, no, what's necessary.

00:35:56.075 --> 00:35:57.869
Don't worry about it.

00:35:58.035 --> 00:36:01.038
We're rehearsing for nine days
because that's enough.

00:36:01.330 --> 00:36:04.000
Lola, sorry, you've finished
with the rock, haven't you?

00:36:19.348 --> 00:36:22.059
-But...
-Guys, you're so gullible.

00:36:22.226 --> 00:36:23.728
It's cardboard.

00:36:24.478 --> 00:36:25.563
-Ready?
-Got it.

00:36:25.730 --> 00:36:27.648
-Straight to Instagram, eh?
-Yeah, yeah.

00:36:27.815 --> 00:36:28.816
Let's go.

00:36:30.818 --> 00:36:32.486
Go, go.

00:36:34.655 --> 00:36:36.699
What a wanker.

00:36:40.036 --> 00:36:42.371
So the idea is to fly
on Tuesday the 21st.

00:36:42.580 --> 00:36:43.915
In the morning, early.

00:36:45.249 --> 00:36:46.250
Excuse me.

00:36:47.418 --> 00:36:48.753
Lola, yes?

00:36:49.670 --> 00:36:50.630
Yes.

00:36:52.089 --> 00:36:53.382
Fine, I'll put it on speaker.

00:36:53.716 --> 00:36:55.259
It's Lola.

00:36:56.552 --> 00:36:58.471
Hi, guys, how are you?

00:36:58.679 --> 00:37:00.765
I wanted to ask you a favour.

00:37:00.932 --> 00:37:05.144
Maybe the next day you could
bring some of your awards.

00:37:06.938 --> 00:37:09.273
Hi, Lola, it's Félix.

00:37:09.440 --> 00:37:12.235
Do you mean the trophies,
the statues?

00:37:12.401 --> 00:37:16.864
Yes, some of the 35 you said.
Whatever's easy.

00:37:18.491 --> 00:37:21.244
We'll be doing an exercise
with them, okay?

00:37:21.452 --> 00:37:22.995
-Okay.
-Great. See you later.

00:37:23.204 --> 00:37:24.413
See you later. Great.

00:37:24.622 --> 00:37:26.374
Good, let's resume.

00:37:26.749 --> 00:37:29.919
I was saying that we'd leave
early on the 21st

00:37:30.127 --> 00:37:31.879
and we'd be just over a week

00:37:32.046 --> 00:37:35.341
until the final scenes
and some exteriors.

00:37:35.549 --> 00:37:38.219
-Exactly seven working days.
-Yes, as long as it doesn't rain.

00:37:38.469 --> 00:37:41.472
One thing.
When I travel, I always get

00:37:41.806 --> 00:37:45.685
the cheapest ticket,
never first class.

00:37:46.018 --> 00:37:48.187
Take that into account, please.
It's important.

00:37:48.354 --> 00:37:49.355
Why?

00:37:49.522 --> 00:37:51.065
It's an ethical question.

00:37:51.315 --> 00:37:52.400
Ethical?

00:37:52.566 --> 00:37:55.945
I hate being forced
to have privileges.

00:37:56.153 --> 00:37:56.195
Besides, when I get on the plane
and pass through first class,

00:37:56.320 --> 00:37:59.365
Besides, when I get on the plane
and pass through first class,

00:37:59.532 --> 00:38:04.036
I check out the turd
and *** faces up front.

00:38:04.370 --> 00:38:07.206
Iván, I like you more every day.

00:38:08.249 --> 00:38:10.501
-I have to go. I have classes.
-Fine.

00:38:16.257 --> 00:38:20.052
Sorry I'd like to comment
briefly on Félix's food.

00:38:20.261 --> 00:38:21.304
Let's see...

00:38:21.512 --> 00:38:24.056
It has to be macrobiotic,
ecological,

00:38:24.265 --> 00:38:26.684
gluten-free, all made in Spain.

00:38:35.484 --> 00:38:36.485
Félix.

00:38:39.739 --> 00:38:40.865
Félix.

00:38:45.119 --> 00:38:46.370
Félix.

00:38:53.294 --> 00:38:54.503
Félix.

00:38:57.965 --> 00:38:59.133
Félix!

00:39:03.846 --> 00:39:05.097
Félix!

00:39:07.600 --> 00:39:08.809
Félix!

00:39:11.395 --> 00:39:12.688
Félix!

00:39:14.231 --> 00:39:15.483
Félix!

00:39:18.903 --> 00:39:20.488
Cool, I like it.

00:39:20.654 --> 00:39:21.822
Yeah, yeah.

00:39:57.608 --> 00:40:01.237
I'm starting to worry
because this isn't it.

00:40:01.404 --> 00:40:02.488
This isn't it.

00:40:02.863 --> 00:40:06.617
Where are the sofa fabrics
I approved the other day?

00:40:07.159 --> 00:40:08.327
Here.

00:40:09.703 --> 00:40:11.497
Look, this is it.

00:40:11.664 --> 00:40:13.290
This one, this one.

00:40:13.457 --> 00:40:14.458
Not this one.

00:40:14.625 --> 00:40:16.168
See the difference?

00:40:16.669 --> 00:40:18.504
-Yes, I think so.
-You see?

00:40:19.463 --> 00:40:23.676
The curtains are from the house
of a simple, small-town guy.

00:40:23.968 --> 00:40:25.970
Yes, he has money,
but we have to imagine

00:40:26.137 --> 00:40:30.057
what he thinks is refined,
a rough, unrefined guy.

00:40:30.266 --> 00:40:33.894
What does he think is refined?
Not the art director. Got it?

00:40:34.103 --> 00:40:37.440
I've got it.
It's about this man's aspiration.

00:40:37.606 --> 00:40:38.774
-Exactly.
-Lola.

00:40:39.066 --> 00:40:42.820
Iván should've come half an hour ago.
I've called him three tiroes.

00:40:42.987 --> 00:40:44.822
-Call from my phone.
-Yes.

00:40:45.030 --> 00:40:46.115
Well, Susana, that's it.

00:40:46.365 --> 00:40:50.369
Check the notes, that's why I spent
seven hours looking at fabrics.

00:40:55.833 --> 00:40:57.668
-Hello?
-Iván, hello.

00:40:58.169 --> 00:41:00.171
-Lola?
-No, it's Julia.

00:41:00.296 --> 00:41:03.132
I'm calling from Lola's mobile,
my battery's run out.

00:41:03.299 --> 00:41:04.049
Sure.

00:41:04.258 --> 00:41:06.677
Iván, you do remember
that we start at 2 o'clock?

00:41:06.886 --> 00:41:08.721
Yes, it's in my diary,

00:41:08.888 --> 00:41:11.599
but since I was made to wait
in the last rehearsal

00:41:11.765 --> 00:41:14.143
and the one before,

00:41:14.518 --> 00:41:16.729
etcetera, etcetera,

00:41:16.896 --> 00:41:19.440
today I'll make them wait
two hours to make up for it.

00:41:19.648 --> 00:41:21.192
And I'm charging for it.

00:41:21.484 --> 00:41:23.777
I'll see you at 4 pm.

00:41:23.944 --> 00:41:25.529
I'll be on time.

00:41:34.246 --> 00:41:35.915
Sorry.

00:41:36.081 --> 00:41:37.249
It's...

00:41:38.083 --> 00:41:41.712
a series about an astronaut.

00:41:43.714 --> 00:41:46.258
On the way back in a spaceship,

00:41:46.467 --> 00:41:49.386
he lands on an island
inhabited by savages

00:41:49.553 --> 00:41:52.431
who've never had any contact
with civilization.

00:41:52.598 --> 00:41:54.266
I play the astronaut.

00:41:54.433 --> 00:41:55.226
How awful.

00:41:55.434 --> 00:41:59.104
It's so bad, it could be great, eh?

00:41:59.271 --> 00:42:02.816
-Mark my words.
-Yes, great.

00:42:09.698 --> 00:42:10.950
This is nice.

00:42:11.200 --> 00:42:14.912
What a waste.
Nobody's ever used it.

00:42:16.163 --> 00:42:19.833
For a pharmaceutical congress,
at the very most.

00:42:23.462 --> 00:42:26.257
These are just some of them.

00:42:26.799 --> 00:42:30.427
From right to left,
the San Sebastián Silver Shell,

00:42:30.636 --> 00:42:32.346
two Golden Globes,

00:42:32.513 --> 00:42:35.349
the Volpi Cup from the Venice festival,

00:42:35.516 --> 00:42:37.726
and two of my five Goyas.

00:42:37.893 --> 00:42:40.020
The other three
are in my home in Saint-Tropez.

00:42:40.229 --> 00:42:43.148
The rest are in
the Los Angeles house.

00:42:43.357 --> 00:42:45.818
-A lot.
-Why did you make us bring them?

00:42:46.527 --> 00:42:49.071
We're going to do
a little thing with them.

00:42:49.321 --> 00:42:50.823
Yours, Iván?

00:42:52.825 --> 00:42:54.702
I don't have nearly as many.

00:42:54.910 --> 00:42:57.913
Obviously, I must be
a much worse actor.

00:42:59.039 --> 00:43:02.710
The Medal for Excellence
in the Performing Arts,

00:43:03.711 --> 00:43:05.546
a Max Award...

00:43:07.464 --> 00:43:10.217
And this is the most important of all.

00:43:11.969 --> 00:43:15.723
I was given it at a school
for disabled children.

00:43:15.889 --> 00:43:17.933
I went to teach the kids there.

00:43:18.100 --> 00:43:19.518
They made it themselves.

00:43:19.768 --> 00:43:22.813
A beautiful experience.

00:43:22.980 --> 00:43:24.815
-Shall we start?
-Yes, let's start.

00:43:45.044 --> 00:43:47.504
Trust, trust, guys.

00:43:49.965 --> 00:43:52.885
I want you to lose
all autonomy, all of it.

00:43:53.886 --> 00:43:56.639
One is anchored to the other,
and vice versa.

00:43:56.972 --> 00:43:58.265
There are two of them.

00:43:59.767 --> 00:44:03.228
Two, but subordinate
to a single path.

00:44:03.437 --> 00:44:05.731
They are two, but with one "I".

00:44:05.939 --> 00:44:09.234
With a deformed "I",
it's deformed.

00:44:09.860 --> 00:44:14.031
It's one of the things I like most
about the novel, if not the most.

00:44:15.115 --> 00:44:18.369
The body as an enclosure,

00:44:19.203 --> 00:44:21.497
a prison and a sentence,

00:44:22.998 --> 00:44:26.919
where the skin is merely
a casing, a vessel.

00:44:28.045 --> 00:44:29.296
One.

00:44:30.631 --> 00:44:31.924
One only.

00:44:42.101 --> 00:44:42.768
Curtain!

00:45:22.391 --> 00:45:23.475
No! No!

00:45:25.853 --> 00:45:27.563
*** ...!

00:45:29.356 --> 00:45:31.358
No, Lola!

00:45:34.445 --> 00:45:36.238
Not that, no!

00:45:49.168 --> 00:45:50.210
No!

00:45:52.212 --> 00:45:53.297
No!

00:45:57.134 --> 00:46:00.179
No, not that, please!

00:46:06.226 --> 00:46:07.644
*** ...!

00:46:10.022 --> 00:46:11.064
Not that!

00:46:13.567 --> 00:46:14.735
Not that!

00:46:19.448 --> 00:46:20.699
Not that!

00:46:21.074 --> 00:46:22.201
No!

00:46:22.659 --> 00:46:23.660
No, no!

00:46:25.120 --> 00:46:26.121
No!

00:46:30.209 --> 00:46:31.877
Lola, no!

00:46:33.962 --> 00:46:36.673
My Silver Lion for Best Director

00:46:36.882 --> 00:46:39.968
and my Palme d'Or
for Best Picture.

00:46:44.056 --> 00:46:45.390
*** it.

00:46:50.395 --> 00:46:53.690
Well, it seems the awards
we're good for something.

00:46:55.275 --> 00:46:56.443
Gentlemen,

00:46:57.402 --> 00:46:59.905
an exercise on the ego.

00:47:00.739 --> 00:47:02.366
What is she doing, the ...?!

00:47:02.533 --> 00:47:06.370
Guys, 15 minutes break
and we go to 63.

00:47:07.663 --> 00:47:08.455
Take it easy, Félix!

00:47:08.747 --> 00:47:12.125
Give me one reason,
one, to justify what you did!

00:47:12.334 --> 00:47:15.045
Why the ... hell
did you do that?

00:47:15.212 --> 00:47:17.589
-To transform.
-Do you know what it means to us?

00:47:17.756 --> 00:47:20.092
To transform, that's the reason.
It transforms.

00:47:20.259 --> 00:47:22.970
Transform... I'll turn your face
into a Picasso!

00:47:23.178 --> 00:47:24.054
Take it easy, Félix.

00:47:24.263 --> 00:47:27.349
-That was nuts. We'll talk about this.
-Whenever you like, Iván.

00:47:27.516 --> 00:47:28.767
She's crazy.

00:47:30.894 --> 00:47:32.688
I'm sending a stack of lawyers!

00:47:32.855 --> 00:47:34.690
I'm so scared.
Give them my address.

00:47:34.857 --> 00:47:38.360
-4310 Segurola and La Habana, 7th floor.
-They'll be there!

00:49:18.043 --> 00:49:21.546
Félix's lawyers demand that
the destroyed awards are replaced

00:49:21.713 --> 00:49:24.716
and their client reimbursed
for non-material damages.

00:49:24.841 --> 00:49:26.885
***, "non-material damages"...

00:49:27.177 --> 00:49:27.844
Let's see?

00:49:28.095 --> 00:49:32.182
Duplicates of the six you destroyed
comes to 83,000 euros.

00:49:32.349 --> 00:49:35.894
I don't care, they can work it out
with the producer, not me.

00:49:36.520 --> 00:49:39.272
The catering people are here.
You asked to try the food...

00:49:39.523 --> 00:49:42.442
-No, don't depress me with that today.
-Fine.

00:49:42.651 --> 00:49:46.863
The day I got out,
I wanted to go back to jail.

00:49:47.280 --> 00:49:48.740
No, no.

00:49:48.991 --> 00:49:50.575
-What?
-No.

00:49:50.784 --> 00:49:51.743
Don't look at him.

00:49:51.910 --> 00:49:52.744
Don't look at him,

00:49:52.953 --> 00:49:54.913
and when you do, at the end,

00:49:55.080 --> 00:49:58.333
I want you to bore into him
with your look, to see his soul.

00:49:58.500 --> 00:49:59.543
Again.

00:50:02.504 --> 00:50:03.547
Action.

00:50:05.382 --> 00:50:07.009
The day I...

00:50:07.175 --> 00:50:08.176
No.

00:50:08.343 --> 00:50:10.512
No, no, no.

00:50:10.679 --> 00:50:11.346
But...

00:50:11.513 --> 00:50:15.809
Look, Lola, I've made
over a hundred films,

00:50:16.059 --> 00:50:20.022
and you're going to tell me
how to do my ... job?

00:50:20.230 --> 00:50:21.606
Don't ... with me.

00:50:21.815 --> 00:50:23.025
Let me do the scene once,

00:50:23.191 --> 00:50:27.487
and if you don't like it,
you come and do it, eh, cutie?

00:50:28.530 --> 00:50:29.740
Sorry.

00:50:30.824 --> 00:50:32.743
Sorry, sorry, sorry.

00:50:35.037 --> 00:50:36.246
Excuse me.

00:50:37.039 --> 00:50:39.750
Excuse me, Lola.
You too, Iván, I'm sorry.

00:50:40.042 --> 00:50:40.584
Sorry.

00:50:40.792 --> 00:50:43.336
Félix, I'm sorry,
but I have to believe it.

00:50:43.503 --> 00:50:45.881
No, no, it's just...

00:50:47.883 --> 00:50:50.052
I'm upset about a personal matter.

00:50:50.218 --> 00:50:52.012
It's my problem

00:50:52.179 --> 00:50:54.890
and I took it out on you.
I'm sorry. I'm sorry.

00:50:55.057 --> 00:50:57.851
Did you fight with your new call girl?

00:50:58.018 --> 00:51:00.604
Okay, it's fine,
we all have bad days.

00:51:00.854 --> 00:51:01.855
Yes.

00:51:02.147 --> 00:51:05.609
-From the top.
-Lola, Lola, wait. Iván...

00:51:08.403 --> 00:51:10.405
I have something to tell you.

00:51:11.823 --> 00:51:14.743
It's very hard to say,

00:51:14.910 --> 00:51:17.579
but I think you both should know.

00:51:18.580 --> 00:51:20.248
It turns out...

00:51:20.707 --> 00:51:22.834
I don't want to shake you up.

00:51:23.210 --> 00:51:27.589
If there's anything I don't want,
it's to be pitied.

00:51:29.216 --> 00:51:31.009
First of all, I'm fine,

00:51:31.676 --> 00:51:35.055
as well as one can be
under the circumstances.

00:51:35.806 --> 00:51:37.682
Anyway...

00:51:37.849 --> 00:51:40.685
I'd better get to the point,
come straight out with it.

00:51:41.186 --> 00:51:43.438
Earlier this month

00:51:43.605 --> 00:51:46.942
I had a medical check-up and...

00:51:47.400 --> 00:51:49.319
the results weren't good.

00:51:50.529 --> 00:51:53.031
Not good at all.

00:51:54.616 --> 00:51:57.244
Adenocarcinoma of the pancreas.

00:51:58.870 --> 00:52:00.205
Cancer.

00:52:01.331 --> 00:52:02.499
And...

00:52:03.500 --> 00:52:07.838
the prognosis isn't encouraging.

00:52:08.713 --> 00:52:11.049
I have to have more tests,

00:52:11.216 --> 00:52:14.177
but if they confirm
what seems to be...

00:52:14.886 --> 00:52:16.346
a fact,

00:52:17.055 --> 00:52:19.349
I have at most a year left.

00:52:25.355 --> 00:52:26.773
But...

00:52:28.775 --> 00:52:30.735
Is there no treatment?

00:52:32.195 --> 00:52:35.615
Yes, but it's very invasive and...

00:52:36.408 --> 00:52:38.326
I decided not to do anything.

00:52:39.035 --> 00:52:40.829
I'm just on palliatives.

00:52:43.039 --> 00:52:45.750
I haven't cancelled any project.

00:52:46.168 --> 00:52:49.212
I'm carrying on with
my normal life while I can.

00:52:53.508 --> 00:52:54.759
I want...

00:52:56.511 --> 00:52:58.597
I want death to catch me
living my life.

00:53:02.517 --> 00:53:07.230
Lola, Iván, I want my last film
to be a great film.

00:53:09.191 --> 00:53:11.443
And I'm going to do my utmost,

00:53:11.610 --> 00:53:13.236
absolutely.

00:53:15.447 --> 00:53:19.868
Maybe I can even channel
this painful experience

00:53:20.827 --> 00:53:23.163
to nourish my character.

00:53:25.040 --> 00:53:27.667
Count on my help
for whatever you want.

00:53:29.002 --> 00:53:30.337
Thank you.

00:53:32.547 --> 00:53:35.342
We're going to make
a ... great film.

00:53:40.055 --> 00:53:43.058
Forgive my mood swings
and these outbursts, but...

00:53:43.308 --> 00:53:45.894
this medication has got me...

00:53:46.144 --> 00:53:47.938
kind of crazy.

00:53:48.188 --> 00:53:50.690
Everything disturbs me and...

00:54:03.203 --> 00:54:04.412
Julia.

00:54:05.914 --> 00:54:06.998
Can you hear me?

00:54:10.794 --> 00:54:14.214
What I'm going to tell you
is between us, okay?

00:54:16.258 --> 00:54:19.177
Félix is sick. He has cancer.

00:54:20.679 --> 00:54:23.515
Yes, awful. He told us today.

00:54:23.682 --> 00:54:25.517
He hasn't long to live.

00:54:27.310 --> 00:54:29.729
So we have to shoot sooner.

00:54:29.896 --> 00:54:31.481
Yes, two weeks.

00:54:32.774 --> 00:54:34.484
Yes, yes, sure we can.

00:54:34.651 --> 00:54:37.112
We have to start on the 21st.

00:54:37.779 --> 00:54:40.198
I don't know, nor do I care.

00:54:40.407 --> 00:54:43.368
PANCREATIC CANCER:
WHY IS IT THE DEADLIEST?

00:54:56.881 --> 00:54:59.634
DENTAL BLEACHING

00:55:39.924 --> 00:55:44.179
Losing one of your actors
as soon as you start shooting.

00:55:47.640 --> 00:55:49.309
What a disaster.

00:55:49.934 --> 00:55:52.979
How was I to know
he was going through all this?

00:55:53.146 --> 00:55:56.316
He looks fine,
always full of energy.

00:55:56.608 --> 00:55:58.401
It's horrible, yes.

00:55:58.777 --> 00:56:00.153
It's really tough.

00:56:01.404 --> 00:56:05.158
And it's a nasty cancer.

00:56:05.950 --> 00:56:08.661
And I'm demanding so much
from you, so much...

00:56:09.829 --> 00:56:12.374
Have I treated you so badly?

00:56:14.209 --> 00:56:16.419
You didn't know.

00:56:19.964 --> 00:56:22.842
It doesn't matter,
I'm a goddamn monster.

00:56:23.385 --> 00:56:26.304
It's because I suffer,
I suffer a lot with my films.

00:56:26.471 --> 00:56:30.016
I tried to do it differently,
but I can't. I don't know.

00:56:31.684 --> 00:56:33.103
Lola, sorry.

00:56:33.269 --> 00:56:35.939
Félix's mobile is off.
He's half an hour late.

00:56:36.147 --> 00:56:38.274
Don't call him again, my God.

00:56:42.904 --> 00:56:45.490
Poor guy must be with the doctors.

00:56:47.909 --> 00:56:50.745
What the ... do we do now?

00:56:55.959 --> 00:56:58.586
Lola, I want to
tell you something because...

00:56:59.838 --> 00:57:02.799
I keep thinking about it too.

00:57:04.592 --> 00:57:06.261
If it gets worse...

00:57:06.428 --> 00:57:10.306
We hope not, of course,
we hope not.

00:57:12.058 --> 00:57:15.103
But if Félix can't go on,

00:57:17.188 --> 00:57:20.442
I could play both roles.

00:57:23.403 --> 00:57:26.072
Two brothers,
one with a beard,

00:57:26.239 --> 00:57:28.408
the other without a beard...

00:57:29.075 --> 00:57:30.952
Or they could be twins.

00:57:31.953 --> 00:57:33.496
Why not?

00:57:33.997 --> 00:57:35.331
Whatever.

00:57:39.752 --> 00:57:41.838
It's an idea, that's all.

00:57:53.808 --> 00:57:55.643
Oh, this stress.

00:57:58.271 --> 00:57:59.939
It's all fine, fine.

00:58:00.940 --> 00:58:02.317
Did you rest up?

00:58:02.484 --> 00:58:05.612
Yes, I had a tiny domestic problem.

00:58:05.820 --> 00:58:08.948
I was arguing with my ex-wife
all morning

00:58:09.115 --> 00:58:12.785
because the ... wants to stay
in my house in Saint-Tropez.

00:58:13.036 --> 00:58:14.120
Do you know Saint-Tropez?

00:58:14.746 --> 00:58:16.456
Beautiful beaches.

00:58:16.623 --> 00:58:18.333
Great nightlife too.

00:58:20.126 --> 00:58:23.588
But she knows about
your disease, right?

00:58:24.797 --> 00:58:25.965
What disease?

00:58:26.382 --> 00:58:28.593
Oh, no, no... the cancer thing?

00:58:28.760 --> 00:58:30.762
No, she doesn't because...

00:58:31.095 --> 00:58:32.639
it's a lie.

00:58:33.097 --> 00:58:34.098
It's a lie.

00:58:34.265 --> 00:58:38.353
How can I be sick?
Just look at me.

00:58:38.561 --> 00:58:40.188
I did it as...

00:58:40.688 --> 00:58:42.774
a performance for you two,

00:58:42.941 --> 00:58:46.653
a little acting demonstration.

00:59:11.427 --> 00:59:12.929
So intense.

00:59:14.138 --> 00:59:15.348
You do realize, right?

00:59:15.598 --> 00:59:17.850
You don't play with that.
You son of a ....

00:59:18.059 --> 00:59:20.270
A son of a ......

00:59:20.812 --> 00:59:22.897
but a great actor too, clearly,

00:59:23.064 --> 00:59:26.067
because you bought it,
hook, line and sinker.

00:59:33.449 --> 00:59:35.493
You destroyed something
very fragile, Félix.

00:59:35.660 --> 00:59:37.495
You destroyed it.

00:59:37.829 --> 00:59:39.664
And you destroyed those awards.

00:59:39.831 --> 00:59:41.583
-Don't speak.
-Huh?

00:59:41.874 --> 00:59:43.167
Don't say anything.

00:59:45.545 --> 00:59:48.006
Lola, what happened?

00:59:48.298 --> 00:59:50.967
I can have a ton of things
going around my mind,

00:59:51.092 --> 00:59:54.512
and it works perfectly,
despite the chaos.

00:59:54.679 --> 00:59:58.641
Now this absurd, childish thing
between you two comes up,

00:59:58.808 --> 01:00:01.102
and it's like a rock to the head,

01:00:01.394 --> 01:00:04.063
I go into a kind of blackout.

01:00:04.606 --> 01:00:06.357
***, you're getting to know me

01:00:06.566 --> 01:00:09.444
and you know that
I'm very, very sensitive.

01:00:09.694 --> 01:00:11.029
Is it a gift? Yes.

01:00:11.195 --> 01:00:14.449
Do I have a hard time?
Yes, I do!

01:00:15.742 --> 01:00:20.079
Is this about whose *** is bigger,
who is more macho?

01:00:20.455 --> 01:00:22.665
No, Lola, it's not.

01:00:22.832 --> 01:00:26.127
In my case, I can assure you
that it's not like that.

01:00:26.794 --> 01:00:28.588
Look, however...

01:00:29.547 --> 01:00:32.800
out of place, stupid,
even unpleasant

01:00:32.967 --> 01:00:35.762
what Félix did may be,

01:00:37.180 --> 01:00:39.265
I mean... well...

01:00:39.432 --> 01:00:41.559
There's competition,

01:00:41.726 --> 01:00:43.186
there always is.

01:00:43.394 --> 01:00:45.813
But in this case the situation,

01:00:46.230 --> 01:00:48.733
and I want to make this clear,

01:00:49.233 --> 01:00:50.777
it's objective,

01:00:52.236 --> 01:00:53.863
it's reality,

01:00:54.072 --> 01:00:56.658
it can't be concealed.

01:00:56.991 --> 01:01:01.829
It's easy to see which one
of us has the most talent.

01:01:03.247 --> 01:01:04.332
Come here.

01:01:05.375 --> 01:01:09.337
Come over here.
It's good for you to hear too.

01:01:09.796 --> 01:01:13.758
I'm saying that one
can tell very clearly

01:01:13.925 --> 01:01:15.927
who is the better actor

01:01:16.469 --> 01:01:18.596
between Félix and me.

01:01:18.763 --> 01:01:20.348
And it's Félix.

01:01:20.598 --> 01:01:24.519
Félix is a better actor than I am.

01:01:25.311 --> 01:01:27.355
You know how to reach...

01:01:28.564 --> 01:01:31.776
the audience, the people,
the real people.

01:01:32.068 --> 01:01:34.112
On the other hand, I chose...

01:01:35.363 --> 01:01:37.281
to believe I was prestigious.

01:01:37.448 --> 01:01:41.327
I fooled myself, I told myself that
the audience wasn't at the level

01:01:42.787 --> 01:01:44.789
of what I was doing.

01:01:46.582 --> 01:01:47.667
Horrible.

01:01:48.126 --> 01:01:50.962
A whole career based

01:01:51.379 --> 01:01:53.464
on a false doctrine,

01:01:54.132 --> 01:01:57.427
comfortable and fake,
which is even worse.

01:01:59.137 --> 01:02:01.973
And I ended up realising,
working here with you,

01:02:02.265 --> 01:02:04.892
and it's what I owe you,

01:02:06.060 --> 01:02:10.398
that true artistic daring
lives in moving

01:02:11.774 --> 01:02:14.235
the common people,
the common audience.

01:02:14.777 --> 01:02:18.406
And that's tremendously hard,
extremely hard.

01:02:18.573 --> 01:02:20.783
Félix does it,

01:02:22.410 --> 01:02:24.328
hats off, like no one else.

01:02:24.662 --> 01:02:25.747
Like the best.

01:02:25.955 --> 01:02:27.832
You're the master.

01:02:30.042 --> 01:02:31.461
I have to tell you that.

01:02:33.045 --> 01:02:34.756
Iván, I don't...

01:02:35.173 --> 01:02:38.468
I'm very grateful
for your words, really.

01:02:39.302 --> 01:02:42.764
For someone with your career
to speak like that...

01:02:43.931 --> 01:02:46.517
You're the master of acting,

01:02:46.684 --> 01:02:49.145
and for me what you said

01:02:49.312 --> 01:02:51.773
is better than any award.

01:02:52.774 --> 01:02:55.985
Lola, I'll always be
grateful to you

01:02:56.152 --> 01:02:58.863
that you had the idea
to put us together.

01:03:01.032 --> 01:03:05.161
I must say that I also had
a lot of prejudices against you.

01:03:05.578 --> 01:03:09.123
The great master,
the one who knows the most...

01:03:09.499 --> 01:03:12.794
But I've seen that
you're all that and more.

01:03:13.628 --> 01:03:16.297
An actor in capital letters.

01:03:17.423 --> 01:03:19.926
And I'm sure that this film

01:03:20.092 --> 01:03:23.012
will see you recognised
by the general public.

01:03:23.888 --> 01:03:24.931
Yes, sir.

01:03:26.265 --> 01:03:29.685
I was returning the courtesy, Félix.

01:03:31.187 --> 01:03:32.522
I was acting.

01:03:32.688 --> 01:03:34.982
You believed it, eh? I got you.

01:03:35.691 --> 01:03:36.818
The general public

01:03:37.777 --> 01:03:41.489
is a mass of ignorant,
passive people with no ideas,

01:03:41.656 --> 01:03:42.949
and actors like you

01:03:43.699 --> 01:03:47.829
leave the audience
even more stultified.

01:03:49.080 --> 01:03:50.957
And you always give them
the same thing.

01:03:51.123 --> 01:03:53.793
Pure banal entertainment,

01:03:53.960 --> 01:03:57.505
which doesn't even entertain me,
incidentally.

01:03:57.672 --> 01:04:00.633
That's what I really think.

01:04:00.758 --> 01:04:02.677
Sorry, Lola, sorry.

01:04:03.135 --> 01:04:04.303
Forgive me.

01:04:04.887 --> 01:04:07.515
One-all. We're tied.

01:04:13.312 --> 01:04:14.522
That's true.

01:04:14.689 --> 01:04:17.066
No one likes how I act.

01:04:17.233 --> 01:04:18.568
Except the audience.

01:04:18.734 --> 01:04:20.111
No less.

01:04:20.278 --> 01:04:23.072
-Julia, when's the next rehearsal?
-Thursday.

01:04:23.281 --> 01:04:24.490
Thursday.

01:04:26.033 --> 01:04:28.035
Good, because I can't
handle you two anymore.

01:04:28.202 --> 01:04:29.495
No rehearsal today.

01:04:29.662 --> 01:04:31.247
Until Thursday.

01:04:36.878 --> 01:04:38.379
Amazing.

01:04:38.880 --> 01:04:40.756
I totally believed it.

01:04:41.716 --> 01:04:43.676
You as an audience believed it,

01:04:43.843 --> 01:04:47.388
but I believed it first,
do you understand?

01:04:47.555 --> 01:04:48.264
Sure.

01:04:48.472 --> 01:04:50.892
I have to believe it
so that you do.

01:04:51.058 --> 01:04:53.436
I never tire of telling my students:

01:04:53.603 --> 01:04:58.149
It's not about repeating the text,
but thinking like the character.

01:04:58.316 --> 01:05:00.151
If you think like the character,

01:05:00.318 --> 01:05:03.905
if you've captured
the mind of the character,

01:05:04.071 --> 01:05:06.115
the rest comes by itself.

01:05:06.282 --> 01:05:07.617
It's as simple

01:05:07.783 --> 01:05:10.161
and as complex as that.

01:05:10.328 --> 01:05:11.370
Excuse me.

01:05:14.540 --> 01:05:15.917
YOU'RE FIRED YOU IDIOT

01:05:16.083 --> 01:05:17.251
Is something wrong?

01:05:17.293 --> 01:05:17.793
Is something wrong?

01:05:54.330 --> 01:05:55.456
Excuse me.

01:05:56.082 --> 01:05:57.625
Félix, Iván,

01:05:57.875 --> 01:06:00.002
Lola just told me she's not coming.

01:06:00.211 --> 01:06:02.421
I'll read the message.

01:06:02.755 --> 01:06:07.093
"Tell them this is today's rehearsal,
the experience of coming in vain.

01:06:07.426 --> 01:06:10.262
This question mark,
the void of the unforeseen,

01:06:10.429 --> 01:06:13.099
will make them think
about themselves.

01:06:13.265 --> 01:06:14.976
I'll see them on Tuesday."

01:06:16.602 --> 01:06:17.728
Sorry.

01:06:21.607 --> 01:06:22.817
Holy ***, man.

01:06:22.984 --> 01:06:25.069
Holy ***.

01:06:25.361 --> 01:06:28.990
Let's not give this nutcase
the satisfaction of a comment.

01:06:29.573 --> 01:06:31.075
What a ....

01:06:31.784 --> 01:06:33.869
Goddamn ....

01:06:35.246 --> 01:06:36.122
*** ...!

01:06:58.602 --> 01:07:01.814
-Wonderful.
-Yes, it's great, great.

01:07:01.981 --> 01:07:06.777
Listen to that texture,
the dirt in the background.

01:07:06.944 --> 01:07:07.987
Can you hear it?

01:07:08.154 --> 01:07:10.031
Like a latent...

01:07:10.239 --> 01:07:12.867
Yes. Very dense.

01:07:13.159 --> 01:07:14.493
And now..

01:07:15.911 --> 01:07:18.080
Now it goes to the limit.

01:07:23.919 --> 01:07:25.629
Where is he from?

01:07:26.005 --> 01:07:28.674
He's Canadian,
but he lives in Düsseldorf.

01:07:28.883 --> 01:07:30.801
He's a performer as well.

01:07:34.096 --> 01:07:38.476
These sounds fascinate me,
that timeless, tribal banging.

01:07:38.642 --> 01:07:39.935
Listen.

01:07:43.314 --> 01:07:45.316
No, no, I think...

01:07:46.609 --> 01:07:48.194
I think it's...

01:07:49.904 --> 01:07:52.907
the man next door
nailing something.

01:07:55.159 --> 01:07:57.161
Yes, it's him, ... it.

01:08:04.001 --> 01:08:05.628
Misunderstood.

01:08:07.171 --> 01:08:08.672
Lesbian.

01:08:10.091 --> 01:08:11.759
Pretentious.

01:08:12.009 --> 01:08:13.427
Depraved.

01:08:14.762 --> 01:08:15.971
Cruel.

01:08:17.807 --> 01:08:20.017
Whore. Whore.

01:08:21.393 --> 01:08:22.686
Girl.

01:08:23.437 --> 01:08:24.688
Girl.

01:08:27.441 --> 01:08:28.651
Alone.

01:08:30.111 --> 01:08:31.612
Alone.

01:08:34.740 --> 01:08:37.201
Terrified. Terrified.

01:08:39.036 --> 01:08:40.121
Genius.

01:08:41.997 --> 01:08:43.958
Jerk.

01:08:45.000 --> 01:08:46.168
Crazy.

01:08:48.087 --> 01:08:49.171
Crazy.

01:08:50.464 --> 01:08:51.757
You're crazy.

01:08:52.716 --> 01:08:55.636
Ridiculous.

01:08:58.973 --> 01:09:00.015
Ridiculous.

01:09:00.224 --> 01:09:03.144
Sorry, I didn't want to interrupt,
but they're ready.

01:09:03.936 --> 01:09:05.980
What, what? What now?

01:09:06.147 --> 01:09:07.439
They're set.

01:09:10.401 --> 01:09:13.362
Not one ... moment
to myself, really!

01:09:13.529 --> 01:09:15.948
Not a single one.

01:09:16.240 --> 01:09:17.575
Idiot!

01:09:17.867 --> 01:09:18.784
Ignoramus!

01:09:18.951 --> 01:09:20.536
Son of a ...!

01:09:20.703 --> 01:09:21.495
Prick!

01:09:21.662 --> 01:09:22.955
***!

01:09:23.122 --> 01:09:24.290
Go ... yourself!

01:09:25.749 --> 01:09:27.126
Double ... yourself!

01:09:27.293 --> 01:09:28.335
Fathead, filth!

01:09:28.502 --> 01:09:29.295
***!

01:09:29.503 --> 01:09:30.296
Scumbag!

01:09:30.504 --> 01:09:31.463
*** eater!

01:09:31.630 --> 01:09:32.381
Leech!

01:09:32.548 --> 01:09:34.258
I *** on your teeth!

01:09:34.425 --> 01:09:36.886
Double ... your mother!

01:09:37.136 --> 01:09:39.430
Triple ... your ... mother!

01:09:39.597 --> 01:09:40.598
Nutjob!

01:09:40.764 --> 01:09:41.599
Abortion!

01:09:41.765 --> 01:09:44.101
Son of a truckful of ...es!

01:09:45.561 --> 01:09:50.399
I *** on the *** crack
and *** of your ... mother!

01:09:50.608 --> 01:09:53.944
*** your mother!
I *** on your mother's face!

01:09:54.111 --> 01:09:55.321
Not me.

01:09:55.571 --> 01:09:57.114
Not me, Iván Torres.

01:09:57.281 --> 01:10:01.076
I *** on the whole Torres family,

01:10:01.243 --> 01:10:02.912
on the Torres of the past,

01:10:03.162 --> 01:10:04.538
the present

01:10:04.705 --> 01:10:06.457
and of the future!

01:10:06.624 --> 01:10:07.791
On all the Torres!

01:10:07.958 --> 01:10:09.293
Félix Rivero,

01:10:09.460 --> 01:10:13.631
if there wasn't a lady present,
I'd beat the living *** out of you.

01:10:13.839 --> 01:10:15.299
Right, that's enough.

01:10:15.633 --> 01:10:19.386
It was just an exercise
to warm up for rehearsal.

01:10:19.553 --> 01:10:21.472
-That's enough.
-Take it easy.

01:10:21.639 --> 01:10:25.434
I'd never hit an old man
clearly in inferior shape.

01:10:25.601 --> 01:10:27.394
So speaks the kid
who's a slave to money.

01:10:27.561 --> 01:10:29.480
You're a slave too,
but for less money.

01:10:29.647 --> 01:10:30.940
Enough, enough.

01:10:31.106 --> 01:10:33.609
We rehearse in 15.
Let's go, guys.

01:10:35.236 --> 01:10:35.277
Okay, nobody interrupts
the rehearsal but me.

01:10:35.277 --> 01:10:37.071
Okay, nobody interrupts
the rehearsal but me.

01:10:37.321 --> 01:10:38.989
No one cuts for any reason.

01:10:39.156 --> 01:10:41.533
I want a full take, okay?

01:10:41.909 --> 01:10:44.954
People, this is the final scene.

01:10:45.120 --> 01:10:47.039
Julia, lights, please.

01:10:48.165 --> 01:10:49.500
Focus.

01:10:51.210 --> 01:10:52.294
Action.

01:11:08.602 --> 01:11:10.354
You hesitate for a second.

01:11:30.874 --> 01:11:31.834
Hello.

01:11:33.210 --> 01:11:34.586
I need to talk to you.

01:11:34.753 --> 01:11:38.090
Impossible. I'm about to
have dinner with my wife.

01:11:38.299 --> 01:11:39.591
Please.

01:11:39.967 --> 01:11:41.218
I can't take any more.

01:11:41.468 --> 01:11:45.139
I need to talk to you,
even if it's for the last time.

01:11:45.306 --> 01:11:46.682
-Mum and Dad...
-Don't even say their names.

01:11:46.890 --> 01:11:48.434
Please, please.

01:11:48.726 --> 01:11:51.645
Iván, you hesitate, but give in.

01:11:53.105 --> 01:11:54.315
Lucy.

01:11:56.150 --> 01:12:00.404
I'll be back in a few minutes
and we'll have dinner.

01:12:03.991 --> 01:12:07.661
-Let's get away from the house.
-Yes, that's better.

01:12:10.748 --> 01:12:15.085
Even if it's too late,
I wanted to apologise to you.

01:12:16.920 --> 01:12:18.422
Hold it there.

01:12:18.922 --> 01:12:21.508
I always competed with you.

01:12:21.717 --> 01:12:25.721
And you always protected me,
almost like a father.

01:12:26.764 --> 01:12:29.099
Now you've started a family
with Lucy

01:12:29.308 --> 01:12:34.188
and I'm sure she's made
the best choice.

01:12:37.941 --> 01:12:40.110
There's nothing...

01:12:40.819 --> 01:12:43.739
Not everything
can be expressed in words.

01:12:45.157 --> 01:12:46.784
I just want to...

01:12:48.285 --> 01:12:49.953
tell you I'm sorry...

01:12:50.996 --> 01:12:52.498
for everything.

01:12:53.082 --> 01:12:55.417
Manuel, you paid your debt.

01:12:56.627 --> 01:12:58.170
That's all over.

01:12:59.922 --> 01:13:02.424
And it was crystal clear that...

01:13:03.509 --> 01:13:06.095
you had no bad intentions.

01:13:06.929 --> 01:13:11.308
Don't think it was easy for me
to testify against you.

01:13:13.143 --> 01:13:16.480
Maybe it was my way...

01:13:16.647 --> 01:13:20.067
of putting the pain somewhere.

01:13:24.780 --> 01:13:28.117
The truth is that,
whatever happens,

01:13:30.869 --> 01:13:32.454
we're brothers.

01:13:34.289 --> 01:13:35.582
They hug.

01:13:38.252 --> 01:13:40.754
Turn, turn, turn.

01:13:43.298 --> 01:13:44.258
Now!

01:14:01.316 --> 01:14:02.901
Let's see who's in charge now.

01:14:03.110 --> 01:14:05.571
Now drag him to the foundry.

01:14:27.885 --> 01:14:29.761
And you put him in the oven.

01:14:45.194 --> 01:14:47.070
He transforms.

01:14:49.490 --> 01:14:51.074
Glasses.

01:14:56.288 --> 01:14:57.623
Cap.

01:15:06.632 --> 01:15:09.510
That's it.
The complete mutation.

01:15:10.302 --> 01:15:14.640
Now you go home
as if nothing's happened.

01:15:24.149 --> 01:15:26.235
Here the voice-over
would come in.

01:15:30.239 --> 01:15:32.991
Manuel took over the life
of his brother.

01:15:35.285 --> 01:15:38.664
No one could've mistaken
Manuel for Pedro,

01:15:39.581 --> 01:15:42.334
but Lucy and the whole town

01:15:42.501 --> 01:15:45.462
chose to pretend
that Manuel was Pedro.

01:15:47.214 --> 01:15:48.423
And full stop.

01:15:49.967 --> 01:15:52.177
Great. Smile, please.

01:16:07.359 --> 01:16:09.528
One moment, please.

01:16:12.072 --> 01:16:13.073
That's it.

01:16:17.536 --> 01:16:20.372
Thank you, everyone,
for coming today.

01:16:22.040 --> 01:16:24.793
It's a very important time
in my life.

01:16:26.712 --> 01:16:29.381
Shooting begins in two days.

01:16:31.258 --> 01:16:34.303
I want to thank these great artists,

01:16:34.469 --> 01:16:38.015
who at this stage of my life
I consider to be my friends,

01:16:38.223 --> 01:16:39.850
for joining the project.

01:16:40.684 --> 01:16:44.646
Félix and Iván,
our two greatest actors,

01:16:44.813 --> 01:16:46.815
together for the first time!

01:16:49.067 --> 01:16:50.277
Thank you very much.

01:16:52.362 --> 01:16:53.697
Lola,

01:16:54.323 --> 01:16:55.824
what can I tell you?

01:16:56.742 --> 01:16:59.161
-Sometimes you bewilder me.
-Oh, really?

01:16:59.328 --> 01:17:03.498
But I see the genius of your ideas.

01:17:03.749 --> 01:17:06.418
You know that
I consider you my friend.

01:17:08.253 --> 01:17:10.130
I was thinking

01:17:10.297 --> 01:17:12.674
it'd be great if you asked Félix...

01:17:12.841 --> 01:17:13.550
What?

01:17:13.800 --> 01:17:16.928
If you asked Félix to record
a message for Emilia,

01:17:17.054 --> 01:17:18.430
she's a huge fan of his.

01:17:18.597 --> 01:17:21.850
Don't count on me for such drivel.

01:17:23.852 --> 01:17:25.687
But she's your niece.

01:17:26.104 --> 01:17:27.356
And she's turning 15.

01:17:27.522 --> 01:17:30.525
Those things are cringeworthy.

01:17:32.152 --> 01:17:33.820
She'd die to get...

01:17:33.987 --> 01:17:35.030
Even worse.

01:17:35.197 --> 01:17:36.782
I'm sorry.

01:17:36.948 --> 01:17:41.953
I don't agree with the vile upbringing
the parents gave that poor creature.

01:17:43.121 --> 01:17:46.625
He gave out such a whomping...

01:17:47.793 --> 01:17:50.879
If we'd done it for real,
it wouldn't have been

01:17:51.088 --> 01:17:53.048
as dangerous as it was.

01:17:53.298 --> 01:17:55.467
-Félix, excuse me.
-Hi, Violeta. What's up?

01:17:55.634 --> 01:17:56.510
-How are you?
-Good, great.

01:17:56.677 --> 01:17:57.844
I wanted to ask you a favour.

01:17:57.928 --> 01:18:01.682
It's my niece's birthday
and I'd like you to record a video.

01:18:01.848 --> 01:18:03.141
-Do you mind?
-No, no.

01:18:03.308 --> 01:18:04.518
Thanks a lot.

01:18:04.685 --> 01:18:06.186
-What's her name?
-Emilia.

01:18:06.353 --> 01:18:07.688
-Emilia.
-She's turning 15.

01:18:09.398 --> 01:18:10.691
Hello, Emi.

01:18:11.066 --> 01:18:12.150
Happy birthday.

01:18:32.421 --> 01:18:33.630
Indeed!

01:18:33.964 --> 01:18:35.340
How rude.

01:18:37.926 --> 01:18:41.138
You can't leave dishes from
the first round uncollected.

01:18:41.304 --> 01:18:42.639
It's unacceptable.

01:18:42.889 --> 01:18:46.017
I don't know if you're blind
or just idiots.

01:18:46.184 --> 01:18:49.688
So stop running around
like headless chickens and do it.

01:18:49.896 --> 01:18:51.356
Sorry, right away, don't worry.

01:18:51.565 --> 01:18:54.776
No, I do worry.
Of course I worry!

01:18:55.318 --> 01:18:56.486
Don Iván!

01:18:56.653 --> 01:18:58.947
What are you doing here?
Can I help you?

01:18:59.114 --> 01:19:01.199
I need a cigarette,
have you got one?

01:19:03.285 --> 01:19:05.036
I'll smoke with you.

01:19:09.249 --> 01:19:13.754
And in the name of "charisma"
we have to endure horrible actors

01:19:13.962 --> 01:19:16.757
with a lobotomized audience
that adores them.

01:19:16.923 --> 01:19:18.759
It's a vicious circle,
where the audience...

01:19:18.925 --> 01:19:21.470
I'm dying to be with you too,

01:19:21.636 --> 01:19:23.764
but not today, it's impossible.

01:19:23.930 --> 01:19:25.682
Keep that urge for tomorrow.

01:19:25.891 --> 01:19:28.643
And that energy,
you're going to need it.

01:19:28.810 --> 01:19:31.313
Félix is without a doubt
the worst actor

01:19:31.480 --> 01:19:33.273
I've worked with in my life.

01:19:33.440 --> 01:19:37.360
It's incredible that a guy
so lacking in resources

01:19:37.527 --> 01:19:39.321
has had the career he's had.

01:19:39.488 --> 01:19:41.865
Clearly, the film industry

01:19:42.115 --> 01:19:44.743
is too generous, too generous.

01:19:44.910 --> 01:19:49.164
Lola told me
what they're paying him.

01:19:49.372 --> 01:19:50.999
-It's grotesque.
-Right.

01:19:51.458 --> 01:19:52.584
Grotesque.

01:19:52.751 --> 01:19:56.004
And the brute thinks that because
he's paid this obscene amount,

01:19:56.171 --> 01:19:57.756
because it is obscene,

01:19:57.964 --> 01:20:01.760
he's better than those of us who
get paid a reasonable amount.

01:20:02.052 --> 01:20:04.596
I'd never let them pay me
what they pay him.

01:20:04.888 --> 01:20:07.307
It'd be dishonest...

01:20:07.474 --> 01:20:09.601
pornographic, even.

01:20:10.560 --> 01:20:13.355
I totally agree, I totally agree.

01:20:13.563 --> 01:20:16.775
One is certainly not
the money one makes.

01:20:16.942 --> 01:20:18.026
I, for example...

01:20:18.193 --> 01:20:21.696
And it's not the first time
I've worked with an idiot.

01:20:21.863 --> 01:20:23.824
I'm used to it.

01:20:24.074 --> 01:20:25.242
But...

01:20:26.034 --> 01:20:29.830
this individual, so to speak,

01:20:30.080 --> 01:20:33.458
has the worst problem
anyone can have:

01:20:33.625 --> 01:20:36.086
He doesn't know
that he doesn't know it.

01:20:37.128 --> 01:20:39.172
He doesn't know
that he doesn't know it.

01:20:39.422 --> 01:20:40.465
Sure.

01:20:40.632 --> 01:20:43.510
Ignorance plus arrogance.
The worst thing.

01:20:44.135 --> 01:20:45.345
The worst thing.

01:20:47.472 --> 01:20:49.099
Anyway...

01:20:49.266 --> 01:20:52.561
I think the main thing now is...

01:20:53.770 --> 01:20:57.190
to focus on the film, isn't it?

01:21:01.653 --> 01:21:03.446
Well, I'm heading down

01:21:03.613 --> 01:21:06.783
because if I'm not there,
it all falls apart.

01:21:06.950 --> 01:21:07.826
Are you coming?

01:21:07.993 --> 01:21:08.994
No, you go.

01:21:09.160 --> 01:21:12.998
I'm ... sick
of this decadent circus

01:21:13.164 --> 01:21:16.126
of airheads, whores and the corrupt.

01:21:16.293 --> 01:21:17.419
You go.

01:21:19.170 --> 01:21:20.422
It's finished.

01:21:24.426 --> 01:21:27.178
Well, I'll get going.

01:21:35.478 --> 01:21:36.771
Anyway...

01:21:49.284 --> 01:21:50.493
Félix, buddy...

01:21:50.660 --> 01:21:51.620
Right then...

01:21:51.786 --> 01:21:54.789
Say that again,
you old piece of ***.

01:21:54.956 --> 01:21:56.458
You whinger.

01:21:56.625 --> 01:21:59.002
Let's see if your face
really is untouchable.

01:21:59.169 --> 01:22:00.420
Right then...

01:22:10.263 --> 01:22:12.349
***, ..., ....

01:22:32.494 --> 01:22:34.120
***.

01:22:45.632 --> 01:22:48.009
***

01:23:06.403 --> 01:23:07.737
Everyth ing's-fi ne.

01:23:11.324 --> 01:23:12.659
Everything's fine.

01:23:17.372 --> 01:23:19.082
Everything's fine.

01:23:31.678 --> 01:23:33.596
Yes, the Humberto Suárez Foundation.

01:23:33.763 --> 01:23:36.099
It's the third time I've called.

01:23:36.808 --> 01:23:38.226
Yeah, it was me.

01:23:43.273 --> 01:23:45.442
There's a man...!

01:23:47.444 --> 01:23:49.863
Yes, but this is
the third time I've called.

01:24:04.586 --> 01:24:05.962
-What happened?
-He jumped.

01:24:06.129 --> 01:24:08.757
-What?
-Or fell, I don't know.

01:24:10.467 --> 01:24:13.178
How many times do I have to call
for a goddamn ambulance?

01:25:31.214 --> 01:25:35.426
RIVALRY
A FILM BY LOLA CUEVAS

01:25:49.691 --> 01:25:51.192
Next question.

01:25:51.693 --> 01:25:52.777
You.

01:25:55.655 --> 01:25:58.116
First of all,
congratulations on the film.

01:25:58.283 --> 01:26:02.203
I saw it at the morning screening
and I was astounded.

01:26:02.412 --> 01:26:04.956
-The question, please.
-Yes, sorry.

01:26:05.123 --> 01:26:06.624
For Lola.

01:26:06.791 --> 01:26:10.628
In your film there is a clear
ideological position,

01:26:10.795 --> 01:26:16.968
a critique of the role of women
within the patriarchal society.

01:26:17.135 --> 01:26:20.471
The position doesn't matter,
if there was one.

01:26:21.181 --> 01:26:21.848
It doesn't matter.

01:26:22.015 --> 01:26:26.728
One has to stop doing
an ideological frisk of everything,

01:26:27.020 --> 01:26:31.316
to stop pigeonholing works
by their presumed ideology.

01:26:32.025 --> 01:26:35.820
The fact that you see
a manifesto in my film

01:26:36.321 --> 01:26:38.281
is rather reductionist,

01:26:39.657 --> 01:26:42.493
to my taste, intellectually lazy.

01:26:42.827 --> 01:26:47.790
A film isn't an affirmation,
an answer to a question,

01:26:47.957 --> 01:26:51.669
just as art does not
refer to something,

01:26:51.836 --> 01:26:54.839
but is a thing in itself.

01:26:59.093 --> 01:27:00.094
Next question.

01:27:02.430 --> 01:27:03.806
You, please.

01:27:07.143 --> 01:27:08.228
Thank you.

01:27:08.645 --> 01:27:10.772
For Félix Rivero.

01:27:12.106 --> 01:27:15.193
Iván Torres was meant to
be your co-star in this film.

01:27:15.401 --> 01:27:18.112
Then tragedy struck.

01:27:18.905 --> 01:27:23.493
How was the experience
of playing both characters?

01:27:23.660 --> 01:27:28.498
Do you have any news
of Iván's state of health?

01:27:28.748 --> 01:27:32.210
They haven't issued
a medical report for some time.

01:27:32.460 --> 01:27:34.963
Beginning with the main thing,

01:27:35.129 --> 01:27:37.882
there is no news on Iván's state.

01:27:38.675 --> 01:27:41.511
He's the same,
in a vegetative state.

01:27:42.095 --> 01:27:45.598
The diagnosis is diff...

01:27:46.766 --> 01:27:49.686
Diffuse axonal injury.

01:27:49.852 --> 01:27:50.812
Exactly.

01:27:51.062 --> 01:27:52.563
Diffuse axonal injury.

01:27:52.730 --> 01:27:55.358
He's in a deep coma,

01:27:55.525 --> 01:27:57.860
no reaction at all, poor man.

01:27:58.027 --> 01:28:01.781
From what the doctors say,
it's irreversible.

01:28:02.282 --> 01:28:04.659
It was a very tough situation,

01:28:04.826 --> 01:28:08.621
I never quite understood
what really happened.

01:28:09.247 --> 01:28:13.126
Iván was a very complex,
tortured person.

01:28:13.293 --> 01:28:15.628
Anyway... Terrible.

01:28:16.129 --> 01:28:18.673
We'll never know
what was going through his head.

01:28:18.840 --> 01:28:21.134
Personally, I'm still,

01:28:21.426 --> 01:28:24.304
as you can imagine, devastated.

01:28:24.846 --> 01:28:27.682
That's why,
when Lola told me her idea,

01:28:27.849 --> 01:28:29.767
brilliant, by the way,

01:28:29.976 --> 01:28:32.562
of playing Iván's character as well,

01:28:32.770 --> 01:28:35.523
I saw it as a tribute.

01:28:36.524 --> 01:28:37.525
And I know,

01:28:38.026 --> 01:28:39.527
I'm certain,

01:28:40.653 --> 01:28:43.614
that he would've done
the same for this film.

01:28:44.490 --> 01:28:47.160
Iván, my dear...

01:28:52.623 --> 01:28:54.208
Thank you so much,

01:28:56.377 --> 01:28:57.920
maestro.

01:28:58.629 --> 01:28:59.881
Friend.

01:29:01.049 --> 01:29:02.342
Brother.

01:29:13.644 --> 01:29:14.854
You.

01:29:17.440 --> 01:29:18.649
For Lola, please.

01:29:18.900 --> 01:29:21.944
Have you imagined what the film
would be with Iván Torres,

01:29:22.111 --> 01:29:25.948
if what unfortunately happened
hadn't happened?

01:29:29.744 --> 01:29:30.870
No.

01:29:35.416 --> 01:29:36.501
Thank you.

01:29:37.043 --> 01:29:38.878
Next question.

01:30:46.904 --> 01:30:49.323
When does a film end?

01:30:53.035 --> 01:30:54.328
Now?

01:30:55.621 --> 01:30:58.166
When the end credits come on?

01:31:00.918 --> 01:31:03.880
At the cinema exit,
when we argue about it?

01:31:05.465 --> 01:31:08.718
The next day,
a month later, a year later?

01:31:12.972 --> 01:31:15.391
Or every time we think about it?

01:31:17.810 --> 01:31:21.731
Some films end
with the closing credits.

01:31:24.692 --> 01:31:26.319
Félix...

01:31:27.528 --> 01:31:29.197
Rivero.

01:31:32.992 --> 01:31:36.996
*** son of a ....

01:31:38.289 --> 01:31:39.832
But others,

01:31:40.625 --> 01:31:41.792
believe me,

01:31:43.503 --> 01:31:46.631
may never end.